It has been nearly ten years since Theatre of Tragedy ceased to exist, but they still find themselves in our regular playlist. During their career, the band changed styles multiple times and released seven full-length releases that for the most part were pretty good. In “Remixed” we get a nice selection of the band’s hits, remixed by artists like Das Ich and VNV Nation. While this definitely will not be the cup of tea of fans of the earlier style of the band, it should appeal to fans of their Industrial/Electronic phase.
The album kicks off with a weird remix of “And When He Falleth” by Das Ich. The tempo is oddly shifted and sounds a bit odd, something that fans of this great song will definitely not like. Das Ich does a bit of a better job in adding some spunk to “Black As The Devil Painteth”, making it somewhat enjoyable. We find Icon Of Coil’s remix of “Lorelei” quite catchy and enjoyable, so we decided to keep listening to the full album.
From the minds of Mariangela Demurtas (Tristania) and Kris Laurent, Ardours is a very unique band mixing Gothic Rock, New Wave and 80’s influences in a very mellow and engaging style that will certainly appeal to all fans of bands like The Gathering, Tristania, Theater of Tragedy, etc. Delivering ten tracks and over 40 minutes of superbly catchy music, “Last Place on Earth” is a killer debut release from this very promising outfit.
The album leads with the lush 80’s/New Wave synths of “What Else is There”, and as the guitar come on, the listener is fully drawn into the band’s unique musical world. Building up on the opener’s momentum, Mariangela’s vocals are a perfect fit for the overall gothic vibe built in songs like “Catabolic” and the extremely catchy album title track. Just imagine a band like Lacrimas Profundere with a bit of Depeche Mode and Solar Flake mixed in.
Getting over 50 promos a week, sometimes we miss excellent releases like Helevon’s “Aamamata”. Hailing from Spain, this Gothic/Doom Metal outfit took around 5 years to unleash their latest effort, but it was definitely worth the wait. With nearly an hour of music, this release further evolves their sound into more atmospheric and epic territories. If you are a fan of bands like My Dying Bride, The Foreshadowing and similar outfits, this release should be in your collection.
The release opens with the lively riffs of “A Sail to Sanity”, in this opener, the band has their older more direct Death/Doom Metal style, delivered with a catchy bass guitar line and solid tempo changes. The band steps up their efforts with the gut-wrenching “Goodbye Hope”, perfectly blending clean and harsh vocals with subtle piano elements and clean guitars. Josep Brunet signature vocals brilliantly infuse songs like “Blackened Waves” with raw emotions.
Morten Veland and company have been quite busy since their last release and now presents us with another master class of Symphonic/Gothic Metal with “Arcane Astral Aeons”. Featuring nearly one hour of music, this release continues the band’s exploration of highly atmospheric and energetic music through 12 excellent songs.
The band kicks off with the lush “In Styx Embrace” in typical Sirenia style with a heavy hitting super catchy tune filled with dramatic choir arrangements and piercing distorted guitars. Continuing with the hectic pace and dramatic orchestral arrangements, “Into the Night” is perfectly led by Emmanuelle Zoldan’s charismatic vocals. The way that the band’s music envelops the listener in over the top atmospheric elements is brilliant and one of the reasons we love the band’s music.
Formed by musicians from Finland and Greece, Aeonian Sorrow is set to unleash their debut album “Into The Eternity A Moment We Are” on April 11, 2018. Featuring nearly 60 minutes of beautiful and yet demoralizing Melodic/Gothic Doom Metal, this release caters to the fans of bands like Draconian, Swallow the Sun, old Tristania etc. This young band manages to release eight brilliant tracks full with memorable moments and expert musicianship.
Opening the album with "Forever Misery", we are instantly greeted by solemn keyboards and piercing Doom riffs. Alejandro Lotero’s growls are exactly what the doctor ordered in these types of releases and perfectly contrast Gogo Melone’s enchanting female vocals. With Gogo also handling the keyboard duties, the band creates a very dense and crushing atmosphere, as heard in “Shadows Mourn”. The My Dying Bride-esque “Under the Light” delivers ripping guitars and very well-spaced drums, crafting the perfect mournful headbanging tune.
Only getter better and better with time, today we have the legendary Moonspell and their latest musical opus “1755”. Featuring over 50 minutes of highly emotional and intense music, the band continues to refine their sound while unleashing some epic songs with their signature style. If you have followed the band over the years, the constant quality of their releases is unrivaled, this is yet another excellent album that will stand the test of time.
Opening with the reinterpretation of “Em Nombre do Medo” from the Alpha Noir album, the band sets a very dark and sinister mood with the enhanced classical/choral arrangements added to this already intense song. The Middle-Eastern elements of the album title track make it quite engaging a unique, creating a very mysterious atmosphere that is perfectly complemented by Fernando Ribeiro’s signature vocals.
After blowing everybody’s expectations with their amazing 2015 release “Hammer of the Witches”, Dani Filth and company are back with an even more refined and incisive release with “Cryptoriana – The Seductiveness of Decay”. Having returned to their best sound since “Nymphetamine”, they band continues rolling with another 10 brilliant tracks that while reminding us of their earlier days, keep pushing forward with their bombastic and aggressive sound.
Kicking off with the mood setting intro “Exquisite Torments Await”, CoF instantly transports you into the band’s twisted world thanks to sinister riffs and dramatic arrangements. This is only the beginning as things get even more intense with the blistering drumming of “Heartbreak and Séance” and its Omen-esque chorus sections. With even more dramatic arrangements and superbly catchy passages, “Achingly Beautiful” is definitely one of our favorite tracks in this release.
As one of the most unique ‘super groups’ to hit the scene, today we have Exit Eden and their debut release “Rhapsodies in Black”. Featuring famed and established Metal vocalists Amanda Somerville, Clémentine Delauney, and up and coming talent Marina La Torraca and Anna Brunner, this outfit is definitely not lacking in vocal talent. This release delivers over 11 tracks with are all cover songs from artists ranging from Depeche Mode to Rihanna. While this might sound a bit odd, this release definitely will appear to fans of Gothic/Symphonic Metal as it has some killer musical arrangements on top of lush vocal harmonies.
Opening with “Question of Time”, the band sets a very lively mood while covering Depeche Mode’s hit. While some of the covers are more interesting than others, tracks like “Impossible” and “Frozen” truly showcase the band’s unique vocal talents while perfectly balancing the unique signing styles of the band’s members. Other songs like their cover of Brian Adams “Heaven”, rely on individual vocal talents and very well-crafted arrangements that totally re-interpret a very well-known song into heavier territories.
Arriving unexpectedly to our inbox this month we have a new release from France’s Dark Sanctuary. Having been on hiatus since 2009 or so, this band was recognized in the Darkwave/Gothic/Atmospheric scene back in the day. In 2017, they surprise us with six ‘Metal’ renditions of older material, crafting a very melancholic and powerful Gothic/Doom vibe. For those of use that yearn for the late 2000’s Gothic/Doom Metal releases, this album will certainly fill that void.
Opening with the lively “Laissez-moi mourir”, we get a very Lacrima Profundere vibe with catchy guitars, subtle keyboards and a very upbeat tempo surrounded by a generally Gothic/Dark vibe. As expected, Dame Pandora’s vocals instantly shine in this very engaging track that reminds us a bit of Edge of Sanity meets Therion. The dark atmosphere created by the heavy riffs and atmospheric keyboards of “Cristal”, make for quite a memorable experience, setting a very enjoyable mood.
Fully exploiting the band’s newfound strengths around singer Dianne van Giersbergen, Xandria delivers one of the best Symphonic/Gothic Metal albums of the last few months with “Theater of Dimensions”. Crafting over 74 minutes of lush and bombastic songs, the band reaches the levels of excellence of bands like Epica, Within Temptation and Nightwish with this killer release filled with epic melodies and mesmerizing arrangements.
Opening with the very dramatic and engaging “Where the Heart is Home”, we instantly get a superbly epic vibe thanks to the vocal arrangements and over the top orchestrations. The band quickly showcases their very diverse musical style while going through excellent songs like “Death to the Holy”, “Forsaken Love” and “Call of Destiny”, all of them showing influences from everything ranging from Power Metal to Folk Metal, but with the distinctive Xandria edge.