Bringing forth a relentless guitar driver aural assault, today we have Enforcer’s “Death By Fire”. Lead by Olof Wikstrand, this Swedish band packs a lot of punch in their nine-track 36-minute NWOBHM infused Metal. Combining a crystal clear production and that intensity of the hay day of the genre, this release is one hell of a nostalgic trip.

Immediately after the typical intro, “Death Rides This Night” blasts away with super catchy guitar riffs and very the very sharp vocals of Olof. The whole vibe of this song is very 80’s with memories of Saxon and Motörhead immediately coming to mind. The party keeps going with the hyper fast “Run For Your Life” and epic “Take Me Out Of This Nightmare”. This last track is probably our favorite one of this release thanks to its very traditional structure filled with catchy passages and awesome guitar leads.

Presenting three very bombastic Symphonic Metal tracks, today we have Tales of the Old and their EP “The Passageway from Hell to Earth”. With a style combining elements of bands like Therion and older Nightwish, this band excels in creating very dark atmospheres around lush vocals and powerful guitars. For around 12 minutes this band gives you the perfect introduction to their dark and somber world.

Opening with a very somber piano intro, “Dark Witch” immediately explodes into a full-fledged Symphonic Metal anthem with excellent keyboards and punishing guitars. The clean-male vocals reminded us a bit of Snowy Shawn from Therion, but what pushes this song over the edge for us is the super creepy children’s choir arrangements. The female vocals of Androniki Skoula are very powerful and nicely complement the atmosphere of this track.

With the current Thrash Metal revival, it is quite sad to hear bands going on their last hurrah with very mediocre releases. This is 100% the case for Schmier and company with a very uninspired “Spiritual Genocide”. Bands like Accept, Kreator, and Death Angel have managed to evolve over time and incorporate some more ‘modern’ elements into their sound, Destruction on the other hand has managed to stay exactly the same for the last 10 years.

Opening with the insipid “Exordium” this album instantly feels like the last few of the band. Tracks like “Cyanide” and “Spiritual Genocide” are typical Thrash Metal songs that sound like they arrived 10 years too late. The riffing is predictable and the vocals are so-so, there is a lack of viciousness and aggression here, and bands like Kreator and Death Angel are now clearly superior to this band that peaked years ago.

Deliver 60 minutes of super catchy and melancholic Progressive Metal/Rock, today we have Vitriol’s debut full-length release “Into The Silence I Sink”. Combining elements of bands like Pain of Salvation and other Progressive Metal/Rock outfits, this band delivers ten carefully crafted tracks that will move any fan of the genre.

Opening with the very melancholic duo of songs “Behind the Electric Veil” and “Slowly Dies”, the band quickly warms up with very melodic and emotional compositions greatly led by their charismatic vocalist Gianluca Pappalardo. These first songs have a Gothic Rock edge blended into Progressive influences for a very unique and refined sound. Another fine example of this mixture of melancholy and traditional progressive elements is one of our favorite tracks: “Arabesque”.

Aging perfectly with time, today we have Death Metal legends Suffocation and their latest opus “Pinnacle of Bedlam”. As one of the first bands to mix technical elements into Brutal Death Metal, the band continues refining their skills and delivers ten killer tracks that put all the copycat kiddies to shame. For over 38 minutes, this release is guaranteed to rock you off your seat and induce a headbanging trance immediately.

Wasting no time, “Cycles of Suffering” explodes with crunchy riffs and crazy guitar leads all packed around hyper fast drumming and powerful deep growls. With Terrance Hobbs and Guy Marchais leading the riffing attack, “Purgatorial Punishment” is the quintessential Suffocation track that will immediately make your head start spinning with its raw power and unparalleled catchiness.

Delivering a small dose of catchy Hard Rock with some Metal elements, today we have Finland’s The Psycho Season and their EP titled “Unwilling”. In this superbly catchy four song EP, the band captures the listener attention by playing straight forward music that instigates some heavy duty headbanging.

The album opens with a wave of powerful guitar riffs and catchy vocals in “Unwilling”. This track has a vibe very similar to bands like Chrome Division and similar acts that have that Hard Rock edge with some Southern Rock/Metal influences. The band’s vocalist does an excellent job in providing a staple sound to The Psycho Season. “Preposterous War” delivers more catchy riffs and tight drumming that shows the band’s musical maturity and excellent skills in writing simple yet effective music.

After blowing us away with their self-titled debut album last year, today we have Jess and the Ancient Ones and their follow-up EP titled “Astral Sabbat”. In this release the band further refines their amazing Psychedelic Occult Rock/Metal music and presents three very engaging tracks that will satisfy any fan of the band and of the genre. With so many bands playing this genre nowadays, it is refreshing to hear this band excel at it.

The band immediately jumps into things with the highly intoxicating and playful “Astral Sabbat” song. We got immediately transported into psychedelic times with the crazy keyboards and super catchy song structure. Jess’s vocals are as amazing as ever and carry this song with a dramatic performance. Immediately following we have the band’s cover of Shocking Blue’s “Long and Lonesome Road”. While imprinting the band’s unique sound to this song, they also managed to say very true to this highly addictive song. Look it up on YouTube so you can judge for yourself.

Delivering one of the most unique and sonically crushing releases of 2011 (and we missed it then!), today we have Italy’s TalismanStone and their monumental “Lovecraftpolis” release. Comprised by 3 musicians, this outfit delivers a Sitar induced double-bass guitar aural assault that combines Pyschedelic Rock elements with Doom and Sludge into four tracks of biblical proportions. If you think this combination is weird, TalismanStone manages to pull it off graciously and crank out over 45 minutes of hypnotic music.

Opening with the Stoner/Southern Metal sounding “By The Sun of The Light Keeper”, the band establishes a very mellow and sludgy atmosphere. The bass guitars (yeah, that is right, TWO of them) replace all guitars in this track and they perfectly create that thick distortion that one would expect from a Sludge/Stoner Metal release. The female vocals courtesy of Erica Bassani are both haunting and intoxicating. However, the best part is when the trippy sitar makes its entrance to this already excellent song.

Making its way from Italy, today we have Diabula Rasa and their latest full-length release “Ars Medioheavy”. For those of you unfamiliar with the band, they play a very well balanced Folk Metal that is not too heavy, but it is heavy enough to keep people headbanging for a while. In a scene so saturated by many shitty bands that want to play Folk Metal, it is quite refreshing to hear a release that is both catchy and unique, never abusing any of their traditional elements and delivering a very warm and authentic sound.

The album opens in very high spirits with the superb “Ghirondo”. The catchy foundations of this track make it very engaging and the traditional instruments give it that authentic feeling, all enhanced by subtle orchestrations that greatly improve the atmosphere of the track. As “Tsanich” and “Cataclism” roll around, we start to appreciate the band’s old school Rock/Heavy Metal foundations that are very present in the tracks making them super catchy and quite engaging without being overly heavy or fast paced. This is one of the best elements that Diabula Rasa presents in their music.

Arriving from Canada in full force, today we have Haiduk and their debut full-length release titled “Spellbook”. As a one-man project, Haiduk is one of those bands that deliver simple yet powerful music that will send you into a headbanging rampage since the first listen. Featuring ten tracks filled with guitar acrobatics blended with Death and Thrash Metal influences, this album packs a lot of punch in its short duration.

Opening with the catchy “Lich”, Haiduk immediately showcases a furious speed that only a handful of bands can pull off and not sound extremely pretentious. The overall atmosphere of the track is intense and very melodic but aggressive at the same time. The growls are pretty standard, but sometimes sound a bit uninspired when contrasting the powerful music. In another Death/Thrash 101 lecture, “Stormcall” is a very straight forward track that has an entertaining bass guitar line and efficient drumming.