Two years have passed since their crushing release “Weltenasche”, and now Karg returns with a more refined and poignant release with “Dornenvögel”. As a one-man project from V. Wahntraum of Harakiri for the Sly fame, the band’s sound is quite melancholic with plenty of Post-Black Metal elements thrown into the mix. Clocking in at 76 minutes, this album has a lot of intricacies to be discovered before it fully unravels to the listener, making it a very rich listening experience.
Exploring the darker sides of Atmospheric Black Metal/Post-Black Metal, “Drangsal” starts off the release with melancholic weeping guitars and a very desolate vibe. This track nicely weaves back and forth between bleak soundscape and heavier sections filled with aggression and desperation. The dreamy and Post-Rock-ish passage in “La tristesse durera toujours” is definitely one of the best and most emotionally charged sections we have heard in a while.
Packed with tons of great releases, this 2018 fall also gives us a brand new Sylvaine album. Filled with her characteristic charisma and angelic vocals, “Atoms Aligned, Coming Undone” is another brilliant step in her career which features a more consolidated sound and plenty of memorable songs. The combination of fragility, craftsmanship and occasional burst of aggression make this release one of the best albums of 2018.
Opening with the album title track, Sylvaine slowly builds up with an intense bass guitar line that leads into dreamy vocal arrangements a very melancholic pace. The track continues with some brilliant instrumental passages that feel exploratory in nature, but very well fitting to the overall mood of the song. The Shoegazey/Post-Rock-y vibe arrives in full force with “Mørklagt” a very lush track that explores the more ethereal side of Sylvaine’s music, but not without some heavier sections thrown into the mix.
Only making us wait for ten years, we finally get another brilliant release from Noekk, even if its a short 7 inch one. With “Carol Stones and Elder Rock”, Schwadorff and Thomas Helm tease listeners with four tracks of their upcoming full length release. Full of lush and yet simple arrangements, this release continues the band’s legacy with some unique and mysterious songs that will certainly captivate fans of Dark/Folk Rock.
The wait is over with the somber intro track “A Loss”, which creates a very dark and yet mysterious atmosphere that brings you back to the band’s earlier work and reminds you as well of outfits like Of the Wand and the Moon and Empyrium. The transition to “Pan” is seamless and leads into a lush keyboard atmospherics and haunting string elements. The pace is quite well crafted as it creates a bit of an anxious feel, but at the same times soothes the listeners with its atmospherics.
As one of the most forward thinking and creative bands to come out of Norway, today we have Manes and their latest opus of madness titled “Slow Motion Death Sequence”. Featuring over 44 minutes of lush cinematic music filled with trip-hop, electronic, Metal, and even some synth-pop elements, this release further expands the band’s musical range. Constantly pushing the envelope, this release delivers nine intoxicating songs that demand attention and an open mind.
The release kicks off with the magical jazzy moodiness of “Endetidstegn”, a piece filled with dreamy atmospheric elements and lush vocal arrangements featuring Ana Carolina from Mounring Sun and the enchanting Anna Murphy of Cellar Darling. Things get futuristic with the catchy “Scion”, featuring some funky vocals and a very modern synth-pop-ish feeling. This song is one of the catchiest tracks in this release for sure.
Making justice to such a bleak title, today we have NONE’s sophomore release. Featuring over 50 minutes of the most demoralizing and gut wrenching music you will ever hear, “Life Has Gone On Long Enough” is a brutally emotional Atmospheric Black Metal release that any fan of Austere, Lifelover, Mortualia, etc. cannot miss.
After a moody opener, “A World, Dead and Gray” kicks off with crushingly dissonant guitars and punishing vocals. The atmosphere is quickly set to total bleakness by the pace songs’ pace and knack for very minimalist and yet effective keyboards. Bleeding into “Bed the Cold Earth”, NONE’s ability to continue its atmospheric endeavors is brilliant as the transitions are seamless and keep the listener fully immersed into the vibe of the release.
Unleashing one of the Doomiest and most intoxicating release of 2018, today we have Italy’s Messa and their sophomore full-length release “Feast for Water”. Featuring around 50 minutes of highly mysterious and intricately crafted music, the band perfectly combines Doom and Sludgy undertones with enchanting female vocals and oppressive atmospheric elements. If you are a fan of Jex Thoth, Jess and the Ancient Ones, Bohren Und Der Club Of Gore, and similar bands with very apocalyptic vibes, this is certainly an album for you.
After opening with the mood setting Ambient/Drone-ish “Naunet”, the band instantly makes a splash with “Snakeskin Drape” and its incisive riffs. Sara’s sultry voice instantly captures the listener’s attention thanks to its commanding presence and how it shines through the very moody music. Her unique vocals can be said to be a certain mixture of Jex Thoth, Jess from Jess and the Ancient Ones and Farida Lemouchi from The Devil’s Blood, creating a fierce presence that magically brings songs to life like jazzy “Leah” and the funky “The Seer”.
As one of the most interesting split releases of this young 2018, today we have Spectral Lore and Jute Gyte’s split “Helian”. Featuring two tracks and over 40-minutes of intense (and highly experimental) Atmospheric Black Metal, this release demonstrates the two ‘bands’ different takes and musical translation of Georg Trakl’s poem. Which each outfit delivering a chilling and unique experience, this release is certainly not for the faint of heart.
Jute Gyte kicks off the release with a very dissonant opening that slowly transitions into a trance-like state with disparate guitars and funky atmospherics. The vocals are quite disturbing, as they capitalize on the weird atmosphere generated by the repetitive riffs and dense distortion. As the track progresses, it feels like we are descending into madness as it just keeps getting more and more chaotic and bizarre. Truly unique and interesting first ‘half’ of this release.
Hailing from the USA, today we have Atmospheric Black Metal duo Veiled and their ravaging full-length debut release “Black Celestial Orbs”. Perfectly blending melancholic passages with the ravaging intensity of the USBM sound, the band unleashes nearly 40 minutes of masterful music that will instantly gain them recognition among the underground BM bands in the USA.
Opening with the intensity and violence of “Luminous”, we get a very Ash Borer-like layering of guitars and intricate drums that sets the bar quite high for this release. Coming off from the opening track’s high, “Portal” slows things down a bit before furiously pummeling the listener with crushing riffs and hellish vocals. The band’s music is a whirlwind experience of crushing passages and well-timed tempo changes that further contribute to the oppressive atmospheric experience created, as one can listen to in “Enshrouded”.
Originally released on 2017, “V – Oceans” is too much of an album to not have on vinyl, so Code666 is handling this task. Slow is a one-man project which hails from Belgium and it crafts some of the most devastating and bleak Atmospheric/Funeral Doom Metal we have ever heard. Featuring five songs, this is definitely a release you need to take in with full attention and on a dark and gloomy day.
The album starts with a very slow and mournful progression in “Aurore”. The riffing is slow and painful, allowing for the atmospheric elements to shine and lead way to the crushing growls. The band’s mastermind, Déhà, has tons of musical experience and by participating in outfits like Clouds. In Slow, he takes things even further, unleashing songs that are over 10 minutes long and perfectly paced for bleakness, just like the dreamy “Ténèbres”.
Unleashing one of the most harrowing and despair-filled releases of 2017, today we have Sweden’s Ofdrykkja and their sophomore full-length release “Irrfärd”. Featuring a highly oppressive and atmospheric sound, this band unleashes seven ravaging tracks of crushing music that is quite dense and engaging. If you are a fan of bands like Lifelover, Dodsferd and similar outfits, you will definitely enjoy this one.
The album title track starts the release with a very moody and bleak acoustic intro, just the perfect warm-up for the emotional beating to come. As “En vandrares börda” warms up, we are treated to incisive riffs that are nicely paired with clean acoustic guitars. As the mournful vocals make their entrance, the track’s sound and atmosphere tours sour, creating a very demoralizing song.