Hailing from Sweden, today we have Anguish and their perfectly excruciatingly doomy release “Doomkvädet”. Unleashing a gargantuan slab of 49 minutes of heavy riffs, this outfit has that old-school grittiness that many modern bands lack, prompting comparisons to Candlemass and similar outfit. If you are in the market for traditional Doom Metal with a harsher edge, this is one of those band’s that you will play on repeat.

Opening with the cavernous “Herein I Burn”, the first riff is a perfect foreshadowing of things to come, as it is slow, heavy and twangy. We like the mixture of clean-ish/snarly vocals giving a more aggressive edge versus your traditional Doom clean vocals, particularly on tracks like “Consumed By The Necro Doom”, and “Deranged and Forgotten”. For non-stop headbanging, “I ett dunkel förlorad” and “Blood Veil” are our go-to songs in this release.

Unleashing a very cohesive and emotional musical experience, today we have Iskander and their third full-length release “Vergezicht”. Perfectly flowing between six tracks and nearly 64 minutes of music, this release combines melancholy, harshness, and dreaminess in a very robust and enjoyable package. Released through Eisenwald, this album showcases a great level of maturity and expert craftsmanship from this Ducth duo.

Opening with the lush acoustic elements of “Gezag”, there is a magical mood that is slowly set until it's nicely contrasted by heavy riffs and harsh vocals. Oozing with melancholy, songs like “Bloeddraad” and “Gewesten der Tijd” perfectly showcase the band’s range and creativity, with tons of unique tempo changes, atmospheric and dreamy passages alongside haunting vocal arrangements. However, the heavy side of the band is always present with furious onslaughts like on “Baken”, making this band comparable to a mixture of Thurisaz and Thyrfing.

Hitting you like a bag of bricks to the face, today we have newcomer Malignament and their debut full-length release “Hypocrisis Absolution”. Unleashing over 42 minutes of razor sharp Finnish Black Metal, this band is as aggressive and in-your-face as it can be, thanks to its incisive guitars and pummeling onslaughts of brutality. When you think you have heard it all from this scene, an album like this comes along and re-shapes your perception.

Pummeling the listener from the start with the ravaging “Thunder of Awakening”, the album makes a commanding introduction thanks to its brutality and yet melodic nature. Continuing with the merciless onslaught with “Call to Arms” and the sinister “Like Rats They Followed”, the atmosphere of this release is electrifying as you get buzzsaw-like guitars, paired with imposing harsh snarls and a very polished style and production.

Unleashing a lively mixture of Modern/Alternative Metal with some *Core elements, today we have Germany’s Venues and their latest release “Solace”. Featuring a brand new singer, Daniela ‘Lela’ Gruber, the band delivers nearly 40 minutes of superbly catchy music with soaring vocal melodies and heavy distorted guitars. Similar to outfits like Amaranthe and Sumo Cyco, this band has a more Metalcore aesthetic and edge to their sound.

Opening with the heavy guitars and harsh vocals of “Razorblade Teeth”, the band sets a heavier mood than their previous release, however, Lela’s vocals nicely balance the band’s sound. As the band delivers pieces like “Whydah Gally”, “Rite of Passage”, and “Uncaged Birds”, the listener is presented with a masterful combination of atmospheric synths, engaging clean vocal melodies, and crafty heavier parts for moshing and non-stop headbanging.

Unraveling a very powerful and yet engaging Symphonic/Melodic Black Metal release, today we have UK’s Necronautical and their crushing “Slain in the Spirit”. Perfectly blending elements from the early days of Dimmu Borgir, Old Man’s Child, and Emperor, this release balances nostalgia with excellent craftsmanship and brilliant execution for nearly one hour of high-octane music.

Opening with the blistering “Ritual & Recursion”, the listener is treated to pummeling drums and intense synths, creating a very hectic tempo as the harsh screams roll in. There is a certain sinister vibe that the riffing of “Occult Ecstatic Indoctrination” creates, and is nicely flanked by crafty tempo changes, piercing guitar leads and dramatic vocal arrangements. The combination of female operatic clean vocals alongside the harsh screams creates a very playful and effective dynamic.

There is nothing like some good old Finnish Black Metal to start the day. Luckily for us, today we have Korpituli and his debut full-length release “The Ancient Spells of the Past”. Featuring over 35 minutes of savage raw Black Metal adorned with some subtle synths and a moody pace, this release is just the perfect blend of melody, timing, and brutality.

Opening with the hypnotic “On Forgotten Paths”, we quickly get old Horna, Fimbulwinter, Behexen vibes thanks to the piercing tremolo picking and hellish screams. Far from linear, one-man machine S.Korpituli nicely adds a certain atmospheric touch with songs like the instrumental “At Nightfall” and “Longing for the Unheard Of”, creating a very immersive and yet demoralizing listening experience, similar to what Burzum achieved on “Filosofem”.

As one of the most awaited releases of 2021, today we have the legendary Carcass and their latest opus “Torn Arteries”. Aging as a fine wine, the band unleashes 49 minutes of their signature Death ’n’ Roll, fully delivering the good for long time fans. While the wait was long (8 years or so since their last full-length release, Jeff Walker and company effortlessly deliver one of the most incisive and engaging releases of their career.

Opening with the title track, the band quickly sets a very hectic and crafty mood with incisive guitars and engaging tempo changes. The traditional snarl of Jeff Walker is one of the band’s staple elements and, as always, perfectly complements the superbly catchy nature of the music, as we can hear in the playful “Dance of Ixtab” and the chugging “Eleanor Rigor Mortis”.

When a band usually says that their latest album is the heaviest to date, they are usually just playing the marketing game. However, once in a blue moon, this is actually true, and “Wallflowers” from Jinjer is one of those rare exceptions. Featuring an even more explosive and expansive sound than before, this release will certainly propel the band’s status thanks to its incisive and crafty songs.

The band opens with the in-your-face track “Call Me A Symbol” and never looks back, from Tatiana’s mountrous harsh vocals to the throbbing bass guitar and crafty drumming, this track sets a very intense pace. Songs like “Colossus”, “Vortex”, and “Disclosure!” perfectly showcase the band’s versatility and explosivity, going from playful clean vocal passages to crushing guitars and diverse tempo changes.

We are always suckers for good Melodic Death Metal releases and luckily for us, Sky Crypt unleashes nearly 40 minutes of catchy and old-school sounding music. In “Incipit Anarchia: Eternity”, this Russian duo manages to carve a personal sound from mixing elements from old Dark Tranquillity, In Flames and At the Gates. If you are a fan of older sounding Melo-Death, this release will keep you busy.

Opening with your traditional atmospheric intro, the release really warms up with “The Dawn of Tyranny” and its catchy riffs paired with crafty tempo changes. The band’s style is quite linear and traditional, and while not bad, it feels a bit uninspired at times with songs like “The Higher Walls”, “The Awe”, and “The Solemn Rite”, all blending together.

Hailing from the USA, today we have Progressive/Tech Death Metal outfit Burial in the Sky and their sublime release “The Consumed Self”. Perfectly blending technical proficiency, melancholic songwriting, and flawless execution, this release unleashes nearly one hour of mesmerizing music. Highly recommended for fans of bands like Sculptured, Obscura, Necrophagist, etc. this release will have you both in awe and bruised from all the headbanging.

The release opens with the dreamy/proggy intro “The Soft Violet Light” and pummels right into the sheer brutality of “An Orphaned City”. This contrast perfectly introduces the heavier side of the band and their technical proficiency with blistering guitars and massive drums flanking the harsh screams. The band’s seamless transition between heavier parts and more melodic and proggy passages, like on “On Wings of Providence”, is exactly what draws us to this outfit and their polished sound.