Hailing from Norway, today we have another Black Metal band popping out of the woods. Liktjern has been around since 1996 but due to tons of line-up changes and everything you can imagine, the band has never released any music until “Kulde, Pest & Død”, a very raw and ‘traditional sounding’ Black Metal MCD.

As we are reviewing this album during a winter storm, we can surely state that this kind of Black Metal is just right for these moments. All 4 songs are raw and basic, a simplistic but rather traditional approach to the genre, but then again who said Black Metal is supposed to be pretty.

As one of the most ambitious self-released albums we have received in years, we have Lebowski’s musical opus “Cinematic”. In this release, the band culminates a 5 year writing process in the shape of a sound track to a non-existent movie as they put it. Being the band’s first full-length release, we are sure they will turn some heads along the way with such a professional and rich production.

The variety of textures created by the moods and instruments is outstanding, all the elements come together magically in such a way that you can visualize the atmospheres created by the band in each of the 10 songs presented in this release.

After their solid debut album “Burn”, Havok is back with their crushing Thrash Metal sound with “Time is up”. This new release features 10 tracks and 42 minutes of non-stop Thrash Metal music that will blow your speakers off. Unlike all the copycat bands, Havok is influencing their sound with modern elements and with a crystal clear production that puts them in the same caliber are the greats of the genre Exodus, Forbidden, etc.

With the opening track aptly titled “Prepare for Attack”, the band unleashes their musical skills with sick tracks that will have you headbanging from the first minute. The guitar riffing is even better than on their “Burn” album, and the catchiness of the songs is unrivaled.

The masters of deranged music and sick and twisted lyrical content are back with their first full-length release in eight years. “Grim Scary Tales” is consisted of 14 tracks, each referring to a killer and their atrocities, which make for 50 minutes of very interesting tracks that vary between Death Metal, Grindcore, Technical DM, and overall madness.

With the opening track “Locusta”, Corporate Death and Nefarious deliver a brutal two prong bass guitar and lead guitar attack that will render the listener unconscious due to the high intensity of the song. Moving over we have the completely insane “Nero’s Inferno”, a piece that sounds straight out of a circus formed by psych patients.

As a prefect example of super-groups that don’t really work, today we have The Shadow Theory and their first full-length release “Behind the Black Veil”. Form by Psychotic Waltz vocalist Devon Graves and featuring Kristoffer Gildenlöw (ex-Pain of Salvation) on bass, Johanne James (Threshold) on drums, The Shadow Theory boosts enough musician fire power to be amazing…well they are half way there.

Starting the album with “I Open Up My Eyes”, you immediately notice a Jethro Tull rip-off flute using mixed in with the vocals, the bass guitar line is particularly great but it can’t save a mediocre song from crashing and burning with very uninspired repetitive sections. Another thing that kills songs is the stupid lyrics of “Ghostride”, in this track just after 2 minutes you will start wondering what the hell you are doing listening to such dumb lyrics.

With a revamped lineup, Tom S. Englund and company return with what is probably the band’s best release in a few years. With “Glorious Collision” the band reaches new heights thanks to the technical brilliance and catchiness of all the songs presented in this release. As we all know over the years, Tom is great at crafting very somber lyrics and bringing them to life with his gifted vocal style.

“Glorious Collisions” feels like a much needed reboot in Evergrey to more forward with more progressive ideas and rediscover their dark and emotional sound. Since the opening track “Leave it behind”, a very mystical aura enshrouds this release and it’s never released until the end of the album, a truly magnificent accomplishment.

Deadlock, one of the most polarizing bands in the metal scene returns with yet another very diverse sound release. By polarizing we mean that people have very outrageous opinions about their musical style, some people call it Pop Metal, but we have to say their style is pretty bad ass and it really grows on you after a few listens.

Moving past their hip hop and metal track in “Manifesto”, the band consolidates their efforts in a very dynamic sounding release. Yes, there are some parts that might be considered too mainstream for ‘extreme’ metal, but in general the band has a unique sound that surely gets them noticed everywhere they play and gains them fans from all kinds of musical genres.