As a fine wine, Carcass has nicely matured over time while keeping true to their signature sound, the band continues to aggressively tour and give killer performances. As a preview for their upcoming full-length release, the band delivers “Despicable”, just in time for Halloween. Featuring four tracks and nearly 20 minutes of music that will not be part of their next release, this album delivers the signature melodic/catchy Death Metal/Death’n’Roll sound we all love.
The release kicks off with the signature Carcass guitars of “The Living Dead At The Manchester Morgue”. In this track we get a nicely paced piece filled with chugging riffs and crafty tempo changes. Jeff Walker’s usual snarl is as powerful as always, and on “The Long And Winding Bier Road” it shows that clean vocals can also create very catchy and engaging chorus sections, alongside pretty epic guitar leads.
Melodic Death Metal
Lucky number “Seven” is the latest release by Finnish Melodic Death Metal outfit Mors Principium Est. Delivering their signature catchy, crafty, and blistering melodic music, the ‘band’ unleashes over 48 minutes of intense headbanging music. For the fans of Kalmah, Omnium Gatherum, and Finnish Melo DM in general, this release will keep you entertained and fully engaged.
Shifting from a band to a duo since a few years back, Mors Principium Est fully maintains their high-octane approach to the genre, while embedding subtle atmospheric synths and crafty technical details. The opener, “A Day For Redemption”, is a clear example of the band’s perfect balance of aggression, melody, and guitar acrobatics. Permanent guitarist, Andy Gillion, is one of the best in the biz and delivers some killer guitar leads on tracks like “Lost in a Starless Aeon”, which create a very melancholic vibe in this excellent song.
Crafting a very unique and yet recognizable sound, Finland’s Noumena delivers “Anima”, their latest full-length effort. Mixing a folkier edge to traditional Melodic Death Metal similar to bands like Wolfheart and early Amorphis, the band unleashes nearly one hour of expertly crafted music that will appeal genre nostalgics while introducing a few different elements into the mix.
After the folky opening with “Kaiku”, the band’s sound oozes emotions and melody in the superbly crafted “Saatto”. Alongside the weeping lead guitars and growls, we have lively clean female vocals and very solemn slower passages. In full-on Amorphis worship, “Murtuneet” and “Seula” made us instantly think that we had our playlist on shuffle, however, the band continues to infuse their uniqueness to the music with a jazzy bass guitar line and some killer guitar leads.
Keeping the flame alive of Melodic Death/Doom Metal releases, today we have Australia’s Myridian and their killer third full-length release “Light in the Abyss”. Reminiscing of bands like October Tide, In Mourning, etc., this release delivers nearly 70 minutes of highly melancholic music filled with crafty guitars, lush atmospherics, and firm growls. We have no idea how this release made it to our inbox, but we are quite intoxicated by it.
Creating a fully immersive aural experience, “Light is Lost” starts with waves of melodic riffs, harsh vocals and a very mellow tempo that creates a highly melancholic vibe. The playful guitar leads and crafty instrumental passages nicely lead the way to the faster pace of “Nidellavir”, a track that includes some proggy experimental elements paired with solemn clean vocals. Keeping the melancholic vibe going, “Babylon” delivers a classical Death/Doom approach with contrasting vocal styles and firm riffing.
Hooking us instantly into their highly polished Melodic Death Metal sound, today we have Hinayana and their major label debut EP “Death of the Cosmic”. Delivering 23 minutes of pure headbanging greatness, this release is of similar quality to anything that bands like Omnium Gatherum, Insomnium and Dark Tranquility have released. If you are a fan of the genre, it is quite nice that Napalm Records is giving the band the push they need to reach a wider audience with their killer music.
The album title opener creates a very mystical atmosphere with lush keyboards as the crafty guitars make their way. The band’s music is quite refined and this track showcases an exciting combination of melodic riffs, traditional growls, and a very lively vibe. After the brilliant opener, “Cold Conception” takes a bit of a step back and delivers a more stylized approach with intricate drum patterns and crafty guitar solos. While the band’s sound is typical of the genre, their unique and more atmospheric take on it sets them apart from the rest.
Breaking the funk of multiple weeks of non-stop Black Metal releases being reviewed, today we have an excellent Progressive/Melodic Death Metal outfit from Sweden named: Descend. Combining elements of bands like Opeth, Cynic, In Mourning, and Persefone, “The Deviant” is one hell of a cinematic experience filled with technical intricacies and superbly catchy songwriting.
Warming up the listener with the melodic instrumental opener “Avalin”, the band nicely builds up to the proggy melodies of “Blood Moon” and its crafty tempo changes. The mixture of clean and harsh vocals is nicely balanced, and the addition of female vocals on tracks like “The Purest One” add an extra layer to the band’s excellent sound. For those looking into more experimental/free-style songs, “Lily” has a nice mixture of fast-paced sections and highly crafty instrumental interludes.
Unleashing 35 minutes of superbly crafted Melodic Death Metal, today we have international project Meridian Dawn and their debut full-length release “The Fever Syndrome”. Being huge fans of the genre, we are quite critical of any release we get, however, this duo manages to craft nine tracks that are both engaging and exciting to listen, filled with melody and guitar wizardry. For those of you looking for your Melo Death fix of 2020, this is one release you can’t miss out on.
Opening with “Iconic”, the band gets straight to business with killer melodic guitars and a blistering tempo to quickly escalate things. With a certain Nightrage vibe, it took us a minute to realize that vocalist Antony Hämäläinen used to be the vocalist of this band back when they released “Insidious” and our favorite “Wearing a Martyr's Crown”. Tracks like “Fever Syndrome” and “With a Heavy Burden…” perfectly negotiate the balance between soaring melodies and aggressive tempo changes, delivering valuable minutes of headbanging bliss.
Melodic Death Metal is one of those genres that you either pull off brilliantly or end up sounding like a complete rip-off of somebody else. Luckily for us, Voices of Ruin manages to blend tons of familiar influences into a very cohesive and engaging sound that the band can call their own. Unleashing “Path to Immortality”, the band delivers nearly 50 minutes of superbly crafted music, perfectly balancing aggression, melody and skill.
Opening with the very Insomnium-esque “Other Side”, the band quickly delivers the goods with the high-octane “Carved Out”. Featuring a blend of Amon Amarth and Omnium Gatherum, the band delivers crushing riffs and very melodic passages. The band’s lead guitarist proficiency is clearly showcased on the ridiculously crafty title track, with an insane solo by Tom Barrett. Both guitars lead the band’s musical efforts in brilliant tracks like “Suffering Silence” and “Reach Toward the Sky”, which have killer headbanging passages and hectic drums.
The restless Tuomas Saukkonen was not content on just dropping an amazing Dawn of Solace release in 2020, he and Wolfheart are also releasing the latest full-length, “Wolves of Karelia”, this April 10th. Building up on their success, the band continues to fine-tune their superbly crafted Melodic Death Metal and unleash 41 minutes of their signature neck-snapping music.
Kicking off with the melodic guitar onslaught of “Hail of Steel”, you instantly get that Finnish and Wolfheart vibe, with lush riffs and a slow buildup. The band’s heavier side is brutality present in the intense “Horizon on Fire”, a track that perfectly balances the duality of the band’s musical approach as the clean vocals and melodic passages lead way to crushing drums and heavier riffs. The use of atmospheric arrangements greatly enhances songs like “Reaper”, where it gives it a more dramatic edge to certain passages.
After a super busy touring schedule since joining Architects since mid-2016, Josh Middleton and company finally return with their crushing fifth full-length release “Cycle of Suffering”. Building up on their powerful Melodic Death/Thrash Metal sound, this release unleashes 50 minutes of crafty music filled with intricate guitars and punishing aggression. Like no time has past, this release continues the band’s legacy of well crafted brutality and melody.
Quickly getting in the listener’s face, “Empty Prophets” delivers an exquisite balance of crunchy riffs and crafty guitar leads. Others might prefer the more melodic and mellow side of the band with tracks like “I Server” and the album title track delivering a unique mixture of Death-like guitars and intricate melodic passages. The headbanging value of the band’s music is unrivaled as we can enjoy sweeping transitions from dramatic melodic passages into brutal agressive onslaughts thanks to Josh Middleton’s harsh vocals.