Black Metal

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    Abyssion - Luonnon harmonia ja vihreä liekki (2015)

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    Arriving from Finland and being heralded as the next big thing, today we have Abyssion and their third full-length release “Luonnon harmonia ja vihreä liekki”. Released via Svart Record’s imprint Secret Trees curated by Mathew "Kvohst" McNerney, this album delivers a very unique sounding Punk-fueled cracked-out Psychedelic Black Metal that is equally weird as it is brutal. Clocking in around 35 minutes of music, if you are a true explorer of Black Metal, this is one you haven’t really heard before.

    Opening with the sonic abuse of “Luonnon harmonia”, you get your standard fare of Black Metal riffing with some odd atmospheric elements thrown into the mix. The vocals are quite disturbing and greatly enhance the level of brutality crafted by the tight drumming and punishing riffs. As the Burzum/Dark Throne vibe of “Kosmoksesta tuli hautani” arrives, we are totally hooked on this band’s crushing sound.

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    Strynn – Alienation (2015)

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    Seems like there is something in the water in France that has been coming from the Norwegian highlands in the last few years, and that something is making some of the most vicious Black Metal bands come out of France instead of the Nordic lands. Today we have a very brutal outfit called Strynn and their sophomore release “Alienation”. Released through Mortis Humanae Productions, this is yet another of their finest releases for those of us that like savage Black Metal like it was originally envisioned many years ago.

    Quickly pummeling through demoralizing tracks like “Anthropophobia”, “Sadistic”, and “Obliteration”, the band perfectly blends the rawness of Black Metal from the 90’s with a vicious clarity that we rarely hear these days. Not only looking to viciously attach through brutality, there are some atmospheric/’melodic’ elements like on “Desolation”, “Reminiscence” and “Plague” that make this release even more incisive and dynamic.

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    Sigh – Graveward (2015)

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    We love it when bands push the limits of music and Sigh is a fine example of how to continue finding odd ways to further expand your sound in the most bizarre and exciting ways. With “Graveyard” the band continues down their path of madness and delivers one of the most exciting releases of 2015. Featuring a plethora of guest appearances and a central theme around Italian zombie flicks and Fabio Frizzi’s compositions, this is one of the must have releases of 2015.

    Leading with guest Kelly Simonz’s guitar leads on “Kaedit Nos Pestis” and the dramatic atmospheric/psychedelic elements of “Graveward”, the band sets a very atmospheric and chaotic mood right from the start. Mirai Kawashima and Dr. Mikannibal have an amazing chemistry and their insane vocal incursions are just one of many things that make Sigh quite unique. The madness reaches new level with the very cinematic “The Tombfiller” and its killer symphonic arrangements, brilliant guitar solos (courtesy of Kelly S again) and crazy effects.

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    Secrets of the Sky – Pathway (2015)

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    Instantly showing that their debut “To Sail Black Waters” was no fluke, Bay Area’s outfit Secrets of the Sky delivers an even more mature and expertly crafted sophomore release with “Pathway”. Finding their home in Metal Blade Records, the band fully explores their musical capabilities with the 13 tracks presented in this very unique and different sounding release.

    Opening with the relaxing sound of waves on the ‘instrumental’ “I”, this swiftly transforms into the band first real onslaught titled “Three Swords”. Expertly manipulating the atmosphere of their music, this opener sets a very mellow mood that fully explodes as the band rips through some thunderous Doom riffs between peaceful interludes. Placing nice tempo-shifting interludes between the tracks, Secrets of the Sky perfectly manipulates and guides the listener’s experience.

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    Gorgoroth – Instinctus Bestialis (2015)

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    Six years have passed since the monumental “Quantos Possunt ad Satanitatem Trahunt”, a new episode in the history of Gorgoroth that does not include disgraced previous members Gaahl and King ov Hell. The band returns with a new vocalist and a thirst for blood and crushing Black Metal brutality. Featuring eight songs of dense and diverse music, the band quickly establishes an oppressive and bestial sound that only a handful of elite acts can deliver.

    Kicking off with the monumental “Radix Malorum”, we are treated to outstanding devilish riffs courtesy of Infernus. With such a vicious foundation Atterigner (of Triumfall fame) lays his commanding vocals, creating a demolishing and painful sound that will delight any fan of the genre. “Dionysian Rite” continues the massacre with another quick onslaught of pummeling drums and blistering bass guitar lines. It is not until “Ad Omnipotens Aeterne Diabolus” that the band continues their musical approach from their previous album with riffs that are just oppressive to hear when paired with melodic passages that further elevate the music.

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    Wallower – Vanishing In Bloom (2014)

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    At Infernal Masquerade we usually receive anywhere between 20 to 40 promos each week, so going ‘off script’ to review something requires a killer release. Wallower and their savage mixture of Black Metal with Shoegaze have managed to stand out enough for us to review their killer debut EP. Under the title “Vanishing In Bloom”, we are presented with four brilliant songs that deliver a rare mixture of melody and harshness perfectly in harmony.

    The release explodes wide open with their pummeling “Meteor”, a blistering track that features ear-piercing vocals and superb guitar work. The bands demolishing sound is very raw and brutal, perfectly balanced by the shoegazy parts thrown into the mix. While not as cathartic as Deafheaven or atmospheric as An Autumn for Crippled Children, the band perfectly captures the rawness and bleakness behind acts like Ghost Bath and Heretoir, as shown in the crafty “Dispel”.

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    Aureole – Alunar (2015)

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    One man American outfit Aureole is finally releasing their demo on CD and Avantgarde Music has taken to the task to do so. With a very bleak and hypnotic sound, “Alunar” delivers five songs and around 40 minutes of Atmospheric Black Metal that nicely entertains and relaxes the listeners.

    Stating with “Citadel Alunar”, M.S. creates a very bleak atmosphere that is suddenly ravaged by low-fi distorted riffs and hellish vocals. The tension is perfectly introduced and developed in the first track and some tension is relieved on the faster harsher parts. “The voice of Nebular Flame” provides a very bleak backdrop with minimalistic atmospheric elements solid riffs, very contrasting to the mostly atmospheric “The Serenity of the Hourglass”. Luckily, the raw Black Metal harshness is back with the 12-minute behemoth “Crusade of NGC 5128”, a very trippy and engaging track.

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    Cold Cell – Lowlife (2015)

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    With a certain familiarity to old-school Bethlehem, today we have Swiss outfit Cold Cell and their powerful sophomore release “Lowlife”. Featuring a very dark and sinister sound that mixes Black Metal elements with more restrained melodic passages and some sprinkles of ambient elements, this release is quite obscure and enjoyable. Clocking in at 53 minutes, this is one release that breaks the mold and nicely sets itself apart from your cookie-cutter BM albums.

    Opening with a atmospheric intro, the band’s sinister sound first creeps on you with the Black’n’roll-ish opening of “Lifestyle Lunacy”. In this very moody track we get to hear the band’s full aural spectrum with a very rich and diverse piece. Other tracks feature brilliant melodic/atmospheric passages like “Scum Eradication” and “Dogma”. With the individual named S providing the vocals, we are reminded of the deranged style of Rainer Landfermann in Bethlehem’s “Dictius Te Necare”, but with enough restraint and focus to not draw all the attention to them.

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    Satyricon – Live At The Opera (2015)

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    As one of the most refined bands of the early wave of Norwegian Black Metal, Satyricon has kept pushing their sound over the years. In “Live at The Opera”, we get to hear some of their earlier works and their most recent pieces play seamlessly together in a 94 minute concert that incorporates a 55-person choral arrangements into their music. Allowing the band’s sound to be more sinister than ever, this is one hell of a live release…. And we have only heard the audio portion of it.

    Slowly starting with an extra creepy version of “Voice of Shadows”, the band sets the mood quite effectively with the second track “Now Diabolical”. With a very subtle usage of the choir arrangements to create very oppressive moods, the band greatly improves on songs like the previously mentioned one and other classics like “Repined Bastard Nation”. The band’s newest songs “Nocturnal Flare” and “Our World it Rumbles Tonight” feature very effective arrangements to make already catchy songs even more dynamic and engaging.

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    Ether – Hymns of Failure (2015)

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    Is Canada the new Black Metal cradle? Seems like it based on the fact that some of the best Black Metal releases of 2015 have all been from this country. Adding to the count of amazing BM albums, today we have one-man behemoth Ether and its sophomore release “Hymns of Failure”. Clocking in at 90 minutes, this double CD perfectly blends melancholy, depressiveness, and brutality in a crushing manner.

    Opening with the intense “Failure”, we had to instantly check if the drums are real… and oh yes they are. This 10-minute piece is piercing and brutal, feels like Mysticum on crack. Scythrawl masterfully manages tempo changes and mood swings in this release from insane blast beats to ambient passages as “Enmity” clearly shows. Slowly morphing into more melancholic blistering music, the album starts quite intense and it transforms brilliantly as time passes by, clearly showcased by our favorite “Coldness” and its eerie vocal arrangements.

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