Celebrating their 35 years of existence, Rotting Christ is unleashing a 25-track live release of their show in Lycabettus. If you have never seen the band live, the Tolis duo (and live musicians) always deliver a raw and powerful hypnotic experience that is very hard to describe. Luckily for all, this release brilliantly captures that energy and showcases the band’s very diverse and constantly evolving musical style with most of their popular songs.

Not banking on having an overproduced release, but rather a more organic and direct approach, this live release showcases the band’s crowd interaction and live antics that brings songs to life in slightly different versions (to the studio ones), as one can hear on “Sorrowful Farewell”, “Dies Irae”, and “Shadows Follow”, some of our personal favorite tracks. However, all those sick riffs and melodic passages are always there, and we can’t help ourselves from starting to headbang here and there.

As one of our favorite bands back in the late 90’s, In the Woods… is a band that has always been evolving and rediscovering themselves. Even with Anders Kobro being the only original member, “Otra” delivers yet another masterful release of highly melancholic Metal music with a healthy mix of melody and heaviness. Featuring seven tracks and 46 minutes of music, the band returns with their signature style and plenty of catchiness to release one of the most intoxicating releases of 2025.

Opening with “The Things You Shouldn't Know”, you get a healthy mix of the band’s ‘newer’ emotional sensitivities with fast paced heavy passages that bring back the “Omnio” and “Heart of the Ages” feeling. Bernt Fjellestad’s vocals again deliver those very dramatic and hypnotic clean vocals that he surprised everybody with on “Diversum”, after James Fogarty left the band. At first we were skeptical of this change, but he has demonstrated both live with the old material, and on the new studio album that he was the perfect fit for the job.

Masterfully crafting intoxicating Progressive/Technical Death Metal songs, today we have Fractal Universe and their excellent “The Great Filters”. As the band’s fourth full-length release, this album unleashes nine tracks and over 46 minutes of perfectly balanced musicianship with melody and a good dose of heaviness. For fans of bands like Leprous and Opeth, to heavier outfits like Obscura and Allegaeon, this release has a bit for everybody with refined taste.

Opening with the proggy goodness of “The Void Above”, we get masterfully layered guitars and crafty tempo changes alongside a hearty growl and a very clean and direct atmosphere. This track has some serious Leprous vibes that gently make their way into most of the release, as heard on tracks like “The Great Filter”, “Causality’s Grip”, and “The Seed of Singularity”, nicely enhancing the band’s range and keeping things very lively and engaging.

Continuing their crushing onslaught to the top levels of Technical/Melodic Death Metal, today we have Allegaeon and their latest opus “The Ossuary Lens”. Featuring ten tracks and nearly 45 minutes of blistering music, this release further refines the band’s high-octane sound, while infusing some new elements and marks the return of their original vocalist Ezra Haynes. With a focus on creating engaging songs and delivering maximum brutality, the band manages to unleash their finest release to date.

After the atmospheric “Refraction”, the band instantly means business with the punishing “Chaos Theory”. This track sets a very hectic pace thanks to its insane riffing and crafty drumming. The band has never focused on creating complex tracks just for the sake of it, like others in the genre, but rather deliver a perfectly balanced mixture of musicianship, melody and brutality, as “Driftwood”, “Dies Irae” and “The Swarm” showcase.

Showing that their impressive momentum after “Tangaroa” was no fluke, New Zealanders Alien Weaponry return with the blistering “Te Rā”. As one of the loudest and more direct Groove Metal bands in the scene, these guys perfectly blend additional elements in the Djent and Progressive Metal realms to create eleven tracks of high-octane music. Full of attitude and authenticity, the band’s overall vibe is a masterful mixture of haka and crushing Metal riffs.

Opening with the blistering “Crown”, the band immediately hooks the listener with a superbly catchy riff that carries the track from start to finish. The vocals and drumming perfectly complement the band’s high-octane opening move and set the mood for the rest of this intense release. With “Mau Moko”, “1000 Friends”, and “Hanging by a Thread”, this outfit cranks out masterful guitar melodies alongside crafty tempo changes to create a very unique and engaging style, that could be described as a mixture of Jinjer with Into Eternity.

Always evolving and delivering some interesting Gothic/Doom Metal music, today we have Finland’s Hanging Garden and their engaging “The Unending” EP release. Settling in new members over the last few years, has allowed the band to add extra influences to their music and stay more active, releasing a couple of EP’s since their last full-length release. If you like Doom/Gothic Metal with that Finnish edge, you will certainly love this release.

Opening with the playful “To Seize the Night”, the band sets a very lively tempo, giving us some Theatre of Tragedy vibes from their “Aegis”/”Musique” days. This track is quite entertaining with its crafty clean vocal arrangements and its very melancholic nature. Moving into catchier territories, “The Passage” has a certain Melodic Death Metal edge to it, perfectly complemented by Riikka Hatakka’s dreamy vocals and Toni Hatakka’s harsh growls.

Cranking out two tracks of chilling Drone/Ambient/Industrial music, today we have Iggor Cavalera and Shane Embury. Featuring dystopian music full of unnerving atmospherics and haunting passages, each track creates its unique atmosphere and slowly envelops the listener into alternative worlds that both Iggor and Shane do not get to showcase on their main bands.

Opening with “Neon Gods”, this nearly 20-minute piece slowly creeps into the listener’s psyche with a disturbing Drone nature. Reminiscent of some of Masona’s and Merzbow’s work, this track delivers a slow burn that will be seared into the listener. Just think of the movie “Event Horizon” and you’ll slightly know what to expect.

Unearthing their first offering through Napalm Records, today we have the legendary Cradle of Filth with “The Screaming Of The Valkyries”. Featuring nine tracks and nearly one hour of music, this outfit delivers one of their most complete and diverse releases while retaining their signature sound. With the full incorporation of Zoe Marie Federoff and Donny Burbage into the fold, the band manages to add some exciting elements into an already well established and highly effective style.

The release opens with the Omen-esque intro to “To Live Deliciously”, which quickly transitions into nightmarish territories thanks to lush orchestrations and Dani Filth’s signature shrieks. The album’s tempo changes a bit into more sinister territories with the crafty “Demagoguery” and the epic “The Trinity of Shadows”, which delivers very cool vocal arrangements and some killer guitar leads. For those looking for Gothic darkness, “Non Omnis Moriar” is an excellent melodic piece that creates a “Dusk and Her Embrace”-esque atmosphere.

Unleashing a crafty mixture of Melodic/Pagan/Folk Metal with atmospheric tendencies, today we have Germany’s Granitader and their latest EP “Schlachtenklang”. Showcasing 15-minutes of music in three tracks, this release shows a nice balance between power and melody, reminding us of outfits like Enid, Ensiferum, and User Ne.

Perfect for a gloomy cloudy evening, today we have Last Leaf Down and their latest opus “Weight of Silence”. Masterfully blending Post-Rock with Shoegaze elements, this Swiss outfit delivers ten tracks of highly emotional and melancholic music. With a mixture of elements from bands like EF, Tides from Nebula and Mono, this release is top notch from start to finish.

Opening with the solemn and yet dreamy “Silence”, the band sets a very ethereal atmosphere filled with soaring guitars and moody vocals. The melancholic rollercoaster continues with excellent songs like “Cold Heart”, “Reach the Sun”, and “Illusion” that weave back and from cathartic moments to solemn slower passages, keeping this very ethereal and bleak. We particularly love the influence of bands like Katatonia and Slowdive that the band incorporates into their music.