As one of the most awaited releases of 2021, today we have the legendary Carcass and their latest opus “Torn Arteries”. Aging as a fine wine, the band unleashes 49 minutes of their signature Death ’n’ Roll, fully delivering the good for long time fans. While the wait was long (8 years or so since their last full-length release, Jeff Walker and company effortlessly deliver one of the most incisive and engaging releases of their career.
Opening with the title track, the band quickly sets a very hectic and crafty mood with incisive guitars and engaging tempo changes. The traditional snarl of Jeff Walker is one of the band’s staple elements and, as always, perfectly complements the superbly catchy nature of the music, as we can hear in the playful “Dance of Ixtab” and the chugging “Eleanor Rigor Mortis”.
Hailing from Canada, today we have Progressive/Technical Death Metal outfit Æpoch with their latest EP “Hiraeth”. Delivering nearly 20 minutes of high-octane music, this band shows great maturity and originality in their very polished sound. From start to finish, this release will have you furiously headbanging and moshing with your friends.
Opening with “Atonement”, we get that immediate Death worship within the first few minutes as the band transitions into intense melodic riffs and proggy tempo changes. The opener perfectly bleeds into “Amnesia” another piece with ravaging guitars and tight drumming. The growls are deep and firm, allowing the music to sound quite brutal with the addition of extra vocals by Alustrium’s Jerry Martin.
Unleashing a brutal feast of technical proficiency and crushing aggression, today we have Iceland’s Ophidian I and their sophomore release “Desolate”. In the same vein as bands like Obscura, Hour of Penance, Persefone, etc. this band is ready to kick major ass with the boost of being signed to a label like Season of Mist. If you like speed, technicality and craftiness, this release will blow your mind.
Wasting no time to turn up the intensity to 11, “Diamonds” unleashes blistering guitars and pummeling drums as it waves back and forth musicianship and brutality. The band’s ability to seamlessly transition between crafty guitar leads and neck-snapping tempo changes is quite brilliant, as one can hear in “Spiral to Oblivion”, “Storm Aglow”, and one of our favorites “Unfurling the Crescent Moon”. Not leaving any brutality to the side, the harsh growls and aggressive drumming nicely round things up.
In recent years, some bands have been taking Death Metal into very creepy and cavernous territories. Today we have Qrixkuor and their debut release “Poison Palinopsia” which follows that eerie path into aural madness for over 48 minutes. Featuring two tracks that evenly split the album’s running time, the listener is taken into a decadent journey that is both disturbing and highly dissonant. If you want to feel like you are trapped in a downward spiral towards hell, this album is just what you need.
Opening with the cavernous atmospherics of “Serpentine Susurrus - Mother's Abomination”, the release quickly escalates with piercing guitar riffs and hellish vocals. The tempo feels a bit slower than usual, but still reminiscent of the slower tracks of bands like Centinex and Grave, while throwing in some of the savagery of Grave Miasma and Mitochondrion. While one would expect that a 20-plus minute Death Metal track would get old, it is actually quite the opposite as these songs feel fresh and go by super quickly, thanks to all its crafty tempo changes and punishing elements.
Unleashing one of the most over the top and yet brilliant Symphonic-whatever-Metal releases, today we have Wizardthrone and their debut full-length release “Hypercube Necrodimensions”. Featuring members from bands like Alestorm, Nekrogoblikon, Gloryhammer, and Æther Realm, this band creates a very explosive and lush Metal sound with tons of wacky influences and over the top orchestrations. Imagine Gloryhammer, Æther Realm, with a dose of Children of Bodom and Obscura, and you can almost approximate what this band sounds like.
The release opens with the ravaging “Black Hole Quantum Thermodynamics”, perfectly blending dramatic orchestrations with heavy melodic guitars and a crafty use of harsh and clean vocals. The mood is set very epic from the start, and it never lets go as we can hear in the immersive “Frozen Winds Of Thyraxia” and the playful “Incantation Of The Red Order”, both tracks filled with killer guitar leads and well crafted tempo changes.
Unleashing around 40 minutes of expertly crafted Death Metal, today we have Slovenia’s Siderean and their debut release “Lost on Void’s Horizon”. Mixing a core of traditional Death Metal elements with brilliant technical proficiency and some sprinkles of progressive elements thrown into the mix, this release is both crafty and powerful. Never straying too far away from their DM roots, the band nicely explores multiple influences, ultimately delivering a very unique and engaging style of their own.
The release opens up with the thunderous “Eolith” and its fierce guitar onslaughts. Thrown into the mix are some nice mellow interludes that allow the listener to breathe and prepare for the next round of punishment. After the dreamy instrumental, “Traversing”, the band comes back with a more mellow and proggy vibe on the album title track. Having some killer Opeth/Sculptured-esque vibes, this track still grapples to its old-school DM harshness alongside playful and funky melodic passages.
Unleashing one of their most crushing and ravaging releases of their long career, today we have the legendary Cannibal Corpse and their latest effort “Violence Unimagined”. Clocking in at 42 minutes over 11 tracks, with the addition of Erik Rutan as lead guitarist, the band sounds refreshed and ready for blood. Rarely disappointing over the years, Cannibal Corpse manage to blow past expectations due to the sheer brutality and effectiveness of this release.
As “Murderous Rampage” kicks off this release, we immediately see the fantastic interplay of Corpsegrinder’s signature growls alongside blistering guitar work, including some intense leads. With tracks like “Necrogenic Resurrection”, “Inhumane Harvest”, and “Condemnation Contagion” featuring the traditional meaty hooks, crafty tempo changes, and violent drumming, we found ourselves furiously headbanging most of the time.
Hailing from the Czech republic, today we have newcomers Můra and their creepy and cavernous amalgamation of Death Metal with Doom influences. While the genre has evolved in multiple directions in the last few years, there is still nothing like chugging guitar riffs and firm growls. This release delivers both elements in droves, making it perfect for older fans of the genre.
Opening with the 11-minute excruciating piece “Chambers of Decay”, the band sets a very dark and punishing atmosphere that has some elements of Funeral Doom Metal with slower variants of traditaionl Death Metal. The band’s crunchy guitars and crafty leads helps them avoid monotony as this track weaves back and forth different levels of aggression and tempos.
Delivering a 26 minute slab of crushing music, today we have International entity Ordo Cultum Serpentis and their debut EP “Derej Najash”. Featuring two tracks of 13 minutes each, the band’s sound is as close as we can imagine the depths of hell to sound like. Mixing a great deal of ambient elements with chugging slow riffs and creepy vocals, this release is perfect for a dark somber night.
Opening with “Chapter 1”, the album starts with a ritualistic vibe of eerie chants and sounds and slowly descends into madness with superbly slow distorted guitars and desolate atmospherics. As the track evolves, there are fierce fast-paced passages with hellish shrieks and a very cavernous vibe. The second piece, “Chapter 2”, continues with the ritualistic atmospherics and sparse drumming, slowly building into savagely punishing simple riffs and more disturbing vocal arrangements.
Unleashing a barrage of crushing riffs and a very dense atmosphere, today we have Death Metal newcomers Frozen Soul and their debut release “Crypt of Ice”. Hailing from Texas, this outfit perfectly combines old-school North American DM elements with influences from old-school European Death Metal, creating a very unique amalgamation of sounds that feels like Centinex had a bastard child with Incantation.
Opening with the chugging riffs of “Crypt of Ice”, the band creates a very effective and crushing mood with excellent headbanging passages. Setting that sluggish mid-tempo approach, tracks like “Arctic Stranglehold”, “Hand of Vengeance”, “Wraith of Death” further develop the band’s immersive atmosphere with crafty drumming and hellish vocals. The band’s lyrical themes are also quite refreshing as they don’t just focus on blood and guts like most others.