Everybody’s favorite Egyptian-inspired Brutal/Technical Death Metal outfit is finally back with another high-octane release titled “The Underworld Awaits Us All”. Featuring eleven tracks and nearly 55-minutes of music, the band returns with masterful incisive onslaughts of brutality, perfectly paired with crafty atmospheric elements and crushing tempo changes. If you are a fan of the band’s earlier work, you will love this album as it keeps things hectic and punishing from start to end.

Blasting away with “Stelae of Vultures”, we get those sweet chuggy Death Metal riffs the band is known for alongside the crushing drumming of George Kollias. Pummeling through blistering fast tracks like “To Strike with Secret Fang” and “Naqada II Enter the Golden Age”, to the traditional instrumental pieces like “The Pentagrammathion of Nephren-Ka”, Nile continues to polish their style while delivering intense pieces of music, only getting better with time.

Finally getting around to unleashing her ‘solo’ music, Simone Simons of Epica fame delivers one of the most bombastic and explosive Symphonic/Progressive Metal releases of 2024. Featuring ten tracks and over forty six minutes of music, this album shows the versatility of Simone’s vocals and creativity. With tracks reminding us from everything between Epic and Ayreon, this release will certainly be a hit with her fans and fans of the genre.

Opening with the mysterious “Aeterna”, we get a very bombastic and engaging first taste into this excellent release. More than just more of the same, the tracks in this release add electronic and progressive elements to clearly delineate that this is Simone’s own project and not just an extension of Epica. Tracks like, our personal favorite, “In Love We Rust”, really showcase her vocals in a different light, with more of an Ayreon-esque edge.

Returning with another very interesting and totally intoxicating release, today we have Manuel Gagneux and Zeal & Ardor with their latest opus “GREIF”. Featuring fourteen tracks of pure genius, this release feels more chaotic and yet more raw than their previous ones, thanks to the full incorporation of the band’s live members into songwriting and recording roles. With a very unique and hard to pin down style, the band presents a very diverse and dynamic palette of sound, ranging from completely wild experimental pieces to your ‘standard’ Black Metal-infused heaviness.

Opening with the solemn “the Bird, the Lion and the Wildkin”, we get a nice warm-up featuring crafty atmospherics and Manuel’s Signature vocals, preparing us for the madness that is to come. With a more epic feel, “Fend You Off” we get the band’s multi layered vocal approach that creates such epic soaring melodies, alongside a hefty dose of heaviness. With a great knack for catchiness, “Kilonova” creates a very lively and engaging atmosphere, with an excellent chorus section and highly addictive percussions.

As one of the most anticipated releases of 2024, today we have Italy’s Fleshgod Apocalypse marking their return with the impressive “Opera”. As their first full length release in five years, this album delivers ten tracks and nearly 45 minutes of high-octane Orchestral arrangements paired with crafty Technical Death Metal and lush vocals. With a very lively pace and masterful arrangements, this release is definitely one of the best that the band has ever released.

Setting the mood with a very operatic opener, “I Can Never Die” opens this release with pummeling drumming alongside dramatic orchestrations and the super vocals of Veronica Bordacchini. Francesco Paoli handles the growls quite well, providing masterful contrast between the female counterparts. Aside from being explosive and crafty, the band’s music perfectly exploits catchy and cinematic elements to keep this release rolling with excellent songs like “Pendulum”, “Bloodclock”, and the Omen-esque “At War With My Soul”.

As one of our favorite bands of all time, Dark Tranquillity has always consistently delivered high quality releases and “Endtime Signals” is not the exception. After shedding a few members since their 2020 release, the band returns with fourteen tracks of signature DT music, filled with dynamic guitars, immersive keyboards and Mikael Stanne’s characteristic snarl. There are definitely some minor noticeable adjustments as now Martin Brändström and Johan Reinholdz have taken over the songwriting from departed drummer Anders Jivarp.

Opening with “Shivers and Voids”, we get the traditional guitar driven DT music that we all love, full of highly melodic passages and subtle keyboards to keep things smooth and enjoyable. On “Unforgivable” we have a more dynamic style of guitar leads that have a different but still well crafted and blistering style. Johan Reinholdz is a good guitarist, but certainly not at the level of Christopher Amott, who did the leads on 2020 “Moment”.

Unleashing nearly 45 minutes of lively Melodic Death Metal, today we have Germany’s Robse and their debut release “Harlekin & Krieger”. With an old-school European Melodic DM style, this outfit delivers eleven tracks of high-octane moments filled with crafty melodic onslaughts and engaging vocals. If you are a fan of bands like Crematory, Dawn of Disease, and Night in Gales, this is another outfit that will satisfy your headbanging cravings.

After a cinematic intro, the release kicks into full gear with the crafty album title track. Paired with engaging melodic riffs, intense drumming and Robert-Martin Dahn’s harsh vocals, this track sets a very lively and engaging tone. Short, catchy, and full of melody, songs like “Hey Sturm”, “Amenthes”, and our favorite “Aus dem Gleichgewicht”, create a very seamless and enjoyable experience as the album plays. We particularly enjoy the additional elements thrown into the mix like subtle keyboards, different vocal styles, and engaging tempo changes.

Today we have a very pleasant surprise from Austria’s Ellende, a re-recorded and reinterpreted version of their amazing second release “Todbringer”. With “Todbringerin”, the band takes control of the music behind this release by re-recording it (no studio masters from the original exist) and making it available in all formats for listeners. We are huge fans of the original, and have a physical copy of that release as one of our treasured items on our collection, so we were psyched to hear how the band, eight years after, would take on such an excellent release.

Finally! After an eight year wait, True Black Dawn is back with another incisive Black Metal release titled “Of Thick-circling Shadows”. Led by Wrath (Ex-Enochian Crescent), this outfit continues to push the boundaries of the genre, creating a very thick and enveloping atmosphere while keeping things raw and quite brutal for over 45 minutes. If you are a fan of BM that is forward thinking and incorporates interesting tempo changes, and a very sickening atmosphere.

Opening with the vicious “Algol”, the band quickly sets a furious mood of harsh aggression with some restraints. After the opener, “The Depths of the Looking Glass”, “Night and Names”, and “The Wind from the Red Cloud” really show the band’s strengths in creating unique rhythmic patterns that go beyond your super repetitive tremolo-picking that is a staple of the genre. This allows for the music to be more sinister and incisive, and perfectly sets up Wrath to change the mood through his versatile vocals.

Spawned as a side project from Jan van Berlekom mastermind of Waldgeflüster, this release delivers a swift and brutal onslaught of fierce Black Metal. With over 40 minutes of music, “III” unleashes six tracks of fierce music with a certain Uada/Mgła edge and crafty atmospherics. If you are a fan of uncompromising and yet well crafted and melodic BM, this is an interesting release to check out.

Opening the release we have the oppressive guitar of “Eternal Mantra”, a fierce track that sets the tone for this high-octane and engaging release. As the crafty drums weave intricate patterns within the songs, we noticed that Austin Lunn (Panopticon) is actually performing them in this release, with tracks like “Uprise III” and “Raise a Glass” having interesting and engaging tempos. We appreciate that while the music is well polished, there are some experimental elements and melodic passages thrown into the mix to keep things interesting.

Punishing the listener with a gargantuan slab of Doom, today we have Death/Doom outfit Mourners Lament, all the way from Chile, with their latest full-length release “A Grey Farewell”. With over 64 minutes of soul crushing music, this release delivers six tracks filled with ravaging riffs, inhuman growls, and a very mournful pace. For fans of Mourning Beloveth, Shape of Despair, Skepticism, My Dying Bride, this release is packed with sorrow and melody from start to finish.

Opening with the moody “Towards Abandonment”, we get mournful guitars alongside solemn keyboards building up a very fragile and engaging momentum. With some solid slower interludes, weeping guitar leads, and excellent clean vocals, we got a nice vibe of early Lacrimas Profundere. Next up, we have a 13-minute onslaught of even more melancholy and elegant atmospheric arrangements, perfectly paired with pummeling harsh vocals and masterful tempo changes.