What is colder than a glacier you might ask? Well it certainly has to be Zéro Absolu. Moving away from the drama of their original band name being stolen, Valnoir, François Duguest, Hugo Moerman return alongside Indria Saray (Alcest live) and R.R. (Regarde les Hommes Tomber) with a crushing release “La Saignée”. Featuring a lush and yet demoralizing sound, this outfit continues the antics of their previous band’s first two releases and delivers over 30 minutes of captivating Black Metal.

Only featuring two tracks, the release opens with the title track, unleashing 20 minutes of an emotional rollercoaster. Featuring some elements of early Alcest, the atmosphere is quite dense and yet lush and expansive. Alongside crafty riffs and fierce raw onslaughts of harsh Black Metal scream, this song perfectly balances melody and aggression while creating a captivating backdrop to some spoken word sections, dramatic tempo changes and even some shoegazey passages alongside dreamy clean vocals. All of this with a very cathartic and expansive style.

Creating a very unique and ethereal release, today we have Jonathan Hultén (ex-Tribulation) and his sophomore release “Eyes of the Living Night”. Perfectly blending dreamy pop and grunge elements with dark rock and ambient passages, this release creates a very engaging and playful atmosphere that while has not much to do with his early Metal days, it does deliver some excellent guitar work and crafty arrangements.

Setting a very dystopian vibe with the opener “The Saga And The Storm” and its lush atmospherics, we get a certain Hexvessel-meets-Chelsea Wolfe vibe. This opener leads to more ethereal pieces like “Afterlife” with its pastoral/synth pop elements and the dark folkness of “Falling Mirages” and its lush acoustic guitars. The baritone vocals are always front and center and in pieces like “Riverflame” they deliver raw and unfiltered emotion, perfectly paired with subtle catchiness.

Delivering a swift kick to the nuts, today we have Izrod and their crushing EP “Ulica, trnje i kamenje”. Featuring 18 minutes of punishing Black Metal, this Bosnian outfit is ready for war with an incisive and pummeling release. Crafting a dense atmosphere, this EP showcases a very vicious band with a knack for Nihilism and a sound to back it up. If you like bands like Königreichssaal and The Ruins of Beverast and their dense and harrowing take on the genre, this release will be for you.

This Austrian outfit has been constantly growing into their melancholic sound with each release, and so has the fan base and reach. With “Scorched Earth”, Harakiri for the Sky reaches a new plateau as their sound is polished, their delivery is impeccable and they still manage to throw in a few curve balls to longtime fans. If you are looking for polished Post Black Metal, this is certainly one of the best releases of 2025.

Opening with “Heal Me”, we get a very playful melodic mixture of synths, crunchy riffs, and a solid duet between Tim Yatras and J.J. The band’s melancholic capabilities quickly take center stage with the lush “Keep Me Longing” and its nearly 11-minute duration. We particularly enjoyed the powerful riffing that creates very crafty melodies alongside that sense of restlessness that the band always creates with their music. Another perfect example of this is the epic “Without You I’m Just A Sad Song”, another long piece that is full of tempo changes and very cathartic moments, particularly the clean passages.

As one of the most anticipated releases of 2025, Unreqvited finally returns with the highly melancholic and head turning “Pathway to the Moon”. Perfectly expanding on their Post-Black Metal/Shoegaze style with some more dreamy and ethereal elements, this release delivers over 40 minutes of some of the most engaging and goosebump-inducing music we have heard in quite a while. If you are a fan of the ban or the genre, you will certainly not be disappointed.

Opening with the ethereal “Overture I: Disintegrate”, we get a very moody start with dreamy clean vocals and lush piano arrangements. This nicely transitions into the fierce “The Antimatter”, which showcases the band’s duality as it quickly escalates into a brutal onslaught of harsh Black Metal frostiness, flanked by lush atmospherics and a very melodic vibe. This song masterfully transitions into more restrained territories, fully unleashing clean vocals alongside dramatic arrangements. Surprisingly enough, this track gave us some later Dimmu Borgir vibes at times.

Unleashing waves of downright filthy old-school Doom Metal, today we have Germany’s Obsidian Scapes and their self-titled EP. With two tracks in this release, the band showcases their raw and punishing power, bringing back memories of the early days of the genre. Highly recommended for those that like grimy and raw music, this EP brilliantly introduces the band to the scene.

The USA Black Metal scene has seen a resurgence as of late, with bands that have both technical and songwriting skills to create their own signature style with some hints of what has worked from their European counterparts. Skaldr is ready for primetime with their guitar driven, BM with similarities to Dissection, Uada, and the likes. With “Saṃsṛ”, the band delivers over 40 minutes of high-octane music filled with memorable moments, balancing aggression and melody, definitely a great place to be for a sophomore release.

Unleashing a very unique and theatrical release, today we have Selvans and their third full-length release “Saturnalia”. This one-man battalion has been delivering very different and unique releases in the past, and with this one he breaks further musical barriers by creating a highly engaging and theatrical Black/Heavy Metal with progressive elements. Think of a mixture of bands like Pensées Nocturnes with Notre Dame and some Snowy Shaw/King Diamond eccentricities. Definitely a unique blend.

Setting a very grand symphonic stage with the opener, “Il Mio Maleficio V'incalzerà!” quickly changes gears delivering a mix of crafty Black Metal-ish elements with some playful theatrics and a solid mixture of classical Heavy Metal elements. This is certainly quite different from the band’s previous releases, but that core darkness and horror/folklore elements are nicely blended with the more dramatic style. “Madre dei Tormenti” and “Pantàfica” keep the dramatic antics to the max, while unleashing some crafty lead guitars and even some progressive melodic interludes.

Featuring members from Moonlight Sorcery and Ondfødt, today we have newcomers Void of Hope and their harrowing debut release “Proof of Existence”. Recorded during the several harsh and cold days of winter, this release transmits misery and rawness in a visceral way, similar to outfits like Lifelover, Austere, and Thy Light. With over 42 minutes of music, this release is the perfect soundtrack to a bleak existence.

Opening with dramatic atmospherics, “Gift of Life” sets a very chilling and desolate soundscape thanks to its buzzing guitars and masterful tempo changes. There are still plenty of traditional Black Metal elements as the opener and “Proof of Existence” showcase punishing harsh vocals and crafty riffing. The slower tempo of “The Hollow Hymn” perfectly introduces melancholic passages of bleakness as it transitions from blistering onslaughts to more dramatic arrangements.

Delivering a swift and brutal start of 2025, today we have Barshasketh and their incisive Black Metal, unleashing all hell with the brutal “Antinomian Asceticism”, the band’s fifth full-length release. With a very punishing and yet highly refined sound, this outfit masterfully creates a ravaging experience through 43 minutes of music. Highly recommended for fans of outfits like The Ruins of Beverast or Blut aus Nord, this release is full of both musicianship and raw savagery.

Opening with the immersive “Radiant Aperture”, the outfit sets a very hectic and punishing mood with walls of distorted guitars and a solid mixture of harsh and clean vocals, creating a very eerie mood. As “Nitimur in Vetitum”, “Lebenswelt Below”, and “Charnel Quietism” roll around, the band showcases a great balance between atmosphere and speed, with some interesting mood building passages nicely blended with savage guitar riffing and even some doomy tempos. This makes the band’s sound more incisive and pummeling, and separates them from your average outfit.