Death Metal

  • Diabolic – Excisions of Exorcisms (2010)

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    With all the kiddies invading the current Death Metal scene, it’s nice to see some of the older bands come out and show what this kind of music is all about. Hailing from the Tampa scene, this American band shows that they have earned their DM chaps by experience, and not by copying everybody else.

    “Excisions of Exorcisms” pretty much has the ‘traditional’ DM feeling to it. The riffing is very powerful, the blasting drumming is very well crafted, and the vocals are just right for this release. The band might not have the technical abilities that some of the ‘traditional’ bands do, but they compensate with blistering fast sections that will make you start moshing in no time.

  • Whitechapel – A New Era of Corruption (2010)

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    With all the shit-core bands out these days we are very skeptical about reviewing anything that comes with the Metalcore and Deathcore tags. We usually trash most of these bands because of their lack of creativity and musical maturity, using a bunch of random riffs before the ‘traditional’ breakdown is not a formula for success (some might differ with this opinion).

    When we first started listening to Whitechapel’s 3rd album “A New Era of Corruption”, the first thing that came to our minds was: “Oh shit, another Black Dahlia Murder clone”. However, after the first few songs we actually discovered that Whitechapel is much more than a ‘straight forward’ Deathcore band. Their sound over the years (yes, we had check them out since their first releases) has changed from an uninspired copy-cat Deathcore, into their own brutal combination of Death Metal with some modern core-ish influences.

  • Aeon – Path of Fire (2010)

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    Hailing from Sweden we have today yet another Death Metal band that wants to be ‘brutal’ and technical at the same time. Aeon is not a very (or at all) original band, but what they do, they do perfectly. With a very groovy sound, the band reminds us of the likes of Jungle Rot, Six Feet Under, etc.

    Combining chugging riffs and meaty hooks, the band does a great job in creating a very brutal DM backdrop, with the addition of some brilliant solos and bestial drumming (courtesy of Nils Fjellstrom, from Dark Funeral) the band creates very solid tracks that will have people moshing in no time. While Aeon is an extremely formulaic band, they do have good song writing chops to keep you entertained for over 40 minutes.

  • Hacavitz – Metzli Obscura (2010)

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    Hacavitz is a Mexican two man apocalyptic outfit that creates very raw and brutal Black/Death Metal. Unlike many bands of this genre, we don’t hate them. The band is pretty good at creating rudimentary and harsh music that will make your spine chill. Using English, Spanish, and Aztec (or something like that) the band will haunt your dreams since the start of “Metzli Obscura”.

    We usually bitch and moan about the shitty quality that similar releases have, but we cannot complain about this with Hacavitz. The band’s sound is very dense and dirty, but it works wonders in creating a raw and thick atmosphere. With the chaotic feeling that “Metzli Obscura” creates, we have found the perfect soundtrack for a journey through hell.

  • Godless Rising – Trumpet Of Triumph (2010)

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    Hailing from the USA, Godless Rising delivers one of the most brutal and technically brilliant albums of 2010 with “Trumpet Of Triumph”. With Toby Knapp on guitars, the band manages to be on the same caliber as Obscura, when it comes to brutal and technical Death Metal.

    Featuring a plethora of catchy hooks and complex solos, the guitar work makes up for almost 90% of the quality behind Godless Rising impressive sound. While we love our traditional Death Metal, we tend to favor bands like this one that go beyond the brutal growls, furious drumming and groovy riffing.

  • Disbelief – Heal (2010)

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    Disbelief is a German Death Metal band that has been around since the 90’s, and have always produced decent releases. Consistency is one the band’s best qualities, since their self-titled debut album they have been putting out very solid songs with lots of groove to them. “Heal” is the band’s 9th full-length release, and it features yet another 40 minutes of solid Death Metal with some Sludge and Trash Metal influences.

    Riffing away since track one, “The Eyes Of Horror”, the band does a great job at grabbing the listeners attention since the first song and never letting go. With brilliantly crafted riffs and aggressive vocals, the band blasts away through the album and before you know it you will find yourself playing it over and over again.

  • Mammutant – Atomizer (2010)

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    With Mammutant’s Atomizer, today we have 44:44 minutes of pure lack of creativity and inspiration. The band’s second full-length release is a very dull album to have to sit through and listen. We usually listen to albums at least 3 times before writing a review and we had a hard time getting through this album even the first time.

    Playing Death Metal with Industrial influences the band looks as if Lordi and the cast of Starwars had a child. Playing on the whole creepy costumes/outfits is ok when your music is somewhat decent, but if it sucks, then we assume they just look like jackasses on stage.

  • Scuffproof – Demonstration Of Strength (2010)

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    Hailing from the small town of Tübingen, Germany, today we have Suffproof with their four songs EP. The band plays traditional neck breaking Death Metal. While they do not provide anything original or super brutal to the genre, “Demonstration Of Strength” is a pretty solid first release for the band.

    Kubo, the band’s vocalist, kicks off the release with a very ‘nice’ message to all the special people in his life, and jumps straight into a crunchy DM riff and some growls. Immediately you can notice some issues with the recording quality of this release since the vocals standout WAY too much as the guitar fills the background and the drums are just a distant banging sound.

  • Vomitor - Devils Poison (2010)

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    While Hells Headbangers is known for releasing very retro (and good) sounding releases, with Vomitor’s “Devils Poison” they have dropped the ball immensely. This Aussie band had done a great job with “Bleeding the Priest”, a very worthy debut album that gained them well deserved comparisons with Sodom, Celtic Frost and the all mighty Hellhammer. But with “Devils Poison” they sound like they should be heading back to their garage and record a few more demos.

    “Devils Poison” is a very chaotic release that has pretty much nothing going for it, the album gets boring right after track number one. We are not complaining about the raw and primitive sound the band has (which is characteristic of the early Sodom, etc albums), but we complain about the lack of creativity and even musicianship behind this release.

  • Low Twelve – Splatter Pattern (2010)

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    Today we have one of the shittiest albums we have reviewed in quite a while. Low Twelve patter is a Death Metal band hailing from Illinois that has been around for quite a while, but display an impressive lack of ideas and musical abilities in “Splatter Pattern”.

    Fro over one hour and 14 songs we have been subjected to a very painful Death Metal that sounds very bad might be the promo quality of just the recording facilities the band used, but in general the sound is very terrible. The vocals don’t help either, featuring a mixture of drowsy screams and some spoken sections; they have a metalcore-ish feeling to them that is downright terrible when combined with the Death Metal riffing of this release.

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