The underrated Unshine finally returns in 2013 with “Dark Half Rising”, the band’s latest full-length release. Featuring a very traditional and polished Gothic Metal sound, this band delivers 11 tracks filled with lush female vocals and excellent melodic arrangements. Always focusing on a commanding guitar-driven sound, this band reminds us of the Gothic Metal wave of the early 90’s when the songs sounded natural and never overburdened with extreme orchestrations.

The Finnish band opens this album with a very mellow and medieval sounding track titled “Nadja's Wailing About Coming Of The Frost”. After setting the mood with the opener, “The Oath To Wilderness Of Unredeemed Nature” brings the first wave of catchy riffs surrounded by lush keyboards with a very organic and compact feeling to them. Led by Susanna Vesilahti’s vocals, tracks like “Arduinna” and “Spellbinder” are very engaging and feature tons of expertly crafted vocal melodies, reminiscent of early days of After Forever and Amberian Dawn.

Hailing from Ireland, today we have a killer Melodic/Technical Death Metal band that leaves aside (most) of the Core influences and manages to sound more like Death and Carcass than all the other Technical DM bands these days. Delivering eight pummeling tracks, “Paradigms” is a very impressive debut full-length than if it wasn’t for the subpar vocals, it would be one of the best Tech-DM releases of 2013.

Opening with the mellow instrumental track “Empyrean”, the band immediately gets down to business with the hectic “The Sentient Oppressed”. The guitar work is fast and precise with a crushing melodic vibe that nicely picks up the pace and complements the vocals. While not the best combination of growls and screams, the band does a decent job in delivering fast and brutal sections like on the devastating “All – Seeing Eye”.

With a killer Swedish Death Metal sound, today we have Sweden’s (duh) Throne of Heresy and their 2013 EP titled “Realms of Desecration”. With most of today’s bands playing Death Metal with Metalcore or Groove influences, it is quite refreshing to get this release that features a timeless sound bringing back memories of the greats of the genre like Grave, early Entombed and some elements of Unleashed.

The release opens with the commanding “Morning Star”. Since the first riff you get that Swedish DM vibe that will make you start headbanging almost immediately. The melodic closing for this track is a nice change of things and will surely leave you a bit puzzled but it is excellently crafted. “Spawn of Atrocity” delivers more sheer riffing power, paired with precise drumming and quite typical growls, a very Grave-esque track if we had to put a tag on it.

After a long year of fronting Nighwish, today we have Floor Jansen’s band ReVamp and their sophomore release “Wild Card”. Being the charismatic and unique vocalist she is, Floor manages to make this album very special and quite engaging from beginning to end. Coming back after being sick for a while, inspiration was drawn from this period of her life, thus making this release very emotional and personal.

Opening with the first part of the trilogy “The Anatomy of a Nervous Breakdown” – “On the Sideline”, ReVamp starts in very high spirits with powerful guitars and the incomparable vocal leads of Floor. There are some growls thrown here and there, giving the song that extra aggressive kick. The trilogy continues with the more modern sounding “Lymbic System”, a track that has some of that Groove Metal vibe mixed with the lush keyboards and well-crafted drums.

Delivering pummeling waves of punishing Black Metal, today we have Germany’s Fallen Tyrant and their debut full-length “No World to Win, a Life to Lose”. With eight tracks and over 35-minutes of crushing music, this release is one of the most devastating BM albums of the year, paired with Watain’s latest opus.

The album opens with a very traditional and at moments Black’n’roll-ish “Fallen Tyrant Rising”. This track immediately unleashes the powers of the band and showcases their killer riffing and powerful vocals. Reminding us of newer Gorgoroth and other bands like Lord Belial, the punishment continues with the killer “Exaltation” and “Bortrykkelsen”. The band also has a melodic aspect to their BM and you can how crafty they can get with tracks like “To Finnmarken”.

Three years after “What Lies Beneath”, iconic singer Tarja finally returns with another bombastic release titled “Colours in the Dark”. Ever since her departure from Nightwish, Tarja has constantly been delivering amazing releases filled with her characteristic vocal style and expertly crafted with world class musicians to produce some of the most exciting and lush Symphonic Rock/Metal releases of the last few years.

Opening with the engaging “Victim of Ritual”, we get an excellent balance between catchiness, operatic singing, and explosive musical arrangements. Surrounding herself with musicians of the caliber of Mike Terrana and Max Lilja (ex-Apocalytica), Tarja manages to create very elaborate songs that fit her vocal skills perfectly and allows them to shine to the max. This release is filled with very energetic tracks such as the melancholic “Lucid Dreamer” and the engaging “Never Enough”. Other songs take darker and more classical approach like the excellent “Mystique Voyage”.

Undeground Funeral Doom legends from the US Northwest finally see the ‘proper’ release of their demo materials with this monumental self-titled LP release. With three songs clocking in at a total of 44 minutes of gut-wrenching Doom, this release has that raw and analog vibe of bands like Thergothon. As the songs were originally released on tape, we are unsure if these versions are newer recordings or just re-mastered originals, but what we are sure is that they are as crushing as you can get.

Opening with the behemoth “Lament for Lost Gods Pt.1”, the band starts on a very tranquil and slow paced stage. Their sound is very consistent to bands like Shape of Despair and such, but it differs with the usage of mournful clean vocals and some Black Metal-esque screams. “Lament for Lost Gods Pt.2” nicely continues the flow of the release with sparse guitars at the beginning, slowly leading up to some very harsh and brutal sections. The band does a great job in creating very well timed speedups that nicely contrast the passivity of the general flow of things.