Delivering another dosage of creepy atmospheric brilliance, today we have Sagntid and their latest release “The Undisciplined Heart of Sagntid”. Keeping the very eerie vibe always present, this one man band delivers the goods once more in a 10-track release that will keep you at the edge of your seat when played at night and in the dark.

Warming up with “Fierce Pride” the mood is very martial and with the addition of sporadic vocals the listener will be immediately immerse into Sagntid’s world. The longest track in this release is the complex “All Contact Ceased”, a very emotional and quite relaxing track that is very hypnotic in nature.

Fully recorded using analog gear, today we have Finland’s Mother Susurrus and their debut full-length release “Maahaavaa”. Combining elements from bands like Neurosis, High of Fire, and more traditional Hard and Acid Rock influences, they masterfully crafted a sound that is quite hard to pin down, but is very interesting and unique sounding. This 48 minute release contains five solid tracks that command maximum aural attention.

True audiophiles greatly appreciate when things are recorded via analog gear, and this is very evident when you get those nice grainy effects and elements in the music that really make things pop and sound natural. The first example of said things is the crushing opener “Superposition”. Clocking in at around 10 minutes, this mammoth track shows the band’s Sludge/Doom power with some more direct Hard rock influences.

One-man Danish Dark Ambient project Sagntid brings forth their 2-song demo/promo from back in 2009. In this highly haunting and minimalist release, Sagntid delivers excellent Ambient music that will send chills through your spine the moment the album starts warming up. With a very minimalistic approach, this is the kind of stuff you want to play on a long winter night.

The first track in this release is a nearly 19 minute exploration into darkness. Filled with great atmospheric passages, Sagntid paints lush landscapes with very few elements creating a bleak and desolate feeling. We particularly love how musicians from Scandinavia can perfectly express their vast and desolate landscapes of their northern territories through music and this song is the perfect example of this.

After a seven year absence, today we have Luna Ad Noctum and their crushing Melodic Black Metal release “Hypnotic Inferno”. Mixing influences from bands like Agathodaimon and Mactätus, their sound is perfect for nostalgic fans of Melodic Black Metal that don’t like a plethora of keyboards and synths on their releases. For nine tracks and over 39 minutes of music, the band does a solid job in bringing back the early 2000’s in terms of aurally pleasing Black Metal.

Opening with the killer “In Hypnosis” we get some of those quintessential riffs of the early 2000’s left and right. The band’s sound is quite direct and powerful, but it does feel a bit dated, maybe around the band’s last release in 2006  “The Perfect Evil in Mortal”, and now they just sound a bit date. Regardless of this, the album’s songs are killer indeed, and deliver waves of crushing riffs surrounded by tight drumming. This is perfectly evident on the following three tracks: “Fear Technique”, “You Are What You Are”, and “Abnormal Pain”.

Featuring almost 80 minutes of beautifully crafted Progressive/Melodic Rock, today we have Germany’s Blacklands and their latest release “A New Dawn”. In this very competitive and highly repetitive music scene, it is quite refreshing to hear such a heartfelt and powerful release. With “A New Dawn”, the band takes traditional Melodic Rock with Progressive elements and ads lush female vocals for a great dramatic and highly pleasing effect, something that will surely appeal to fans from Gothic Metal all the way to Progressive Rock aficionados.

Opening the release with the melancholic “Cold Embrace”, we get first glance of the excellent keyboards of Manfred Reinecke together the vivid and sultry voice of Moja Nardelli. This song also shows the clear Progressive elements in the band’s music perfectly mixed with their more melodic and at times Symphonic/Gothic Metal influences. With a folky edge, “Dance of The Witches” nicely changes up the pace and showcases the band’s versatility.

Originally released as a demo in 2012, today we have Italy’s Into Darkness and their old-school Death Metal production “Into The Darkness”. Featuring four tracks of raw DM with some Swedish and Doom influences, this release is for all nostalgic lover of raw and fuzzy music from the 90’s. Combining elements from Incantation (earlier material), Grave and Asphyx, for over 25 minutes the band delivers the goods in a relentless and nihilistic manner.

Opening with the desolate “Into Darkness” the band resembles the almighty Winter and their slow and painful Doom sound from back in the day. After 8 minutes of glorious Death/Doom, things pick up with the crushing “Shadows” and its killer proto-Swedish DM sound. The band truly excels in creating a very dense and old school atmosphere, relying on the riffing of Doomed Warrior and Nor.

Continuing with the twisted Black Metal sound Kozeljnik brought upon us on their 2010 release “Deeper the Fall”, this Serbian outfit delivers six more tracks of punishing Black Metal with “Null: The Acheron of Multiform Negation”. With a dark and twisted edge to their sound, this band shows more improvements over their previous release and they create a very thick and heavy atmosphere for over 35 minutes of music on this album.

Opening with the melodic “As if Through a Myriad of Shades”, we get some excellent riffing and very fitting clean vocals that create quite a dense atmosphere. With obvious Black Metal roots, the band’s sound can be compared to other acts like Secrets of The Moon that bend the foundations of BM to their will and create nifty songs in the process. A perfect example of this is the crushing “Evoking the Furtive Depths (Reprisal)” featuring crafty guitar work and hellish vocals.

Packing in a lot of fire power in three songs, today we have Hod and their 2013 demo “The Uncreated”. Delivering relentless riffs, tight drumming, and hellish vocals, this band has what it takes to take you by surprise and command you to headbang from the beginning to the end of this nifty release.

Opening with the sheer power of “Beneath The Mountains of The Scorpions”, this nearly six minute long opus delivers high-octane energy and plenty of killer riffs, showcasing the band’s brutality and musical abilities. The vocals are quite entertaining and keep things fresh, but what hooks you is the massive drumming surrounding the catchy riffing. The band does a great job in keeping the song fresh and diverse by switching up tempos very graciously.

Always having surprises for us, Svart Records presents the very unique and highly experimental release “Kometenbahn”, by Finish outfit E-Musikgruppe Lux Ohr. Mixing all kinds of genres but mainly: Electronic, Ambient, Krautrock and Progressive elements from the 70’s, this is one very weird and totally different release to what we are used to… and we kind of dig it.

Opening with an electronic intro “Prolog im Himmel”, the band slowly builds up with the futuristic and hypnotic “Nachtgeist”, a song that we picture to be playing in all the elevators of Sci-Fi movies like “Minority Report” and such. “Durch Den Komischen Dunst” is an 11 minute epic that is very rich in diverse elements and it is greatly put together to craft a very ethereal experience. We have to say that this is one of our favorite tracks of this release thanks to its very soothing and engaging pace.