Gothic Metal

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    Trail of Tears – Oscillation (2013)

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    Delivering their swan song release, today we have Trail of Tears and possibly one of their best albums in their career: “Oscillation”. Surrounded by crazy drama over their facebook page and plastered all over the internet, and internal struggle once more has destroyed this band with Ronny Thorsen finally opting (for now) to put the band to rest. Featuring 13 tracks and over 50 minutes of intense and lush Symphonic/Gothic Metal, this release marks the seventh and final release of a great band.

    Drama aside, “Oscillation” features very emotional tracks that bring the band back to their “Disclosure in Red” style, in terms of melancholy and raw emotions. “Waves of Existence” opens this release with lush symphonic sections and very melancholic vocals from Catherine Paulsen. The atmosphere feels very emotional and quite catchy indeed. Other tracks like “Scream Out Loud” have a more pop-ish feeling similar to bands like Amaranthe and Unsun.

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    Eternal Tears of Sorrow - Saivon Lapsi (2013)

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    As one of the most awaited releases of 2013, today we have Eternal Tears of Sorrow and their seventh full-length release “Saivon Lapsi”. With the band aging very well with time, this release is indeed their best album to date. With their signature Melodic Death Metal with Gothic elements sound, the 11 tracks presented in this release show the band’s maturity and their ability to craft epic songs that are both aggressive and emotional.

    Immediately after the intro, the band sails full-steam ahead with the powerful “Dark Alliance”. EToS traditional riffing immediately shines when paired with the atmospheric keyboards and the very elaborate vocal arrangements. Altti Veteläinen growls are as good as ever and they are very well complemented by Jarmo Kylmänen’s clean pipes, a staple in the band’s sound since 2004. The keyboard orchestrations are as impressive as ever and elevate the band’s sound majestically.

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    Nightfall – Cassiopeia (2013)

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    After their triumphant return in 2010 with “Astron Black and the Thirty Tyrants”, today we have Nightfall and their less inspired latest release “Cassiopeia”. Just when one thinks a band is back in full swing, they release an album that feels more forced that natural. Don’t get us wrong, “Cassiopeia” is a solid album but it feels like the band had it on the closet for 6-7 years and sounds a bit outdated for today’s standards.

    Opening with “Phaethon”, the band delivers solid riffing that reminded us of Gothic/Doom/Death Metal albums from the mid 90’s, the period when Nightfall was at their prime. Paired with subtle keyboard hints and solid growls, the band sounds pretty powerful but after a few tracks it just gets old. The speedups of “Oberon & Titania” and other songs take away a bit from the linearity of this release, but ultimately are not enough to keep us interested on the songs as we were for the band’s previous release.

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    Tiamat – The Scarred People (2012)

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    Twenty years have passed since the band’s iconic release “Clouds” first saw the light of day and very little of that band remains today. With “The Scarred People”, Tiamat continues their never ending transformation delivering eleven very catchy tunes that still manage to turn people’s heads. Which each song the band delivers enigmatic catchy melodies that will surely draw the attention of most Gothic Rock/Metal fans.

    Opening with a pair of catchy tunes like “The Scarred People” and “Winter Dawn”, the band immediately establishes their very atmospheric approach to this release. Johan Edlund’s vocals are as good as always, and his contributions in the keyboards really make up for 70% of the band’s unique and enigmatic sound. Things really start getting emotional in the brilliant “Radiant Star”, one of our favorite tracks of this release. In this song the tempo is very mellow and the mood is set very melancholic to fully create one of the best Gothic ballads we have heard in quite a while.

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    Ashes You Leave – The Cure For Happiness (2012)

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    What better early X-mas gift can anybody ask for than the latest Ashes You Leave album titled “The Cure For Happiness”. Dropping this November 29th, 2012 through Rock’n’Growl, this eagerly awaited release is set to fill that void left in 2012 of an excellent Gothic Doom Metal release. Delivering nine tracks of pure melancholy and powerful emotions, this album is sure to keep the band’s legacy intact of excellent album that are only release when the band really feels they are done right.

    Newly fronted by Giada “Jade” Etro, the band returns in full strength as they have managed to find another excellent vocalist that can lead their melancholic music. Wasting no time, she delivers a commanding performance in “Devil In Disguise”. In this amazing track the band nicely sets a melodic mood with their traditional violins and well-crafted keyboards. Jade’s vocals immediately gave us chills when listening to the song since it is very eerie how well they mix with the band’s sound and greatly enhance the atmosphere.

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    Oniromantic – The White Disease (2012)

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    All the way from Italy, today we have Oniromantic and their very unique (and catchy) mixture of Progressive with Gothic Metal. Reminding us a bit to bands like Ommatidia and even Eternal Tears of Sorrow, this very unique band has a deep melancholic vibe in their music that makes its very intoxicating and quite fresh. Featuring eight delightful tracks, this is one hell of a release for a surprisingly unsigned band.

    The band start heavy with “Saturn Hellucination” delivering powerful riffs and a dreamy vibe that is greatly enhance by the powerful clean vocals of Mauro Mazzara. The melodic passage in this track is pretty well crafted and nicely indicates what is to come in the later songs. In “High Resolution God” we got quite engaged by the playful progression of the song and the atmospheric keyboard usage. The female vocals on “Crimson” are quite heavenly and very well used.

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    Access Denied – Touch of Evil (2012)

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    Arriving today from Pitch Black Records we have Access Denied and their weird mixture of Gothic Rock with some Heavy Metal elements. Hailing from Poland, the band deliver nine tracks that the more we listen to them, the more we can’t really get into them. With a very linear and predictable style, this band’s release sounds very hollow and quite dull since the first few songs.

    Opening with a quite deceitful intro track that leads you to believe you are in for a treat of epic proportions, the band really brings the standard way down with the childish “Messenger of Death”. In this song we get some insipid guitars alongside some of the flattest female vocals we have heard in quite a while. They do have a few interesting changes, but they might be accidental since the ideas of the song seem all over the place.

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    Seed of Sadness – Seed of Sadness (2012)

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    Arriving all the way from Greece, today we have Seed of Sadness and their excellent self-released debut EP. In this self-titled release, the band delivers five tracks of super catchy female-fronted Power/Gothic Metal. With a heavy emphasis on catchy keyboards and the commanding vocals of Stellaria, this band has a very enjoyable sound that most fans of the genre will immediately fall in love with.

    With the help of Bob Katsionis (Firewind) on keyboards, this band does a great job in creating lush atmospheres to lay their solid guitar work and epic vocals. Using strong and determined female vocals, Seed of Sadness has a really strong front-woman that delivers powerful performances in each track. Since the opener “Remnant of a Dying Smile”, the band blows things wide open with a highly symphonic and very energetic track that will instantly make you a fan of this band.

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    Lacrimosa – Revolution (2012)

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    With a heavier sound than before, today we have the return of Lacrimosa with the very diverse “Revolution”. As the title indicates, this album feels a bit like a revolution between the band’s inner demons through ten very different and often puzzling tracks. Featuring guitarist Mille Petrozza (Kreator) and drummer Stefan Schwarzmann (Accept), this album crosses into Metal territory a bit more than some of the band’s previous releases.

    Opening with the lush "Irgendein Arsch ist immer unterwegs", this album starts with a 100% typical Lacrimosa track. We particularly love the elegant piano and orchestral sections, something that the band has always excellent at. “As the World Stood Still For a Day” is another very well constructed track with beautiful female vocals and a very ethereal feeling surrounded by hard-rocking guitars. Mixing the older Lacrimosa style with more aggressive guitars, “Verloren” is a very odd track that in some moments feels a bit odd and tossed together very weakly; we are not big fans of it.

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    To/Die/For – Samsara (2012)

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    After a brief split, To/Die/For finally returns with Jarno Perätalo and Juha-Pekka Sutela delivering ten powerful tracks that are designed to return the band to the spotlight. While not the best album of the band’s career, “Samsara” has quite a few catchy tracks that will entice the fans of the band to return and capture the ears of new listeners.

    Initially released in Finland and other places at the end of 2011, Massacre Records is finally giving this release a wider release and exposure. Opening with “Kissing the Flames”, the band comes back to the catchy riffing and subtle keyboard hints that have made them so popular in the past. The vocals are as effective as ever and the overall pace of the song is very traditional for the band.

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