Melodic Death Metal

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    In Mourning – Afterglow (2016)

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    Four years in the making, today we have In Mourning and their killer “Afterglow” release. Featuring 56 minutes of music divided in seven tracks, the band continues to move into Progressive/Melodic Death Metal territory with this brilliant album. Showcasing influences of bands like Kalmah mixed in with elements of October Tide and other more experimental outfits, this release is definitely one of the band’s best.

    Opening with the superb melodies of “Fire and Ocean”, the band starts the release with a heavy headbanging dose. Nicely bleeding into “The Grinning Mist”, the melodic atmosphere is very well crafted and oozes to the traditional In Mourning signature sound with a few progressive elements thrown into the mix, such as the intricate bass guitar line and killer tempo changes.

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    October Tide – Winged Waltz (2016)

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    The superbly consistent October Tide return with their latest effort “Winged Waltz”, and they will surely please all their Melodic Death/Doom Metal fans with this one. Featuring eight tracks and over 50 minutes of music, this release only increases the band’s legendary status in the genre and proves they can release very similarly sounding albums that are still engaging and very entertaining.

    Since returning in 2009, Fredrik Norrman and company has managed to record an album every three years. Perfectly continuing the early Katatonia sound into the trademark October Tide style, the band’s musical strengths lie in their uncanny abilities to deliver perfectly paced melodic songs filled with emotions. After opening with the powerful “Swarm”, the band really steps it up with the very melancholic “Sleepless Sun” and its superbly crafted guitar work.

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    Except One – Haunted Humanity (2016)

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    Coming at you like an unsuspecting bag of bricks to the face, today we have Except One and their crushing release “Haunted Humanity”. Featuring an interesting mixture of Metalcore and Melodic Death Metal elements, this release instantly stands out thanks to the sheer brutality of their female singer harsh vocals and the perfect balance of melodic guitars. For fans of bands like Arch Enemy and Soilwork, this French band is a true force to be reckoned.

    Opening with the dissonance of “Rise”, we instantly get the Arch Enemy vibe, as the band perfectly managed to negotiate brutality and melody. Fronted by Estelle, the vocals are quite powerful and very fitting for the level of intensity in the band’s music. Filled with brilliant moments for headbanging, tracks like “Lost” and “Schizofriend”, showcase the band’s very talented guitar duo and their killer skills.

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    Amon Amarth – Jomsviking (2016)

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    After constantly releasing brilliant albums over the years, Amon Amarath returns today with their most mature and melodic work to date: “Jomsviking”. Taking you through an eleven track journey, the band delivers a more refined and developed version of their signature style. Focusing on melody and epicness, the songs in this album are both memorable and intoxicating, allowing the listeners to fully be immersed into the band’s world.

    Opening with the first single, “First Kill”, the band lets the listener settle in with a very traditional Amon Amarth-esque piece filled with excellent guitar work and a hefty pace. Smoothly transitioning into “Wanderer”, the music gets more serious and a bit slower, allowing the powerful riffs to lead the way. The band’s session drummer Tobben Gustafsson of Vomitory fame, does a great job in delivering intricate drum patterns and keeping things tight.

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    Hyperion – Seraphical Euphony (2016)

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    Hailing from Sweden today we have Hyperion’s brilliant debut full-length release “Seraphical Euphony”. Feeling like it was trapped on a time capsule for over 10 years, this highly melodic and catchy release features a melodic Death/Black Metal sound from the 90’s. Perfectly packaged with all the technological advances of our current time, this album is one very unique sounding release in a sea of clones and bands trying too hard to sound ‘vintage’.

    After the acoustic building up “Remnants of the Fallen”, “Novus Ordo Seclorum” is a brilliant guitar-led piece that instantly reminded us of Dissection and their legendary “Storm of the Light's Bane”. With a timeless guitar sound, tracks like “Flacellum Dei”, “Seraphical Euphony” and the dramatic “Moral Evasion” really hit that old-school spot, but at the same time combine more atmospheric elements of period bands like Dismal Euphony. We particularly enjoy how this last track evolves after an atmospheric opening and leads into balls to the wall headbanging passages.

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    Omnium Gatherum – Grey Heavens (2016)

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    Fresh off their latest run of shows through North America, Omnium Gatherum returns to deliver their most amazing release to date with “Grey Heavens”. Featuring ten tracks of majestic Melodic Death Metal, this band has graduated in the top of their class and should get a Melodic DM doctoral degree for their efforts in this release. Having refined their sound over the years, their seventh release shows uncanny maturity and expert knowledge of the genre.

    Opening with the headbanging anthem “The Pit”, the band’s melodic signature sound instantly takes center stage with their impressive parallel guitar onslaughts and furious pace. Not letting the listeners settle in too quick, “Skyline” paints a lush melodic anthem with very inspired atmospheric keyboards to go with a superbly catchy tempo. This track alone perfectly blends their style with the epicness of older Children of Bodom and the melancholy of Insomnium.

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    Event Relentless – Cold Black November (2015)

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    Hailing from Pori, Finland, today we have a very exciting young Melodic Death Metal band named Event Relentless. On the debut EP “Cold Black November”, we are taken back to the early days of Children of Bodom with five tracks filled with no bullshit Melodic Death Metal and killer atmospheric keyboards/synth.

    Leading with the acrobatic “Duality”, the band instantly establishes a very melodic and engaging vibe. The riffs are pretty good and the and the overall combination of fast guitars and enveloping keyboards makes it very engaging and enjoyable, very similar to CoB’s earlier days. Delivering another high-octane thrill ride, we have “Beyond the Speed of Light” and its headbanging melodic passages. This track reminds us a bit more of Kalmah and their ‘slower’ paced style of melodic Death Metal.

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    Wakener – Wakener (2015)

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    Receiving music from new and promising relatively unknown bands is one of the best perks of writing for Infernal Masquerade. Today we have one of the good ones with Wakener and their self-titled debut EP. Featuring four songs and around 18 minutes of music, this release showcases a band that perfectly executes Melodic Death Metal and traditional Death Metal in a very old-school way, this allows them to stand out from the hundreds of over-the-top MeloDeath outfits that have plagued the scene in the last few years.

    Opening with the superbly catchy “Life of Fear”, we have a grainy production that perfectly captures the melodic riffs and the rough harsh vocals. The band focuses exclusively in crafting melodic passages that are perfect for headbanging, similar to what The Elysian Fields did many years ago. Continuing with the equally impressive “The Plague”, the band does a great job in crafting nifty melodies alongside tight drumming and the perfect tempo for this kind of music.

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    Forte Ruin – Forte Ruin (2015)

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    Always excited to receive promo materials from new and upcoming bands, today we find ourselves quite entertained with Forte Ruin’s self-titled EP. Mixing Melodic Death Metal elements with some Power Metal influences, this release sounds like Children of Bodom, Tracedawn and Shade Empire had a genetically engineered baby.

    Opening with the lively Children of Bodom-esque “Alienated Humanity”, the band instantly makes an impression with well-crafted guitars and playful keyboards. The harsh vocals are very typical for the genre, but the clean vocals nicely catch the listener off-guard and have a certain Proggy vibe to them. After setting the bar high with the opener, the band continues with lush keyboards and excellent tight drumming in “45 Days”. Being quite catchy and melodic, this reminded us a bit more of Tracedawn and Kalmah, brilliantly smashed together.

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    Enshine – Singularity (2015)

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    After taking everybody by surprise with their excellent debut “Origin”, Enshine returns with a more mature and refined release titled “Singularity”. Comprised of only two members, Jari Lindholm and Sebastien Pierre, this international band manages to craft a very melodic and engaging release that clocks in at 53 minutes of music. If you are a fan of October Tide, Insomnium and Swallow the Sun, this is an album that you don’t want to miss.

    The band opens with the Sci-Fi-ish “Dual Existence” as the barrage of melodic riffs is made present by Jari. The pace is quite mellow, but the harshness and brutality of the music is felt, particularly when Sebastien’s growls come into the picture. With majestically crafted songs like “Adrift” and “Resurgence”, the band sets a very melodic mood with subtle atmospheric keyboards. The band’s resemblance to Swallow the Sun in terms of pace and mood is uncanny, but they make the sound their own by adding more Melodic Death metal elements here and there.

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