Unleashing around 40 minutes of expertly crafted Death Metal, today we have Slovenia’s Siderean and their debut release “Lost on Void’s Horizon”. Mixing a core of traditional Death Metal elements with brilliant technical proficiency and some sprinkles of progressive elements thrown into the mix, this release is both crafty and powerful. Never straying too far away from their DM roots, the band nicely explores multiple influences, ultimately delivering a very unique and engaging style of their own.
The release opens up with the thunderous “Eolith” and its fierce guitar onslaughts. Thrown into the mix are some nice mellow interludes that allow the listener to breathe and prepare for the next round of punishment. After the dreamy instrumental, “Traversing”, the band comes back with a more mellow and proggy vibe on the album title track. Having some killer Opeth/Sculptured-esque vibes, this track still grapples to its old-school DM harshness alongside playful and funky melodic passages.
Unleashing one of their most crushing and ravaging releases of their long career, today we have the legendary Cannibal Corpse and their latest effort “Violence Unimagined”. Clocking in at 42 minutes over 11 tracks, with the addition of Erik Rutan as lead guitarist, the band sounds refreshed and ready for blood. Rarely disappointing over the years, Cannibal Corpse manage to blow past expectations due to the sheer brutality and effectiveness of this release.
As “Murderous Rampage” kicks off this release, we immediately see the fantastic interplay of Corpsegrinder’s signature growls alongside blistering guitar work, including some intense leads. With tracks like “Necrogenic Resurrection”, “Inhumane Harvest”, and “Condemnation Contagion” featuring the traditional meaty hooks, crafty tempo changes, and violent drumming, we found ourselves furiously headbanging most of the time.
Hailing from the Czech republic, today we have newcomers Můra and their creepy and cavernous amalgamation of Death Metal with Doom influences. While the genre has evolved in multiple directions in the last few years, there is still nothing like chugging guitar riffs and firm growls. This release delivers both elements in droves, making it perfect for older fans of the genre.
Opening with the 11-minute excruciating piece “Chambers of Decay”, the band sets a very dark and punishing atmosphere that has some elements of Funeral Doom Metal with slower variants of traditaionl Death Metal. The band’s crunchy guitars and crafty leads helps them avoid monotony as this track weaves back and forth different levels of aggression and tempos.
Delivering a 26 minute slab of crushing music, today we have International entity Ordo Cultum Serpentis and their debut EP “Derej Najash”. Featuring two tracks of 13 minutes each, the band’s sound is as close as we can imagine the depths of hell to sound like. Mixing a great deal of ambient elements with chugging slow riffs and creepy vocals, this release is perfect for a dark somber night.
Opening with “Chapter 1”, the album starts with a ritualistic vibe of eerie chants and sounds and slowly descends into madness with superbly slow distorted guitars and desolate atmospherics. As the track evolves, there are fierce fast-paced passages with hellish shrieks and a very cavernous vibe. The second piece, “Chapter 2”, continues with the ritualistic atmospherics and sparse drumming, slowly building into savagely punishing simple riffs and more disturbing vocal arrangements.
Unleashing a barrage of crushing riffs and a very dense atmosphere, today we have Death Metal newcomers Frozen Soul and their debut release “Crypt of Ice”. Hailing from Texas, this outfit perfectly combines old-school North American DM elements with influences from old-school European Death Metal, creating a very unique amalgamation of sounds that feels like Centinex had a bastard child with Incantation.
Opening with the chugging riffs of “Crypt of Ice”, the band creates a very effective and crushing mood with excellent headbanging passages. Setting that sluggish mid-tempo approach, tracks like “Arctic Stranglehold”, “Hand of Vengeance”, “Wraith of Death” further develop the band’s immersive atmosphere with crafty drumming and hellish vocals. The band’s lyrical themes are also quite refreshing as they don’t just focus on blood and guts like most others.
Perfectly blending hyper fast Death Metal brutality with Black Metal hellishness, today we have Azarath and their latest offering: “Saint Desecration”. Building up on their transition into Blackened DM territories over their last releases, this album unleashes nearly 40 minutes of swift aggression and crushing speed, leaving the listener’s ear ringing for a couple of hours after it is over.
The band’s ‘new’ vocalist/guitarist Skullripper (Marcin Sienkiel) perfectly fits in the band’s energetic style and wastes no time to make his presence felt in the furious opener “Death-at-will”. While some might expect more Behemoth-styled because Inferno’s drumming, the band forges their own signature style with a pummeling and firm Death Metal core that turns Blackened in certain occasions thanks to the riffs or some screams, like on “Sancta Dei Meretrix” and “Let Them Burn”.
Hailing from Turkey, today we have hard-hitting Death Metal battalion Engulfed and their latest effort: “Vengeance of the Fallen”. For a 25+ minute EP this release packs a mean punch with crushing riffs and crafty tempo changes, making the album quite engaging and unlike most of the very linear and dull Death Metal that kids release these days. If you are a fan of bands like Centinex, Origin and similar, you will find this album very enjoyable.
Opening with the vicious “Rite Abandoned Heretics”, the band delivers a swift kick to the nuts with their relentless guitar work and brutal growls. Clocking in at around 8 minutes, this is definitely one of the longest Death Metal tracks we have heard in awhile, and luckily the band has the chops to keep it interesting and punishing. The guitar leads and tempo changes of “Summoning The Black Death”, make for a very interesting follow-up to a very pummeling opening piece.
As a fine wine, Carcass has nicely matured over time while keeping true to their signature sound, the band continues to aggressively tour and give killer performances. As a preview for their upcoming full-length release, the band delivers “Despicable”, just in time for Halloween. Featuring four tracks and nearly 20 minutes of music that will not be part of their next release, this album delivers the signature melodic/catchy Death Metal/Death’n’Roll sound we all love.
The release kicks off with the signature Carcass guitars of “The Living Dead At The Manchester Morgue”. In this track we get a nicely paced piece filled with chugging riffs and crafty tempo changes. Jeff Walker’s usual snarl is as powerful as always, and on “The Long And Winding Bier Road” it shows that clean vocals can also create very catchy and engaging chorus sections, alongside pretty epic guitar leads.
Unleashing a very engaging barrage of old-school Death Metal sickness, today we have all-star band Insidious Disease and their sophomore release “After Death”. Featuring Tony Laureano, Shane Embury, Silenoz, Marc Grewe, and Terje Andersen, this band takes you down memory lane with crunchy DM antics filled with crafty guitar work and excellent drumming, I mean, what can you expect with such a stacked line-up.
The band quickly chugs away with the catchy “Soul Excavation”, instantly reminding the listener of the old days of bands like Morgoth and Asphyx, but with a slightly sharper production. The riffing onslaught, courtesy of Silenoz and Cyrus, perfectly creates that mean and punishing attitude of earlier Death Metal as heard on the pummeling “Betrayer” and “Divine Fire”. For those looking into dramatic leads, “Unguided Immortality” gives a bit of Swedish DM flair, similar to bands like Grave and Centinex, with a slightly more melodic and headbanging edge.
In the last few years we stopped writing bad reviews, as we receive more promos than we can write about, we pick our battles and only write about the good stuff. However, sometimes, there comes a release so terrible that we are just pissed about having listened to it, and want to vent about it. Today the honor belongs to Six Feet Under and their latest ‘effort’ “Nightmares of the Decomposed”. While we loved the band in their heyday… like 10-15 years ago, their quality of their latest albums has gradually decreased.
The album starts with one of the salvageable tracks in this release with “Amputator”, while nothing revolutionary, it captures the band’s old-school ferocity and catchiness. The sluggish “Zodiac” delivers some of the most dubious vocals in this release as they just sound completely uninspired alongside grungy riffs. The album continues on a downward spiral until the terrible “The Noose” comes along, delivering one of the most boring and badly crafted songs we have heard in quite a while, even though it has some nice heavy riffs, Chris Barnes sounds completely bored in an attempt to rhyme.