Releasing yet another compilation album, today we have Antimatter and their latest offering “Alternative Matter”. While we like these types of compilation releases that have unreleased tracks and alternative versions, we are kind of getting tired of Antimatter taking their fans to the cleaners with 2 non-new albums after their great “Leaving Eden” back in 2007.

That being said, “Alternative Matter” comes in two different versions: the standard double-CD digipack (reviewed here) and a premium art-book edition with 3 CD’s, one DVD, and a 104 page book. Out of the 22 tracks presented in our promo version, we are mostly interested in Duncan Patterson’s remixes and some enhanced versions.

In preparation for their upcoming full-length CD for Wraith Productions "For His Satanic Majesty's Glory", we get 3 crushing tracks of nihilistic Black/Doom Metal from one of USA’s newest and most diabolical bands. For 13 minutes we are transported to the depts. of hell, thanks to a raw and thick atmosphere that evolves you in full darkness.  

With two new tracks and a cover of Beherit’s “Gate of Nanna”, this demo CD has enough sauce to keep fans going until their new album gets released. The crushing track “World Ablaze” kicks off this CD and immediately starts with blasting drums, hellish vocals and a very raw nature to the song that makes it highly effective. We are not sure that this will be the final mix and how the CD will sound, but we dig the rawness of this track.

“Anti-Flesh Existence” marks the band’s debut full-length album, but it only includes 3 tracks and the version we got for review has the two tracks of their “Ortus” EP (which we reviewed here http://www.infernalmasquerade.com/?q=reviews/00743-ptahil-ortus-2010). With such a weird way of presenting your first full-length, we will discuss these three brutal tacks in depth as part of this review.

“In Ritual to Yam” we get an old school Black Metal track in the vein of Bathory, Venom, Hellhamer, etc. With such a raw and powerful sound it quickly makes and impact on the listener, but we feel that it’s somewhat sub-par compared to their songs in “Ortus”. However, this track does set the tone for the following aural assaults that will shake you out of your seat.

On Belphegor’s 9th full-length studio release we found a very interesting dilemma, this album sounds crushing and in the same vein as the last few albums of the band, but yet we seem to be falling asleep while listening to it. While the band sounds as good as ever, we think that there is a big chunk of soul missing in this release.

“Blood Magick Necromance” features another 40 minutes of Blephegor’s brutality and technical proficiency in the shape of devilish compositions that will rattle Christian souls, but it also lacks the raw energy and power they used to have in their earlier days. We have to agree that the album is not bad, but it’s by far one of the best of the band, since it seems like 70% filler and 30% ‘good shit’ only.

Finish Folk Metal boozeheads Korpiklaani return with another highly energetic release that will satisfy your Folk Metal needs for months to come. In the spirit of the band’s previous releases “Ukon Wacka” feels like a party from start to end, and with a track named “Tequila”, we all know how this party is going to end.

As any fan of the band (or the genre for that matter) can imagine, the band’s unique brand of ‘folkiness’ and energy makes their music a delightful experience, even if you don’t like Folk Metal. With “Ukon Wacka”, the band continues building on their previous releases by making their sound more concise and effective.

Usually when we get split albums it means that a label or two bands are trying to push substandard (read: mediocre) music that is never good enough for a full-length release. In “Transfigurations” we find that this is not the case since Infernal War and Kriegsmaschine are two promising Black Metal bands in the Polish BM scene and they are trying to get their stuff out there, and “Transfigurations” it-self is not a bad split at all.

Infernal War starts off the split with their clear and evil brand of Black Metal that while not revolutionary or anything, it is quite effective in creating crushing songs. With “Primal Degradation” the band sets up the tone for their ‘side’ of the split with a raw and crushing sound that will put all doubters to rest. This song features a hefty amount of powerful riffs, brilliant production and super tight drumming that ask nothing from any of the ‘famous’ Black Metal acts.

Underground Black Metal outfit Nidingr is ready to come out of their caves and blow people away with their second full-length release “Wolf Father”. Featuring Black Metal ‘super stars’ Teloch (ex-Gorgoroth, etc) and Blargh (Dødheimsgard) handling the guitars, Hellhammer (Mayhem, Arcturus, etc) on drums, and some dude nicknamed Cpt. Estrella Grasa on vocals.

With such an impressive line-up of musicians, “Wolf Father’ plays out to be an excellent release that features the Scandinavian way of making Black Metal with some Death Metal influences. Each song is crafted around super tight drumming and intricate guitar riffing allowing Nidingr to sound cold and harsh, but still clear enough to distinguish every detail in the music.

Following the same path that Duncan Patterson forged for himself with his side-project Íon and their first release “Madre, Protégenos”, “Immaculada” brings to the listener a hefty dose of World/Ethnic music with Celtic and Folk elements that will transport the listener to an ethereal world were everything seems peaceful and serene. One can quickly understand why Patterson decided to pursue his own interests after leaving Nick Moss and Antimatter to create Íon.

Duncan Patterson in “Immacualda” once again presents us with a wide variety of musicians and singers coming together in creating a very cohesive release that delivers in every aspect and creates a very peaceful atmosphere for the duration of this album. Every instrument is clearly presented in a way that allows the listener to feel all the emotions behind them.

After breaking into the metal scene with a huge bang (and melody), thanks to their Viking Metal style back in 1996 with their majestic debut album “...En Their Medh Riki Fara...” Falkenbach has been constantly improving their sound until they seemed to disappear back in 2005 with “Heralding - The Fireblade”.

“Tiurida” marks their first release in 6 years and while it still has nice music, it also shows that (for us) Falkenbach is a one trick pony and can’t seem to diverge from their well defined, almost formulaic approach to the genre. We don’t argue with what the band has done in the past, but taking a 6 year break and then returning with the same old stuff makes them sound a bit dated, specially after all the better bands that started to get recognized  in the genre after 2005.