- Posted By: Dark Emperor
- Comments: 0
Interview with Satan’s Host (Elixir)

Infernal Masquerade: What was the main reason behind the switch between playing Power Metal in the 80’s to the current Black/Death Metal style in your most recent albums?

Infernal Masquerade: What was the main reason behind the switch between playing Power Metal in the 80’s to the current Black/Death Metal style in your most recent albums?
|
|
With this current new revival of Trash Metal hundreds of new bands have popped out of nowhere and just because they can play a couple of Trash riffs they think they are good at it. Thankfully Savage Messiah has more to their sound than many of the shitty bands out there. "Insurrection Rising" is this British outfit first full length album and while it's pretty solid it also gets a bit dull at some points since some of the riffs are very repetitive (especially within songs). The nine songs featured in this album all have their unique riffs, but like I mentioned before some of them get a bit too repetitive. But at least the dull riffs are pretty decent riffs, so it's all good, and if you are not too picky on this department then you will surely love Savage Messiah. The guitar solos are very scarce in this album, but when the band shows them off they sound pretty decent (like in Enemy Image) | ||
|
|
Hailing from Greece, Elysion is probably one of the next big things hit Gothic Rock scene, and they will surely take it by surprise since their debut album "Silent Scream" is very spectacular. Engineered by Ted Jensen (Evanescence, Iron Maiden, Slipknot, Nickelback, Korn, Marilyn Manson) the album sounds amazing, showcasing every single detail of the band's music. Don't go making any conclusions yet, you are probably thinking that this band is all production and no substance, but you are very wrong to assume this since Elysion creates very good music that has enough depth by it self to get them respect from all their peers. I have to say that the band's sound is very commercial, but I don't see any problem with this since the band has never claimed to be anything else, or changed their style drastically in this direction. And as long the music is good an enjoyable I don't see any problem with commercial Gothic Rock music (i.e. H.I.M, The 69 Eyes, etc). | ||
|
|
Founded by Morgan Lacroix, Mandagora Scream is an Italian Gothic Metal/Rock band that has been around since 1997. The band's main characteristic is Morgan's unique voice, that once you hear it once, it's almost impossible to not recognize again. If you are thinking that Mandagora Scream only has to offer Morgan's vocals, you are deeeply mistaken. The band creates a very dark atmosphere in all their albums and "Volturna" is no different, the enthralling keyboard arangements mixed with electronic elements set the stage for a layering of different vocal tracks and very basic, but effective, distorted guitars. | ||
|
|
After bouncing around the US postal service for a few months, this CD (And the band's earliest album) finally arrived in my hands last week. Having heard a few of their songs on their myspace I was very excited to give this album a few spins in order to write this review. Anthropia is a very good Progressive/Symphonic Metal band from France, and their music sounds a lot like Ayreon's and StarOne's music, but with its own identity. "The Chain Reaction" is a concept album with a futuristic theme and provides for a very interesting read once you go through the booklet while the music is playing. | ||
|
|
When I first heard of Satan's Host back in 2000 I was a bit skeptical since they had been a Power Metal band in the late 80's and they just reformed under a new musical style, something that does not compute quite well. However after listening to their 2000 album "Satan's Host - Archidoxes of Evil" I knew the band was for real and their genre switch was a good move. "Power Purity Perfection... 999" comes little over one year after their "The Great American Scapegoat 666" and it shows an even bigger improvement on the band's musical sound. The band's style embraces everything from Black, Death, Trash and even Heavy Metal creating a very interesting mesh of elements that any metalhead would enjoy. | ||
|
|
One year has gone by since the release of "Code Of Violence" and Nocturnal Fear is back with their fast paced Death/Trash Metal. This American outfit waste no time in blowing us away after an intro track and it never lets go. "Metal Of Honor" is in my opinion the band's best album out of their four full length releases. Their mixture of Death and Trash Metal has reached new levels with in this album; the mixture of modern American Trash with 80's influenced Trash (Kreator, Possessed, etc) creates a very intense sounding release. | ||
|
|
As you first listen to track number one on this self titled release, you expect some good old Progressive Metal, but as the album progresses you are headed for an acid trip similar to something out of a David Lynch movie. The band's style is a very peculiar mix of Progressive Metal and some Ambient elements, as well as some weird vocals. The band self claims to be heavily influenced by Rush, Dream Theater, Katatonia among others, and that is not completely far out. | ||
|
|
When you first hear this CD you are quickly taken to the early days of Black Metal with all its rawness and eeriness. One Master does a great job of capturing a timeless sound and reproducing it on their own way on a very well crafted second release called: "The Quiet Eye Of Eternity". The album production is the typical low-fi production that most of the BM bands of the time had, it gets a few minutes to really get used to it since in the first few minutes I thought there was something wrong with my sound system, but it quickly balances out. While I'm not a huge fan of this sound, it does help a lot in creating an haunting atmosphere when it comes to BM albums. | ||
Zeal & Ardor - Baroness - Deafheaven
March 8th, 2019 - Houston, Texas
Ensiferum - Septicflesh - Arsis
January 28th, 2019 - Atlanta, Georgia
November 2nd & 3rd, 2018 - Brooklyn, NY
Eye of Solitude - Marche Funebre - Catapult the Dead
March 13th, 2018 - Oakland, California
Enslaved - Wolves in the Throne Room - Myrkur - Khemis
March 9th, 2018 - San Francisco, California
November 6th, 2017 - Atlanta, Georgia
October 29th, 2017 - Rotterdam, Netherlands
October 28th, 2017 - Rotterdam, Netherlands
Brujeria + Powerflo + Pinnata Protest
October 23rd, 2017 - San Francisco, CA
Orphaned Land + Pain + Voodoo KungFu
September 20th, 2017 - Oakland, California
August 16-19th, 2017 - Dinkelsbühl, Germany
August 10th, 2017 - Jaroměř, Czech Republic
August 11th, 2017 - Jaroměř, Czech Republic
August 12th, 2017 - Jaroměř, Czech Republic
July 28-29th, 2017 - Germany
Feb 2-6, 2017 - USA
Feb 2-6, 2017 - USA
Feb 2-6, 2017 - USA
Feb 2-6, 2017 - USA
Children of Bodom + Abbath + Exmortus + Oni
12/05/2016 - The Regency, CA
Sonata Arctica + Leaves' Eyes + Omnium Gatherum
12/02/2016 - Slim's - San Francisco, CA
Epica + Arkona + Fleshgod Apocalypse + The Agonist
11/18/2016 - Social Hall - San Francisco, CA
Fallujah + Between The Buried And Me + Devin Townsend Project
10/05/2016 - Regency Ballroom - San Francisco, CA