After not liking any of Between the Buried and Me’s stuff, I was about to hurl when I got this promo in my review queue. However, something magical will happen to you when you listen to this album since you will end-up loving it for its originality and freshness.

I believe since I was expecting some crap like Between the Buried and Me I was less critical about this release, but many listens to this album you will still find yourself appreciating it and finding new details about the music. Thomas Giles crafts 11 songs that are very rich sounding and that have the perfect amounts of electronic elements, rock guitars, melancholic vocals and piano sections.

In a time when Pagan/Folk Metal releases are a dime a dozen, it is very hard to go find something truly original and worth listening to. “Call of the Black Winds” is an example of an album that is half-way there, meaning that it is nothing ‘revolutionary’ but it has its moments.

The band has been perfecting its formulaic approach to the genre and with “Call of the Black Winds” they show it. Every aspect of this release has been done by the band in the past, but this time around they get to do it a little bit better. For instance, the clean vocals are considerably better than last time and they actually fit the songs better in this release.

One of the most interesting (at least for us) German Black Metal bands has to be Todtgelichter and their near-Avant Garde Black Metal style that is not easy to fully digest. Making their highly anticipated return with “Angst”, the band dropped the kvlt BM logo for a modern ‘urban’ one and has an even weirder look than before (imagine blue man group but in full white outfits).

“Angst” takes the listener through 54 minutes of pure brilliance with perfectly interwoven influences of Post-Black Metal and Post-Rock elements alongside traditional Black Metal elements. From the first song in this release (“Café of Lost Dreams”) you can tell that this release will be special and different since it starts very Black Metal minded but the guitar work is heading in a separate direction.

Featuring none other than Gary Griffith (ex-Morgion) on vocals, today we have Before the Rain and their killer sophomore album “Frail”. It’s a rare occasion that we actually take time to listen (let alone review) albums that somebody else recommends to us since we are very busy listening and reviewing everything we get from labels and PR companies, but “Frail” caught our attention since the first song and it’s too good of an album to not tell people about it.

Four years after their impressive “...One Day Less” debut release, the band comes back with a revamped lineup and a richer and broader sound. Taking full advantage of Gary’s vocals, the band’s sound shifts between traditional growls and clean ‘regular’ doom style vocals. The music is a lot better crafted and the hopelessness feeling given by the melodic passages is as good as it can get.

Up in our review queue today we have Beyond Light and their debut full-length release “Eclipsed Sun Path”. After a few demos (available on their site), this one man band was finally given a shot through Sun and Moon Records. Featuring over 40 minutes of music, “Eclipsed Sun Path” shows an interesting band that could have done much better.

After your cliché introduction track, the album really starts with “Blackened Sunlight” a 6 minute epic that changes from Black Metal to atmospheric weirdness to more cohesive melodic section. This track also showcases some of the shortcomings of this release like the very dull drumming (probably drum machine or such) and the linear songwriting.

All the way from Romania’s Sun and Moon Records we received an album from “A Winter Lost”, a Canadian band. While the band’s style is far from original, they manage to craft 6 songs of pure unadulterated raw and grim Black Metal that will send you into a suicidal mood immediately.

For almost 30 minutes “Weltenende” will take you back to the times when Black Metal was raw and simple. The band utilizes a few atmospheric elements to add eeriness to their music like acoustic guitars and female vocals, but the overall simpleness of the music is what makes it more effective.

Almost immediately after the release of their latest full-length album “Worshippers of the Seventh Tyranny”, Impiety returns with another aural assault with the “Advent of…” EP. In this short but sweet release, the band delivers 3 tracks of devastating Black/Death Metal with quite a decent production behind it.

The first track “Advent of the Nuclear Baphomet” delivers a crushing Death/Black Metal attack with catchy riffs and very solid drumming. The band’s sound is very clear and monumental since this 6 minute song feels like it lasts for ever (in a good way). The vocals are very typical and the new musicians (recruited in 2010) have what it takes to create very intense songs.

Hailing from Sweden and featuring members of General Surgery and a few other bands, Crucifyre comes to brand us with their ‘Satanic Death Metal’ with their debut album “Infernal Earthly Divine”. Mixing up Death Metal with some Thrash Metal elements and overal weirdness, the band manages to put together 9 effective tracks of chaos and mayhem.

The first thing we noticed is the singing style of Erik Sahlström (General Surgery), he changes the inhuman growls for a more understandable half growl/half scream approach allowing us to finally understand what the hell he is singing about. The band’s music is fairly standard for a Death Metal album, but there are very interesting moments were the music takes a ‘Thrashier’ sound.