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  • Groza - The Redemptive End (2021)

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    It is definitely a great time to be a Black Metal fan as bands like Uada, Mgła, etc. are leading a new wave of highly polished and modern sounding contributions. Germany’s Groza falls in this category with their guitar driven and brilliantly crafted and layered 42 minutes of music in “The Redemptive End”. Balancing out brutality and flawless execution with a good dose of melody, this band creates six very intense and punishing tracks that any fan of this modern style will enjoy.

    Opening with the mood setter “Sunken In Styx - Part I: Submersion”, we get slowly introduced into the band's hypnotic and incisive style. As soon as “Sunken In Styx - Part II: Descent” transitions in, the intensity becomes higher and the riffing takes command. The band’s harsh vocals and ravaging intensity quickly induce headbanging attacks.

  • Thyrfing - Vanagandr (2021)

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    After a wait of 8 years, Thyrfing is finally back with their high-octane brand of Viking/Pagan Metal. “Vanagandr” unravels nearly 50 minutes of superbly catchy and highly polished melodic music, just as one would expect from this band. Perfectly mixing precise guitar work with lush atmospherics and firm vocal melodies, this release is as good as it gets in this genre.

    Opening with “Döp dem i eld”, we get that vibrant mixture of atmospherics and incisive guitar riffs. Always creating a very epic Folky/Viking vibe while maintaining a hefty dose of heaviness, “Undergångens länkar” and “Fredlös” are prime examples of the band’s duality. We particularly enjoy how the band uses additional instruments to adorn a very powerful guitar-driven musical core like “Järnhand” shows.

  • Wormwood - Arkivet (2021)

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    Unleashing some of the most incisive and yet superbly catchy melodic Black Metal of 2021, today we have Sweden’s Wormwood and their latest opus “Arkivet”. Delivering the perfect blend of aggression, melody, and melancholy, this outfit unravels 46 minutes of highly intense and piercing music. Recommended for fans of bands like Ellende, Netherbird, and Seth, this release is one of the most impressive ones we have heard in a while.

    Opening with the incisive guitars of “The Archive”, the band sets a very high-octane mood thanks to the crafty drums and engaging vocal styles. There is no shortage of brutality in this release as the headbanging quickly starts and alternates with dreamy interludes. Tracks like “Overgrowth”, the melancholic “End of Message”, and the captivating “My Northern Heart”, slowly unravel the band’s very complex and yet precise songwriting, weaving different tempos and styles seamlessly together.

  • Fluisteraars - Gegrepen door de geest der zielsontluiking (2021)

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    If you thought that “Bloem”, was an impressive release, Fluisteraars returns with an even more visceral and ravaging opus with “Gegrepen door de geest der zielsontluiking”. Recorded in a very unconventional way: one track per day, one take per instrument, no synths, and no overdubs, this track is more punishing and raw than anything the band has ever released before. That being said, this release is a 35 minute journey of raw decadence.

    The release kicks off with the violent outbursts of “Het overvleugelen der meute”, an 8-minute track filled with pummeling riffs, intense drumming and some of the most ravaging vocals in the genre. The band’s musical approach is both direct and punishing, while encoding melancholy and introspection in the slower passages. We particularly love how the band’s sound is still eerie in the more minimalist sections of the track.

  • Netherbird - Arete (2021)

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    Having released one of our top Melodic Black Metal releases of 2019, today we have Netherbird with their latest opus: “Arete”. Further refining their already crafty and elegant sound, this release unleashes nearly 45 minutes of majestic music, up to the quality level of bands like Dimmu Borgir, Old Man’s Child with a mixture of Uada. Perfectly crafted for fans of melody and aggression, this Swedish outfit have managed to outdo themselves with this highly impressive release.

    After the traditional atmospheric intro, the release opens with the blistering “Towers Of The Night” and its incisive guitar work. Both guitarists, Pontus Andersson and Tobias Jacobsson are at the top of their game, creating expertly layered foundations for impressive tracks like “Infernal Vistas” and “Carnal Pentiment”. The overall sense of melody thanks to the dramatic arrangements on pieces like “Void Dancer”, greatly distance the band from the competition as it is perfectly blended with the more aggressive elements.

  • Agrypnie - Metamorphosis (2021)

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    As one of our favorite bands in the Post-Black Metal space, Agrypnie is finally back with the punishing “Metamorphosis”. Featuring nearly 70 minutes of highly intense music, this release continues the band’s musical evolution with a more defined and electrifying sound. While some Post-Black Metal bands focus on making things a bit too mellow or melancholic, this band achieves the melancholy part with droves of punishing guitars and instrumental passages.

    Opening with “Wir Ertrunkenen”, the first part is an orchestral prolog that suddenly turns dark as Torsten’s hellish vocals nicely weave between punishing riffs. However, this is not the only thing to digest, as the tempo changes keep things fresh. After a pummeling start, “Verwuestung” has a more introspective nature as it slowly evolves into more aggressive and yet melancholic moods. For those looking for the band’s faster and more ‘traditional’ BM side, tracks like “Am Ende der Welt - Teil 1” deliver the goods.

  • Qrixkuor - Poison Palinopsia (2021)

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    In recent years, some bands have been taking Death Metal into very creepy and cavernous territories. Today we have Qrixkuor and their debut release “Poison Palinopsia” which follows that eerie path into aural madness for over 48 minutes. Featuring two tracks that evenly split the album’s running time, the listener is taken into a decadent journey that is both disturbing and highly dissonant. If you want to feel like you are trapped in a downward spiral towards hell, this album is just what you need.

    Opening with the cavernous atmospherics of “Serpentine Susurrus - Mother's Abomination”, the release quickly escalates with piercing guitar riffs and hellish vocals. The tempo feels a bit slower than usual, but still reminiscent of the slower tracks of bands like Centinex and Grave, while throwing in some of the savagery of Grave Miasma and Mitochondrion. While one would expect that a 20-plus minute Death Metal track would get old, it is actually quite the opposite as these songs feel fresh and go by super quickly, thanks to all its crafty tempo changes and punishing elements.

  • Felled - The Intimate Earth (2021)

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    Unleashing a very powerful and emotionally charged release, today we have Felled and their debut full-length “The Intimate Earth”. Perfectly mixing Black/Folk and some Doom Metal elements, this outfit creates a very unique and ravaging sound thanks to the misery-inducing Violin that accompanies all songs. Particularly reminding us of the short lived band Forty Days Longing, this is one hell of an emotional release filled with crafty songwriting.

    Immediately a very somber mood is set with the piercing “Ember Dream” and its dramatic arrangements. Weaving back and forth intense onslaughts and melodramatic tempo changes, this track perfectly blends Black Metal with a doomier edge and some Folky elements. The mixture of harsh vocals alongside sweeping guitar leads nicely evolve into a very cathartic closing. Showing the first track was not fluke, “Fire Season on the Outer Rim” nicely continues the dramatic aural experience by adding some clean female vocals into the mix.

  • Year of No Light - Consolamentum (2021)

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    Nearly eight years have passed since Year of No Light’s last full length release “Tocsin”. Making all the wait completely worth it, “Consolamentum” delivers a monumentally sonically abusive 55 minutes of soul-crushing instrumental Post-Metal/Doom. Competing with the latest Amenra release, this album explores the depths of sound with its punishing onslaughts and nicely evolves the band’s already signature style.

    Opening with a few minutes of drone/atmospheric intro, “Objuration” slowly builds up to massive riffs and oppressive drum patterns. The atmospherics nicely further elevate the band’s sound, creating very contrasting and dissonant sections. The second piece, “Alétheia” burns even slower with a dreamy Post-Rock-ish/Shoegazy intro that gradually escalates into sweet sweet heaviness.

  • Enshine - Transcending Fire (2021)

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    Perfectly blending melancholy and melody, today we have the latest EP of international duo Enshine, titled “Transcending Fire”. Highly recommended for fans of In Mourning, Insomnium and similar outfits, this release delivers 20 minutes of highly refined melancholic music. Slowly evolving since their 2013 debut release, the band seamlessly blends different influences in a highly appealing and atmospheric package.

    Opening with the title track, we are treated to a slow and melodic intro with lush guitar arrangements and highly melancholic atmosphere. The mixture of clean and harsh vocals works in perfect harmony as the track weaves back and forth between heavy passages to more exploratory melody interludes. One of the band’s greatest strengths is the ability to create highly enjoyable songs that are conducive of both fearless headbanging and hypnotic contemplation, as we can hear in “Awake in Void” and the dreamy “Ascend”.

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