Hailing from the USA, today we have a band that we never thought we would find ourselves listening to as much as we do. Fellhain Fall has a certain commercial alt-rock edge that is sneakily built on superbly catchy Gothic, Industrial, Darkwave elements, making the sound behind “Tar-A-Kan” quite intoxicating and engaging. While the band’s music lies more in Metal foundations, the band’s unique accessibility makes this release very easy to digest and highly enjoyable.
Opening with the lush atmospherics of “A Fading Whisper”, we get a playful dynamic between heavy distorted guitars and the charismatic lead vocals. It is a staple of Gothic Metal to have a signature singer and this band clearly has one. The music nicely experiments with Industrial/Darkwave elements in tracks like “Rover” and “My Hollow” deliver, while the Doomy elements surface on songs like “Caught Between”, keeping their sound quite dynamic and versatile.
For those looking for the Black Metal version of Secrets of the Moon, you can move along as there is nothing to see here. However, for those with an open mind, “Black House” continues the band’s evolution into Alternative/Gothic Rock/Metal territories with nine brilliantly catchy songs. While not entirely surprising to all, the band’s sonic evolution is quite interesting and this release shows their skills on a completely different playing field.
The album opens in a Katatonia-esque tone with the sultry “Sanctum” and its ridiculously catchy chorus section. This track oozes melancholy and darkness, while keeping things engaging and dynamic. On “Don’t Look Now” we have interesting vocal arrangements and very dreamy atmospheric keyboards creating a very playful back and forth between different moods. In just the first few songs, the band has set a completely different style for themselves and it works perfectly as tracks like “Veronica’s Room” and “He is Here” deliver very well crafted melodies that are perfectly flanked by unique vocal arrangements and engaging songwriting.
The legendary Paradise Lost returns with their recently found back-to-the-root sound with “Obsidian”. Featuring nearly one hour of superbly catchy music, we have to say that we are enjoying how the band has come full circle and incorporated some of their earlier elements (growls, heavy riffs) into their mid-career Gothic Rock/Metal foundations. If you have enjoyed the band’s previous two releases, this is more along those lines, so it should be quite a ride.
Opening with “Darker Thoughts”, we get that vibe of “Draconian Times” meets “Gothic”, with some more modern Gothic rock elements. Being huge fans of Theatre of Tragedy during their “Aegis” era, and of Lacrimas Profundere during their “Burning: A Wish” times, the band’s sound in this release is very similar to those with the addition of some growls, as “Fall from Grace” and “Ghosts” are a perfect example of.
Delivering one of the most magical and atmospheric Black/Folk Metal releases of 2020, today we have Sojourner and their third full-length release “Premonitions”. Featuring over 55 minutes of masterfully crafted emotional music, this release explores tons of textures and tempos to create one very cohesive and lush aural journey. If you are into bands like Saor, Winterfylleth, etc. but always wanted a folkier and even Gothic/Doomy vibe infused with them, you are in luck with this release.
The release leads off with the dramatic atmospherics of “The Monolith”, a track that delivers both aggressive guitars and lush atmospheric arrangements, perfectly led by the charming clean vocals of Chloe Bray and contrasted by the harsh screams of Emilio Crespo. The female vocals at points sound like Amy Lee, but they are enchanting in their own right as they perfectly capitulate the very elaborate atmospheric components the band lays down with their mixture of rich keyboards and additional elements like a Tin whistle.
Unleashing one of the catchiest Melodic/Gothic Metal/Rock releases of 2020, today we have Finland’s Nicumo and their latest release “Inertia”. With a sound very reminiscent of bands like To/Die/For, H.I.M and even The Man Eating Tree, this band brings back a sound that has slowly been dying and delivers nine superb tracks for the nostalgia fans of emotional and catchy music of the mid 2000’s.
The album kicks off with the soaring vocals of “Three Pyres”, a very subtle track that showcases the band’s influences from both the Metal and Rock scenes. The mixture of vocal styles and excellent guitars make for a very catchy and engaging opening song. With a very well defined formula, the band delivers superbly catchy songs like “Dark Rivers”, “Witch Hunt” and its epic chorus section, and the moody “Tree of Life”. For those looking for more mellow and introspective pieces, “Same Blood” has that ballad-esque edge, similar to bands like (late) Lacrimas Profundere.
Hailing from Italy, today we have the superbly lively Symphonic/Power Metal release “Multiverse” from the band Aevum. Delivering nearly one hour of high-octane music, this release will certainly brighten your day and infuse neck-pain inducing headbanging onslaughts. Recommended for fans of bands like Sonata Arctica, Avantasia and Rhapsody, this album is both bombastic and well crafted.
The release kicks off with the dynamic opener, “The Pilgrim”, this track showcases most of the band’s tricks as it combines clean female and male vocals, harsh screams and dramatic guitar leads. Not losing the momentum, the band continues with bombastic tracks like “Spark of Life”, “Tair”, “The Time Machine”, which feature excellent arrangements, crafty vocal melodies and superb instrumentation. Showing a darker side, we have one of our favorites “Black Honeymoon”, a mellower and more sinister song than the first ones.
Continuing the band’s brilliant rise as one of the best Melodic/Atmospheric Doom/Gothic Metal outfits, Hanging Garden delivers their latest opus titled “Into That Good Night”. Featuring eight tracks and nearly 46 minutes of highly addictive music, the band perfectly blends elements from their heavier earlier days and their more dynamic and Gothic Metal influences of later days. Full of melancholy and expert songwriting abilities, this release is yet another highlight on their already storied career.
Opening with the playful riffs of “Of Love and Curses”, we got a certain Lacrima Profundere vibe as the more enigmatic atmospheric interludes nicely contrast the heavier parts of the song. The more traditional Melodic Doom Metal roots of the band can be found on the dreamy “Fear, Longing, Hope and the Night” which has a certain Insomnium vibe. We particularly enjoy the crafty guitar melodies and the combination of growls and clean vocal arrangements, making it a superbly catchy song.
It has been nearly ten years since Theatre of Tragedy ceased to exist, but they still find themselves in our regular playlist. During their career, the band changed styles multiple times and released seven full-length releases that for the most part were pretty good. In “Remixed” we get a nice selection of the band’s hits, remixed by artists like Das Ich and VNV Nation. While this definitely will not be the cup of tea of fans of the earlier style of the band, it should appeal to fans of their Industrial/Electronic phase.
The album kicks off with a weird remix of “And When He Falleth” by Das Ich. The tempo is oddly shifted and sounds a bit odd, something that fans of this great song will definitely not like. Das Ich does a bit of a better job in adding some spunk to “Black As The Devil Painteth”, making it somewhat enjoyable. We find Icon Of Coil’s remix of “Lorelei” quite catchy and enjoyable, so we decided to keep listening to the full album.
From the minds of Mariangela Demurtas (Tristania) and Kris Laurent, Ardours is a very unique band mixing Gothic Rock, New Wave and 80’s influences in a very mellow and engaging style that will certainly appeal to all fans of bands like The Gathering, Tristania, Theater of Tragedy, etc. Delivering ten tracks and over 40 minutes of superbly catchy music, “Last Place on Earth” is a killer debut release from this very promising outfit.
The album leads with the lush 80’s/New Wave synths of “What Else is There”, and as the guitar come on, the listener is fully drawn into the band’s unique musical world. Building up on the opener’s momentum, Mariangela’s vocals are a perfect fit for the overall gothic vibe built in songs like “Catabolic” and the extremely catchy album title track. Just imagine a band like Lacrimas Profundere with a bit of Depeche Mode and Solar Flake mixed in.
Getting over 50 promos a week, sometimes we miss excellent releases like Helevon’s “Aamamata”. Hailing from Spain, this Gothic/Doom Metal outfit took around 5 years to unleash their latest effort, but it was definitely worth the wait. With nearly an hour of music, this release further evolves their sound into more atmospheric and epic territories. If you are a fan of bands like My Dying Bride, The Foreshadowing and similar outfits, this release should be in your collection.
The release opens with the lively riffs of “A Sail to Sanity”, in this opener, the band has their older more direct Death/Doom Metal style, delivered with a catchy bass guitar line and solid tempo changes. The band steps up their efforts with the gut-wrenching “Goodbye Hope”, perfectly blending clean and harsh vocals with subtle piano elements and clean guitars. Josep Brunet signature vocals brilliantly infuse songs like “Blackened Waves” with raw emotions.