Album Reviews

  • Sabaton - The War to End All Wars (2022)

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    We have always stated that we have two definitions of epic around IM: regular epic, and then Sabaton epic. This Swedish band continues to deliver killer War-inspired Power Metal unlike any other band in the scene, and with “The War to End All Wars” the band focuses their songwriting efforts on WWI. For over 45 minutes, the band reminds us why they have propelled to Metal scene stardom, touring with greats like Judas Priest and headlining summer festivals.

    Opening with the emotional “Sarajevo”, the band sets their regal mood quite early with insightful narrations and lush choral arrangements. The first stand-out track comes under the name of “Stormtroopers” and its soaring vocal lines alongside superb guitar leads. This track, and the rest of the album, features more of a stripped down Power Metal vibe than in previous releases, but with Joakim Brodén lead vocals marching the listener down into battle.

  • Agathodaimon - The Seven (2022)

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    Back in the day, Agathodaimon was one of those bands that pushed Black Metal into Symphonic/Gothic territories with some brilliant releases like “Blacken the Angel” and “Higher Art of Rebellion”. Unfortunately the band split up in 2014, leaving behind great promise and a very solid and unique sound. Fast forward to 2022, Sathonys is back with Chris Bonner on vocals and a set of new members with “The Seven”.

    Featuring ten tracks and around 45 minutes of music, this release feels a bit exploratory, unleashing some killer tracks alongside some odd elements that take a few listens to fully digest. As “La Haine” rolls in with piercing riffs, hellish harsh screams and a fast pace, time is erased and Agathodaimon is certainly back. There are some superb sinister melodic passages that change the mood of the track and are nicely adorned by lush synths, alongside some not-so-great clean vocals. This approach is mimicked in “Ain't Death Grand” and “Ghosts of Greed”, both fairly solid tracks but with odd and contrasting clean vocal arrangements.

  • Messa - Close (2022)

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    Completely blowing us away with their even more refined and enigmatic mixture of Doom and Psychedelic Metal with tons of lush atmospheric elements, today we have Messa and their latest opus “Close”. If you thought the band’s first two full-length releases were awesome, this one takes things to a whole new level. Delivering over 64 minutes of trance-inducing music, this release will most likely end up at the top of our best albums of 2022 list.

    Slowly building up anticipation, “Suspend” quickly escalates into a powerful mixture of crushing distorted riffs and Sara Bianchin siren-like vocals. This track perfectly evolves into more Psychedelic and atmospheric territories as it progresses into more free-flowing pieces like “Dark Horse”, “Rubedo”, and the sultry “Orphalese”. There are obvious comparisons to be made to Jess and the Ancient Ones and Jex Thoth, but Messa manages to craft an aura of uniqueness around their music.

  • Ysyry Mollvün - Ysyry Mollvün (2022)

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    Always keeping things interesting, Avantgarde Music is set to unleash the debut release of Argentinian outfit Ysyry Mollvün. Eponymously titled, this release delivers nearly 36 minutes of punishing Black Metal, featuring a very old-school Scandinavian vibe paired with some interesting folk elements. While the release is more on the ‘traditional’ BM side, there is definitely some level of uniqueness to this band.

    Starting with the ravaging intensity of “K’aux Rise”, the band’s sound is piercing and very guitar driven, featuring some vicious riffs and crafty drumming. Besides the traditional onslaughts, the band teases the listener with an eerie and engaging folky/atmospheric passage with a certain ritualistic feeling. After that small tease, “K’aux See Reconquista Ysyry” and “K’aux Lament” come back in full force with additional waves of aggressive riffs and a very oppressive and yet melancholic vibe.

  • Moonlight Haze - Animus (2022)

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    Fronted by the charismatic Chiara Tricarico, today we have a superbly bombastic release filled with Symphonic/Gothic and Power Metal elements titled “Animus”. As the third full-length release of Moonlight Haze, the band shows maturity and refinement in their style, delivering almost 45 minutes of catchy and engaging music

    Opening with “The Nothing”, we instantly get that lush and explosive vibe of bands like Nightwish, Visions of Atlantis, Epica, etc. However, what sets the band apart is Tricarico’s vocals and their own dynamism as shown in the dreamy “It’s Insane”, “Kintsugi” and its lush choral arrangements, and our personal favorite the cinematic “The Thief and the Moon”.

  • Olde Throne - An Gorta Mór (2022)

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    It is not every day we get to review a band from New Zealand, and it is definitely even better when the band is truly impressive. Olde Throne is unleashing upon the world their fierce debut full-length release “An Gorta Mór”. Featuring a very vicious pace and sinister atmospherics, this Black Metal album brings back memories of the early days of Emperor, Enslaved, and Immortal.

    The release quickly strikes a punishing tone with the ravaging onslaughts of part 1 of the album title track. As the release transitions between the first track and “Knockdoe”, we get Emperor’s “Wrath of the Tyrant” vibes. Creating cavernous atmospheres, “Children of Lir” continues the brutality with a more sinister angle and subtle melodic undertones.

  • Kuolemanlaakso - Kuusumu (2022)

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    Led by Mikko Kotamäki (Swallow the Sun), Kuolemanlaakso, a Finnish outfit, delivers killer Death/Doom Metal with some Gothic elements. With “Kuusumu” the band further expands it sound and incorporates some more modern elements alongside their highly emotional and soul crushing antics. The band’s Finnish only lyrics add an extra layer of uniqueness to their piercing sound.

    Opening with the dazzling atmospherics of “Pimeys laski”, a very somber and yet lush mood is set. The combination of clean and harsh vocals alongside female vocals and harsh shrieks gives the music a very theatrical versatility, like on the Therion-esque “Katkeruuden malja”, or the punishing “Surusta meri suolainen”. Far from linear and traditional, the band’s Doom influences provide a nice contrast to faster and heavier elements thrown into the mix as “Kuohuista tulisten koskien” showcases.

  • Midnight - Let There Be Witchery (2022)

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    Unleashing waves of intensity and playful catchiness, Midnight has always stood out from the rest thanks to their bizarre lyrics and brilliant delivery. With “Let There Be Witchery” the band takes their sound to new levels with ten pummeling tracks filled with devilish sleaziness. Perfectly blending old-school Speed Metal elements with Black Metal undertones, this band is one that no Metalhead should miss out on.

    The release kicks off with the blistering pace of “Telepathic Nightmare”, a solid piece with crafty guitars and extreme catchiness. Building up momentum, ravaging tracks like “Frothing Foulness”, “In Sinful Secrecy”, and “Nocturnal Molestation”, perfectly transmit that sleazy old-school vibe that the Athenar masterfully crafts thanks to the stripped-down sound and funky lyrics.

  • Lord Agheros - Koinè (2022)

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    Perfectly tailored to fans of music that pushes boundaries and that incorporates many disparate elements, today we have Lord Agheros and their latest opus “Koinè”. Mixing Ambient, Atmospheric and Avantgarde elements with a Black Metal core, this one man outfit continues to deliver unique and engaging releases that are varied and evocative from start to finish.

    Opening with “The Prophecy”, we are treated to an Elend-esque momentum builder filled with dreamy atmospherics and crafty guitars. The musical exploration continues with the Industrial-elements of “The Walls of Nowhere”, paired with lush vocal arrangements and the doomier onslaughts of “Hold the Line”. As you can read, as the album hits the middle track, “Sow”, there are plenty of engaging elements from different genres, nicely arranged to create an immersive experience.

  • Valais - Valais (2022)

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    Oozing malevolence and piercing riffs, today we have Ireland’s Valais and their self-titled debut release out in CD and tape format through Signal Rex. While Black Metal bands are a dime a dozen these days, there are only a handful, like this one, that bring the genre to life with gusto and a piercing precision.

    A cavernous mood is nicely set with the opener “I”, a track that suddenly changes gears and delivers blistering drumming alongside crushing riffs. The hellish shrieks perfectly fit the band’s sinister nature as pieces like “III” demonstrate with a slower and creepier pace. Similar to outfits like The Ruins of Beverast and Urfaust, we particularly enjoy this style where pace, aggression, and varied vocal styles create unsettling atmospheres.

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