Album Reviews

Unleashing a truly psychotic and bizarrely mesmerizing release, today we have Yerûšelem and their debut release “The Sublime”. Helmed by Vindsval and W.D.Feld of Blut Aus Nord fame, this release blends Industrial elements with chilling atmospherics and sinister guitar riffs, sounding unlike anything you have heard before. This album creates a whole new dimension of music, which could be described as a mixture of Mysticum, Diabolos Rising and Manes, but with a completely different direction.

The title track opens the release with a hypnotic pace, thanks to a drony vibe with subtle electronic elements and eerie guitars. The aural madness continues with the intoxicating beats of “Autoimmunity”, a song that nicely contrasts odd vocals with a catchy tempo and punishing guitar riffs. Other tracks create a very awesome discomforting claustrophobic atmospheres like the dissonant “Eternal” and the creepy “Joyless”.

Very far removed from their days of being a Symphonic Metal powerhouse (“Mother Earth” and “The Silent Force”), Within Temptation returns after four years with “Resist”. Attempting a dead cat bounce, the band puts out an extremely overproduced release that while it might appeal to the fans the band has gained since “The Unforgiven”, it will probably completely turn off their older fan base. We rarely write bad reviews these days as we rather save the time and energy for good releases that deserve to be heard, but “Resist” was just asking for it.

The album kicks off with the first single, “The Reckoning” a song that takes about 20 seconds to realize it will be bad. With Jacoby Shaddix on guest vocals, yup, the dude from Papa Roach, this track starts the trend of overproduced tracks. The song, while trying to be heavy and melancholic falls completely flat due to their lack of imagination and passion. The trend continues with the futuristic “Endless War”, which at least has some old school vocal arrangements… at times, and the vanilla “Raise Your Banner”, which features Anders Fridén on guest vocals.

A blast from the past made it to our review queue today with Hecate Enthroned and their first album in six years “Embrace of the Godless Aeon”. We remember back in the late 90’s when bands were trying to sound like Cradle of Filth and while many tried, Hecate Enthroned was one of the few that got close. While the band got unfairly treated as a clone, we always enjoyed their spin on Symphonic/Gothic Black Metal back in those days. With a new vocalist and their signature style, the band makes a very strong comeback in 2019.

Blasting away after their atmospheric intro, “Revelations in Autumn Flame” takes us back in time with the over the top synths that nicely contrast the shrieks and blast beats. The mixture of growls and shrieks is definitely something that attracted us to the band back in the day and on tracks like “Temples that Breathe” brings back some nice memories. However, the best thing about the band is how they create sinister atmospheres thanks to the sultry voice of Sarah Jezebel Deva in “Goddess of Dark Misfits”, our favorite song in the release.

Making our start of 2019 a lot more gloomier, today we have SLOW and the re-recording of their 2015 release “IV - Mythologiæ”. Helmed by the multitalented Déhà, this outfit delivers some of the most painful and crushing Atmospheric/Funeral Doom to ever exist and with this release they unleash nearly 60 minutes of monolithic bleakness. Only for fans of bands like Thergothon, Shape of Despair, etc., this music will certainly strike a nerve with its sheer raw power.

The album kicks off with the desolate soundscape painted by “The Standing Giant”. This track starts with minimalist atmospheric elements and weeping guitars that slowly progress to powerful riffs and deep growls. The pace of this song makes it just magical, allowing the listener to be at the edge of their seat for over 10 minutes. The build-up is one of our favorite elements of the genre and on “The Drowning Angel”, we get a majestic one that takes nearly half the song but unravels into demoralizing brilliant as the song comes to a climax.