Melodic Death Metal is one of those genres that you either pull off brilliantly or end up sounding like a complete rip-off of somebody else. Luckily for us, Voices of Ruin manages to blend tons of familiar influences into a very cohesive and engaging sound that the band can call their own. Unleashing “Path to Immortality”, the band delivers nearly 50 minutes of superbly crafted music, perfectly balancing aggression, melody and skill.
Opening with the very Insomnium-esque “Other Side”, the band quickly delivers the goods with the high-octane “Carved Out”. Featuring a blend of Amon Amarth and Omnium Gatherum, the band delivers crushing riffs and very melodic passages. The band’s lead guitarist proficiency is clearly showcased on the ridiculously crafty title track, with an insane solo by Tom Barrett. Both guitars lead the band’s musical efforts in brilliant tracks like “Suffering Silence” and “Reach Toward the Sky”, which have killer headbanging passages and hectic drums.
Melodic Death Metal
The restless Tuomas Saukkonen was not content on just dropping an amazing Dawn of Solace release in 2020, he and Wolfheart are also releasing the latest full-length, “Wolves of Karelia”, this April 10th. Building up on their success, the band continues to fine-tune their superbly crafted Melodic Death Metal and unleash 41 minutes of their signature neck-snapping music.
Kicking off with the melodic guitar onslaught of “Hail of Steel”, you instantly get that Finnish and Wolfheart vibe, with lush riffs and a slow buildup. The band’s heavier side is brutality present in the intense “Horizon on Fire”, a track that perfectly balances the duality of the band’s musical approach as the clean vocals and melodic passages lead way to crushing drums and heavier riffs. The use of atmospheric arrangements greatly enhances songs like “Reaper”, where it gives it a more dramatic edge to certain passages.
After a super busy touring schedule since joining Architects since mid-2016, Josh Middleton and company finally return with their crushing fifth full-length release “Cycle of Suffering”. Building up on their powerful Melodic Death/Thrash Metal sound, this release unleashes 50 minutes of crafty music filled with intricate guitars and punishing aggression. Like no time has past, this release continues the band’s legacy of well crafted brutality and melody.
Quickly getting in the listener’s face, “Empty Prophets” delivers an exquisite balance of crunchy riffs and crafty guitar leads. Others might prefer the more melodic and mellow side of the band with tracks like “I Server” and the album title track delivering a unique mixture of Death-like guitars and intricate melodic passages. The headbanging value of the band’s music is unrivaled as we can enjoy sweeping transitions from dramatic melodic passages into brutal agressive onslaughts thanks to Josh Middleton’s harsh vocals.
With many Melodic Death Metal bands getting a bit too melancholic for our taste, today we stumbled upon Germany’s Horrizon and their third full-length release “World of Pain”. Unleashing 11 tracks and nearly 50 minutes of old-school Melodic DM reminding us of the early days of Dark Tranquility and Be'lakor. As one of the most recommended releases for catchy riffing enthusiasts, this album has plenty of epic headbanging passages and a few surprises.
The band wastes no time in asserting their dominance with the superbly executed “Once In A While”, a track filled with crushing vocals and super melodic guitars. As the riffing onslaught continues with tracks like “Sentenced to Death”, the band changes up the pace with the more melancholic “Where Am I?”, nicely showcasing more dramatic atmospheric arrangements and guitar leads. However, the mellowness does not take over the release as the album title track and “Haunted By the Past” get back into the furious pace of tight drums, crafty riffs and brilliant tempo changes.
Continuing the band’s brilliant rise as one of the best Melodic/Atmospheric Doom/Gothic Metal outfits, Hanging Garden delivers their latest opus titled “Into That Good Night”. Featuring eight tracks and nearly 46 minutes of highly addictive music, the band perfectly blends elements from their heavier earlier days and their more dynamic and Gothic Metal influences of later days. Full of melancholy and expert songwriting abilities, this release is yet another highlight on their already storied career.
Opening with the playful riffs of “Of Love and Curses”, we got a certain Lacrima Profundere vibe as the more enigmatic atmospheric interludes nicely contrast the heavier parts of the song. The more traditional Melodic Doom Metal roots of the band can be found on the dreamy “Fear, Longing, Hope and the Night” which has a certain Insomnium vibe. We particularly enjoy the crafty guitar melodies and the combination of growls and clean vocal arrangements, making it a superbly catchy song.
Unleashing a truly unique release, today we have Austria’s Vinsta and their full-length release “Drei Deita”. Perfectly blending Folk elements into and engaging Progressive/Melodic Death Metal core, this band delivers a very interesting and harmonious sound. With nearly 50 minutes of music, we are treated to brilliant melodic passages, catchy riffs, and dreamy parts. Imagine a mixture of Insomnium with Opeth and the Folky edge of early Kauan.
After the traditional instrumental intro, “Weisse Deckn” creates a very lively and ethereal atmosphere with the contrast of dreamy vocals and powerful guitars. This track also introduces the band’s folkier side with lush violins in a very dramatic melodic passage. Weaving back and forth between their two main styles, tracks like “Oafocha Loda” nicely build up the atmosphere and reach its crescendo with crushing guitars and harsh vocals.
Consistency is the name of the game for the Norrman’s brothers October Tide band. With “In Splendor Below”, the band continues to deliver classic Melodic Death/Doom Metal filled with superb guitar work, dark atmospheric passages and plenty of headbanging opportunities. Featuring over 43-minutes of music, this release continues the band’s legacy as one of the best in the genre.
The album opens with “I, the Polluter”, a song that features the band’s signature riffing and mid-tempo pace. There are some more direct Death Metal elements thrown into the mix, but the track always keeps that old-school Swedish Melodic Death Metal vibe going. The playful “We Died In October” shows a more funky and crafty atmosphere with intricate drum patterns and very engaging tempo changes.
As a well oiled viking ship sailing through the oceans, Amon Amarth returns with yet another impressive onslaught of headbanging and moshing anthems in “Berserker”. Featuring twelve tracks and a running time of 56 minutes, the band further refines their crushing sound with a more melodic edge and the same amounts of euphoria inducing riffs. For those following the band’s exploits over the years, you will find this release as equally dynamic and impressive as their older ones, with a certain added touch of maturity. If you are new to the band, strap on for one hell of a ride with this one.
With “Fafner's Gold” leading the procession, the band warms up the listener’s with a powerful track, but the single “Crack the Sky” really steps it up a notch with the traditional Amon Amarth crushing melodic riffs. With this song you will instantly be possessed to start headbanging furiously thanks to its playful guitar work and hellish signature vocals. Additionally, the killer guitar leads add that extra level of epicness to an already brilliant song.
Riding high from their 2016 opus “Proponent for Sentience” and their countless tours, Allegaeon finally returns with new music in “Apoptosis”. Featuring eleven tracks of neck snapping Technical Death Metal, this release improves on their last effort while delivering catchy and highly memorable songs. With heavy competition from European bands, Allegaeon clearly establishes themselves as one of the premiere Technical DM outfits in the world thanks to this killer release.
The album opens with an acrobatic bass guitar line that slowly transforms into a more melodic piece in “Parthenogenesis”. This track is the perfect lead-in to the crushing “Interphase // Meiosis”, a track filled with crushing growls and very dreamy melodic passages. Blending intensely melodic passages with technically proficient acrobatics is the band’s specialty and on “Extremophiles (B)” we get treated to a good dose of it. With songs being short and direct to the point, the band’s sound is quite brutal in nature as you can hear from “The Secular Age”.
Swiftly recovering from a spell of forgettable releases, CoB continues their return to form with the scorching “Hexed”. Unleashing over 45 minutes of melodic brilliance, the band delivers 11 fast-paced songs that feature their signature style and instrumental wizardry. Incorporating new guitarist Daniel Freyberg, to the fold the band focuses on crafting memorable tunes filled with killer solos and melodic passages.
Wasting no time, the high-octane opener “This Road” unleashes a barrage of pummeling riffs and a very playful tempo. The subtle atmospheric keyboards make sure this is a signature CoB anthem, but the pace is what incites moshing and excitement. The dueling keyboards/guitars are in top form as “Under Grass and Clover” rolls in, we are suckers for musical acrobatics and Janne Warman and Alexi Laiho don’t fail to the deliver in this release, as we can also hear in “Glass Houses”.