Hailing from the swamps of Florida, today we Massacre and their latest EP “Mythos”. As you would expect, the band plays a mean old-school American Death Metal, with elements from all the genre greats plus their own antics. For a band that has been on and off over the years, the band’s sound is quite polished and will have you headbanging from start to end and feeling nostalgic, so definitely a good addition to any DM fan’s collection.
Starting with the chugging riffs of “Behind the Serpent's Curse”, the band sets a pretty gnarly mood with crafty drumming and engaging tempo changes. This track also features guest Anders Odden of Cadaver, giving it an extra killer punch. One of our favorite things about old-school American DM is that songs are usually short, with a heavy kick, and far from linear, as we can hear in “The Dunwich Horror” and “The Mythos That Lovecraft Built”.
Hailing from the Netherlands, Sever Torture is one of those bands that has been around for a while and still does not get the recognition they deserve. With their “Fisting the Sockets” EP, the band’s first formal release in over 12 years, we get three tracks of crushing (and catchy) Death Metal with that old-school Dutch flair and some modern elements.
Unleashing an hour of hellish old-school Black/Death Metal, today we have Pact and their latest full-length release “God Only Knows”. Featuring an assortment of traditional Black/Death Metal tunes and some more sinister and atmospheric songs, this release nicely shakes things up when they start to get a bit repetitive.
As one of the most identifiable people in Metal, George "Corpsegrinder" Fisher has made a career thanks to his punishing growls, furious headbanging skills, and bigger than life personality. Unleashing his debut solo album, Corpsegrinder delivers ten tracks and over 30 minutes of signature Death Metal with some splashes of Thrash Metal.
Featuring Charlie Bellmore and Nick Bellmore handling the instruments, the album starts with the pummeling “Acid Vat” track, which also receives some additional magic from Erik Rutan. Marching victoriously through songs like “Bottom Dweller”, “On Wings of Carnage”, “All Souls Get Torn” and “Death Is The Only Key”, Corpsegrinder showcases his usual versatility and energy alongside a barrage of chugging riffs and crafty tempo changes.
Continuing the ravaging onslaughts delivered by “Phylogenesis” in 2020, today we have Abysmal Dawn back with their five song EP titled “Nightmare Frontier”. Featuring one new track, one re-recorded demo track, and a couple of covers, this release showcases the band’s craftiness and killer execution in 20 minutes of engaging Death Metal music.
The release quickly gets down to business with the blistering drumming and incisive guitars of “A Nightmare Slain”. Helmed by Charles Elliott, the band’s vocalist and guitarist, this track is fierce, delivering some killer guitar leads alongside crushing headbanging moments. The intensity continues with the pummeling “Blacken the Sky”, with a more direct and old-school chugging nature.
Chugging through fifteen tracks of traditional Death Metal, today we have the legendary Immolation and their eleventh full-length release “Actos of God”. Always keeping things interesting and brutal, the nearly one hour of music unleashed in this release perfectly captures the band’s signature sound while keeping things fresh and engaging.
Ross Dolan and Robert Vigna have been unleashing crafty Death Metal songs for over two decades and with “Acts of God” they show the band is not slowing down or have fallen behind the times. Pieces like the crushing “An Act of God”, “Nose of Thorns”, to the massive “Immortal Stain” are perfect examples of experiences, timelessness and viciousness, delivering piercing guitar riffs and masterfully crafted drums.
With the barrage of promos we get each month, it is easy to lose track of under the radar releases that are quite interesting. Luckily for us, Nightland’s latest album “The Great Nothing” popped in our queue and hasn’t left after more than a dozen spins. Mixing Progressive elements with a Symphonic Death Metal core, this release unleashes over 47 minutes of highly polished and very engaging music that will appear to fans from bands like Sculptured, Fleshgod Apocalypse, Septicflesh, and Arcturus.
The release opens with the crafty “The Conjunction of Benetnash” and its intricate guitar lines paired with dramatic choral arrangements. This opener sets a very intriguing mood as the band’s sound is still yet to fully unravel. With a more mellow approach “For Once My Name” introduces a nice mixture of harsh and clean vocals, having a very epic feeling, a bit like bands like Arcturus, but with a cleaner and more ethereal purpose.
Unleashing waves of old-school Melodic Black/Death Metal in the vein of Dissection, today we have Thulcandra and their latest opus “A Dying Wish”. Packed with ten tracks and nearly 45 minutes of incisive music, Steffen Kummerer keeps the old-school vibe alive with this excellent release. With a heavy tribute to Jon Nötveidt's style, the band continues to refine their sound and create brilliantly executed pieces that will appeal to old and new Black/Death Metal fans.
The release opens very strongly with the dreamy “Funeral Pyre” and its mixture of melodic passages and furious onslaughts, perfectly balancing brutality and melody while delivering a timeless sound and aural aggression. We are particularly blown away by the fast-paced songs in this release that remind us of early Entombed and Sacramentum, for example songs like “Scarred Grandeur”, “In Vain”, and “Nocturnal Heresy”.
Led by Adam Buszko, Hate is one of Metal Blade’s heaviest bands and they have returned with a vengeance with “Rugia”. Unleashing nine tracks and nearly 40 minutes of devastating music, Hate features a sound similar to Behemoth but with its own brand of aural poison and intensity. If you are a fan of Blackened Death Metal, and bands like Belphegor and Azarath, this is one release you can’t miss.
Opening with the album title track, the band makes a vicious statement with crushing riffs, devilish snarls and tight drumming. The band’s sound is quite refined and vicious, allowing them to introduce melody alongside their superbly brutal and swift onslaughts, evidence of this are songs like “The Wolf Queen”, “Exiles of Pantheon”, and one of favorites “Awakening the Gods Within”. Not just blasting the listener away with sheer brutality, the band systematically attacks with their musicality and execution.
Consistently pushing the boundaries of creating misery-inducing music, Clouds is one of those bands that with each release only keeps getting better and more refined. With “Despărțire” the band sets a new bar for Atmospheric Death/Doom Metal releases with nearly 60 minutes of emotive music that will rip your heart out of its cavity in minutes. Featuring some excellent guest appearances and some additional elements to the band’s already all-encompassing sound, this release is as brilliant as any of the band’s previous efforts.
Opening with the imposing “Deepen This Wound”, we get a very solemn vibe thanks to weeping violins and piercing riffs, perfectly paired with Daneil’s rumbling growls. The use of clean vocals provides a nice contrast and allows the music to flow into more emotional dimensions. In the piercing “This Heart, A Coffin”, the band enlisted none other than Mick Moss to provide additional vocals in this total banger of a song. We particularly enjoy the juxtaposition of the violins, tempo, and clean vocals in this very dynamic piece.