With a very confusing approach to music, today we have Ironwood, a band that seems to suffer from multiple personality disorder and plays a very wide variety of music genres in a very disconnected way. However, at some moments the band reminds us of Borknagar and such bands that mix and match genres in very crafty ways.

Hailing from Australia, “Storm Over Sea” is Ironwood’s second full-length release and shows the band trying to find their own sound, or just playing a bunch of random things together and hoping for the best. Starting off with “When it’s all Over” a very Folk/Progressive piece, the band will surely grab your attention, but will confuse you immediately after with “Hail Sign” a very ‘random’ song in our opinion.

Today we find making its way up our ridiculously long review queue Calm Hatchery’s second full-length album “Sacrilege of Humanity”. While we expected a very typical and maybe even good Death Metal album, we found more that we bargained for and we completely loved this both crushing and melodic release from these Polish metalheads.

“Sacrilege of Humanity” starts of very ‘traditionally’ with the typical catchy riffs, chugging melodies, massive drumming and growls. It’s not until the middle of the song “We are the Universe” where you start noticing an unusual amount of ‘melody’ in this song. In “Mirror Giants” the band exploits some more melodic and technical sounds half-way through the song making this piece one of the most interesting of the release, and leaving us with an even more puzzled look on our faces that comes back again with the song “Them”.

It’s been a while since we get the ‘holy shit’ look after listening to a release coming from an unsigned band, and recently Veneficum’s “In Tranquil Absurd” changed that. With a monumental Symphonic Black Metal sound, this American band managed to blow us away after a couple of songs. And while Veneficum does not have the budget to create the expensive orchestrations that bands like Cradle of Filth and Dimmu Borgir are capable of, they do manage to create an epic orchestral atmosphere using synthesizers.

Before you start thinking that we will talk about another clone band that is just trying to capitalize on what CoF and Dimmu have already done, you should give Veneficum a try and verify for your self that they are a quality band with an imposing sound. With the atmosphere being the main ‘attention grabber’, the band also shows great amount of skills in terms of cohesive songwriting, and ridiculously precise execution.

After their killer 2009 demo “Glorybound”, today we have Windfaerer and their dominating Pagan/Folk Metal sound. Windfaerer is probably the USA’s most credible (and good) act of these genres, and with “Tribus” they should get the spotlight needed to make some noise in the international scene.

Featuring around 42 minutes of catchy guitar riffs, powerful drumming, and intense violin action, the band greatly improves on their sound since their “Glorybound” demo. While you can not avoid the typical pitfalls of the genre, “Tribus” is fresh enough to keep the listener engaged and waiting for what’s next, something that plenty of Pagan/Folk Metal releases fail miserably at.

As the first release we review of 2011 (for the USA), today we have a very special release: “The Murder of Jesus the Jew” by the ever surprising The Meads of Asphodel. Featuring their unique blend of Black Metal with countless other genres, the band manages to create their most impressive release to date.

Metatron and company return with their first full-length release since their epic “Damascus Steel” from 2005. “The Murder of Jesus the Jew” plays out in a very theatrical way, depicting in 12 songs the story of Yeshua. As you can expect the band uses their wide range of influences to craft a very unique sounding and appealing release that will blow your mind away (if you’ve never listened to the band).

Hailing from the USA, today we have one of the dullest and most generic bands we have received in quite a while: Dusted Angel. The band plays Doom/Stoner Metal with almost no sense of originality and creativity, crafting seven songs that will surely be forgotten the moment you stop listening to this album.

We know that Doom/Stoner Metal are two genres that do not have much to have drastic changes and elements that would make a release be completely out of the ordinary, but when the band just plays very similar riffs over and over and the vibe of the music feels a bit stale and uninspired.

As one of the most anticipated releases of 2010, today we have Killing Joke’s “Absolute Dissent”. This release marks the return of the original line-up of the band after almost 30 years, making this release even more special since we have Jaz, Geordie, Youth and Paul Ferguson back together pushing boundaries once more with KJ.

“Absolute Dissent” features 12 tracks that vary from vintage 80’s KJ, to the more ‘artsy’ Metal touches KJ had in their latest album. We also get a share of Auto-Tune and other ‘modern’ day elements mixed in between the band’s rich and diverse sound. We can also say that this album is actually one the most cohesive and less pretentious releases of the band.

With two new additions to the band’s line-up since their devastating last release “Passiondale”, God Dethroned returns with their crushing sound with “Under the Sign of the Iron Cross”. Showing no signs of slowing down, the band’s latest release is both crushing and relentless with some monumental Death Metal perfect for some neck-breaking moshing.

The addition of Danny Tunker on guitars and Mike van der Plicht on drums keeps the band as brutal as every with that slight melodic edge that separates them from the rest. For over 35 minutes, God Dethroned rips through 9 tracks of crushing music that will leave you craving for more.

Also from Metalodic records, today we have Instanzia and their highly impressive debut album “Ghosts”. The band crafts their sound with very solid guitar riffing, majestic orchestrations and superb vocal arrangements that make most bands debut albums pale in comparison to “Ghosts”. However, a small warning comes with such an ambitious production: will the band be able to ever play it live with the same quality?

Since the very enthusiastic intro “Omen”, the band quickly builds up momentum in the same vein as Edguy, Avantasia, Pagan’s Mind, etc. With “Ghosts of the Past”, the band will immediately grab your attention with their fast-paced riffing, tight drumming and very impressive vocal arrangements. The band used three different singers to create a very powerful choir that greatly improves the band’s chorus sections giving them a very massive and majestic sound, but makes us weary on how this band will sound in reality when they don’t have all this studio magic behind them.