Greatly improving over their 2011 release “Infected”, today we have Hammerfall and their signature Heavy Metal with “(r)Evolution”. In this release, the band continues to push forward with their quest of the perfect Heavy Metal album and they get a bit closer thanks to their refined sound. Nearly 50 minutes of high-octane music make this release one of the best of 2014 so far.

Leading with the catchy chorus section of “Hector’s Hymn”, the band gives this release a very epic spin since the opening song. The band’s Heavy Metal pedigree is instantly audible in this intense track. As Joacim Cans vocals lead another epic onslaught with the album title track, we are quickly taken by surprise on how quickly this album grows on you. The majestic guitar leads of Oscar Dronjak greatly elevate this song to the next level.

Hailing from Romania, today we have The Hourglass and their majestic Symphonic/Gothic Metal release “Through Darkness and Light”. With countless bands in this genre, it is quite hard to find standout bands and releases, but The Hourglass managed to surface from the pile and claimed our attention for more than several hours – a feat considering the amount of CD’s we review every week.

Avoiding any filler intro track, the band gets down to business with the lush “Dying Star”, a song that is quite dynamic and features some interesting electronic elements thrown into the mix. This track reminds us a bit of a mixture of Nemesea and Edenbridge. The band’s vocalist Alma Vomastek delivers an incredible performance with her excellent vocal talents. As the band delivers bombastic songs like “Rise” and “Away”, our attentions are greatly focused on the ballad “Dare”. In this very dramatic song we greatly appreciate the band’s intricate songwriting skills that perfectly outline every single element in their sound.

Arriving as one of the most brutal releases we have received in 2014, today we have Mastabah and their devastating “I Hate You”. Pouncing on the listener with brutal blast beats and crushing vocals, this release can be compared to a more chaotic Anaal Nathrakh rooted in Death Metal foundations.

Blasting things wide open with the incisive “Shackles of the Past”, the band is very serious about making their point of being super brutal. The crushing drumming is perfectly produced and shines through the heaps of growls, shrieks and relentless riffing. The band goes back and forth between insane brutality levels and Death Metal grooviness in tracks like “Spectacle of Human Existence” and the excellent “Deck of Life and Death”.

Having loved the band’s 2012 release “Constantinople”, we greatly anticipated “Old World New Wave”. Featuring nine tracks of haunting Psychedelic Doom, this band keeps reminding us of Jex Thoth but with a certain darker and doomier edge. Comprised of Jason Bennett and Serra Timms and Kelly Johnston-Gibson, this trio crafts some of the most unsettling and perfectly creepy music in the world.

Quickly setting the mood with the crushing distorted guitars of “Black Door”, the band creates a very eerie vibe with the female vocals giving it a retro-horror movie-esque atmosphere. If Purson played Doom, this would be a good way of describing what this track delivers. Things get doomier with the hypnotic “The Chalice & the Blade”, featuring some My Dying Bride-esque riffs paired with ritualistic drumming.

As one of the most expected releases of 2014, YOB’s “Clearing the Path to Ascend” instantly explodes in the listener’s ears with endless waves of crushing guitar riffs and demolishing drumming… and this is just in the first track. Oregon’s trio delivers what is most likely the most relentless Doom releases of 2014 and they do so with four tracks and around 61 minutes of pure fucking brilliance.

Slowly opening the door, “Unmask the Spectre” nicely builds up until a vicious onslaught of pummeling guitar riffs and Mike Scheidt’s monstrous growls. This track weaves back and forth between melodic rifftastic passages and crushing vocals. For a 15-minute track, this track goes down very smoothly and with a heavy dosage of headbanging. Arriving in Neurosis-like Post-Metal/Hardcore territory, “Nothing to Win” changes the formula a bit with a combination of screamed and growled sections achieving a duet-like atmosphere that is quite nerve-racking.

Hailing from France, today we have a new entry into the Symphonic/Gothic Metal category with Midnight Sorrow and their debut EP, “At First”. Delivering over 15 minutes of well-crafted traditional Symphonic Gothic Metal, the band can easily rival the likes of Edenbridge, Xandria, Delain, etc. with their very direct and easy going music.

As it is usual to open with an instrumental track, “Crystal Drops” sets a very magical atmosphere and generates expectation for the listener to keep reading. In a very bombastic manner, “Waterfall” instantly delivers and intense opening with fast guitars and very lush instrumentations. Maureen’s vocals are quite potent and very fitting to the music, she reminds us of Helena Iren Michaelsen from Imperia/Trail of Tears fame.

At Infernal Masquerade, we live for receiving those truly unique releases that transport the listener to other places, and Necromonkey does just that with their trippy “A Glimpse of Possible Endings”. In this 37 minute release the band delivers fixe hypnotic tracks that feature very emotive atmospheric elements and tons of cool instruments thrown into the mix. This Swedish duo will surely captivate your attention with their very original fusion of elements.

Having a super kvlt name as Necromonkey, we thought this band was going to be an Experimental Black Metal outfit, but we were gladly surprised that this release has a lot more depth than that. Opening with a very playful “There Seem to be Knifestains in your Blood”, the band immediately sets a very unique tempo sort of Trip-hop is with string instruments and eerie Theremin sections. It is quite cool that the band listed the instruments used per track in the liner notes of this slipcase release.

Hailing from France, today we have Deficiency, a very promising young band that plays a mean modern sounding Thrash Metal. Presenting us with ten superb tracks, this band showcases that not everybody is just trying to copy what old-school Thrash Metal bands have did in the past. Giving us a certain flair of bands like Mercenary, EverEve (sans the experimental craziness), etc., this is a very entertaining album that will not get dull at any point.

Blasting away instantly with the album title opening track, the band showcases vicious riffing and versatile vocals. Not settling for your typical Thrash style, the band throws some growls into the mix. As “Unleashed” and “A Prospect of Traveling Beyond” unfolds, the band clearly showcases their unique signature into the music with emphasis on epic vocal sections and incisive riffs. For those of us that enjoy dark and melodic songs, “Those Who Behold” is one hell of a track with lush drumming and the perfect tempo to make it quite memorable.

Arriving on Eisenwald Tonschmiede, today we have Australian duo Autumn’s Dawn and their debut full-length release “Gone”. Being no strangers to the scene, Sorrow and Anguish are musicians that play in at least 4 bands each, the most famous of them being Tim Yartas of Germ and Austere fame. Anyways, the band presents nine melancholic tracks of pure brilliance that eerily remind us a whole lot of Tim’s previous band Grey Waters.

Opening this release we have the very emotive “The Ashes of a Life”, a track that has a very Rock-ish structure and melancholic clean vocals from Tim Yartas. The very ethereal atmosphere is always present and it is allowed to shine (even more) in some instrumental passages. Don’t you think this release only features clean vocals, we get a treat of Tim’s harsh singing through this release, starting with the epic “Until My Heart Corrodes with Rust”.

As one of the songs in this release mentions, Accept is one of the last of a dying breed of hard rocking bands that constantly deliver quality over quantity. Wolf Hoffmann and company manage to set the bar even higher after their most recent scorcher releases “Blood of the Nations” and “Stalingrad: Brothers in Death”. With their newly found singer, Mark Tornillo, the band is soaring higher than ever before and “Blind Rage” is a testament to that.

Opening with the no-bullshit onslaught led by “Stamped” and the super catchy “Dying Breed”, the band continues to do what they do best: deliver epic Heavy Metal songs without complications. Being consistent is one of the Accept’s best assets and through songs like “Dark Side of My Heart” and “Fall of the Empire” we can hear the band’s signature sound greatly enhanced by a modern production.