Death Metal

  • Mammutant – Atomizer (2010)

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    With Mammutant’s Atomizer, today we have 44:44 minutes of pure lack of creativity and inspiration. The band’s second full-length release is a very dull album to have to sit through and listen. We usually listen to albums at least 3 times before writing a review and we had a hard time getting through this album even the first time.

    Playing Death Metal with Industrial influences the band looks as if Lordi and the cast of Starwars had a child. Playing on the whole creepy costumes/outfits is ok when your music is somewhat decent, but if it sucks, then we assume they just look like jackasses on stage.

  • Scuffproof – Demonstration Of Strength (2010)

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    Hailing from the small town of Tübingen, Germany, today we have Suffproof with their four songs EP. The band plays traditional neck breaking Death Metal. While they do not provide anything original or super brutal to the genre, “Demonstration Of Strength” is a pretty solid first release for the band.

    Kubo, the band’s vocalist, kicks off the release with a very ‘nice’ message to all the special people in his life, and jumps straight into a crunchy DM riff and some growls. Immediately you can notice some issues with the recording quality of this release since the vocals standout WAY too much as the guitar fills the background and the drums are just a distant banging sound.

  • Vomitor - Devils Poison (2010)

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    While Hells Headbangers is known for releasing very retro (and good) sounding releases, with Vomitor’s “Devils Poison” they have dropped the ball immensely. This Aussie band had done a great job with “Bleeding the Priest”, a very worthy debut album that gained them well deserved comparisons with Sodom, Celtic Frost and the all mighty Hellhammer. But with “Devils Poison” they sound like they should be heading back to their garage and record a few more demos.

    “Devils Poison” is a very chaotic release that has pretty much nothing going for it, the album gets boring right after track number one. We are not complaining about the raw and primitive sound the band has (which is characteristic of the early Sodom, etc albums), but we complain about the lack of creativity and even musicianship behind this release.

  • Low Twelve – Splatter Pattern (2010)

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    Today we have one of the shittiest albums we have reviewed in quite a while. Low Twelve patter is a Death Metal band hailing from Illinois that has been around for quite a while, but display an impressive lack of ideas and musical abilities in “Splatter Pattern”.

    Fro over one hour and 14 songs we have been subjected to a very painful Death Metal that sounds very bad might be the promo quality of just the recording facilities the band used, but in general the sound is very terrible. The vocals don’t help either, featuring a mixture of drowsy screams and some spoken sections; they have a metalcore-ish feeling to them that is downright terrible when combined with the Death Metal riffing of this release.

  • Thulcandra – Fallen Angel’s Dominion (2010)

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    Fronted by Steffen Kummerer from Obscura, today we have a very impressive band from Germany. Thulcandra comes with the slogan of “the heirs to Dissection’s throne” and this could not be any more accurate. The band excels at making Death/Black Metal music unlike anybody these days.

    The influences of Dissection and Emperor are clearly present, but the band takes this further with their own technical abilities. For a band that has been together since 2004, and has never release a full-length, “Fallen Angel’s Dominion” is an impressive achievement.

  • Necronomicon - The Return Of The Witch (2010)

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    After an absence of 6 years, we finally get a new release from Canadian Necronomicon. Since the impressive “The Sacred Medicines” the band has been lurking in the shadows, but finally they make their big label debut with “The Return Of The Witch” out on Napalm Records.

    Necronomicon combines straight-up Death Metal with some melodic influences. However, the band sounds nothing like all the Melodic DM bands these days. Their music is very brutal and less flashy than other bands. They have also added some minor Black Metal influences in the riffing, but nothing major and it’s just to enrich the band’s brutal sound.

  • Jewish Juice – Hidden Into Rotten… With a Black Flame of Light (2007)

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    Hailing from Italy we have Jewish Juice. This Italian band plays a mean combination of Trash/Death and Black Metal. “Hidden Into Rotten” is the band’s second release and shows signs of a good band that needs to mature a little bit. The album mixes 3 very chaotic tracks with two tracks that are very solid, showing the band’s future potential.

    The band’s musical style needs to be refined a bit more since the combination of genres is sometimes annoying since there are several Death metal oriented tracks mixed with Black Metal songs, and we would prefer that those things are either properly combined or just pick one genre. This is usually the problem we find with beginner bands, they want to do many things but they can’t merge them together properly.

  • Jewish Juice – Soaring Above Death (2009)

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    After listening to Italy’s Jewish Juice second release “Hidden Into Rotten… With a Black Flame of Light” we were very interested to listen if the band’s talent was going to be consolidated into creating a better release than “Hidden Into Rotten”. For our general surprise the band has done a great job in maturing and crafting their own sound and not needing to throw a bunch of shit together in order to sound brutal or different. With “Soaring Above Death” we get 5 songs that really show what this band is capable off.

    In “Soaring Above Death”, the band has come to terms and decided to go with a Black Metal foundation that has Death Metal influences, but it’s never chaotic and badly constructed like on some songs of their previous release. The vocals still vary between growls and BM screams, but they feel more uniform and never get to be obnoxious.

  • Pestilence – Resurrection Macabre (2009)

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    When Patrick Mameli decided it was time to bring back Pestilence, he enlisted the services of Tony Choy (Bass) and Peter Wildoer (Drums) in order to record “Resurrection Macabre”, the band’s return to their Death Metal days, and first album in 16 years. Many people where left off wondering what happened to Pestilence with their very good (and for some atrocious) release of “Spheres” an album that saw the band change their musical style considerably.

    “Resurrection Macabre” in a few words is: A fucking brutal and technical release. This album is something we were expecting from Pestilence back in 1993, however this release still sounds good for this time thanks to a superb production. Patrick has brought back the full aggressive Pestilence sound that we all loved from their beginnings and the technical aspect of “Spheres” combined together into a brilliant release.

  • The Breathing Process – Odyssey: (Un)Dead (2010)

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    Out of all the bands we have reviewed recently, The Breathing Process is by far the one that combines to most influences of different genres in their music. With a very impressive (but sometimes terrible) mixture of Black/Death/Gothic Metal with some Melodeath and even Metalcore-ish influences we get “Odyssey: (Un)Dead”.

    After their very impressive debut album “In Waking: Divinity”, we could not expect anything less from this young American band, but we also got a bit disappointed at some points during this album. The band fails to mix their elements together and ends up sounding extremely chaotic and redundant in some places.

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