After unleashing one of the weirdest and yet totally awesome unconventional releases of 2020, Nergal and company, Me and that Man, are back to one-up their previous release with an even wilder follow-up. Featuring more over the top guest, more catchiness, and the same occult and kick-ass attitude, “New Man, New Songs, Same Shit, Vol.2” is one hell of a ride that everybody that liked the first one, should not miss out on.
The release opens up with the somber “Black Hearse Cadillac”, an awesome bluessy opener that features Hank Von Hell (RIP) and Anders Odden as guests. Keeping the mood high Tobias Forge guests on the superbly catchy western-like “Under the Spell”. While we could name drop this whole review as tracks like “All Hope Has Gone” feature Metal luminaries like Blaze Bailey and Gary Holt, or pieces like “Losing My Blues” deliver an all-out party mood with people like Olve Abbath Eikemo, Frank The Baptist and Chris Holmes involved, we particularly like the odd songs like “Witches Don't Fall in Love” featuring Garm of Ulver fame.
One of the best parts of the gig of reviewing music for this site is that I get to enjoy countless amounts of music, particularly the submissions from up-and-coming bands. Today we have one killer gem that made its way into my inbox: Two Hundred Wolves and their release “The Hold”. With a style similar to Jess and the Ancient Ones and Madder Mortem but with a fuzzier and jazzier side, this release delivers 44 minutes of captivating music led by the sultry vocals of Anna Matveinen.
Opening with the jazzy/proggy “Visceral Redemption”, the first impression the band makes is one of a highly original sound perfectly fronted by a versatile singer. We like all kinds of music, and this band certainly has a bit of everything, from post rock to occult rock/metal influences, creating tracks like “Oblivion”, the dynamic “Absolute Bearing”, and the highly emotive “Event Horizon”. We are huge fans of deep and unique female voices, and the band’s vocalist definitely stands out from the rest.
Unleashing a lively mixture of Modern/Alternative Metal with some *Core elements, today we have Germany’s Venues and their latest release “Solace”. Featuring a brand new singer, Daniela ‘Lela’ Gruber, the band delivers nearly 40 minutes of superbly catchy music with soaring vocal melodies and heavy distorted guitars. Similar to outfits like Amaranthe and Sumo Cyco, this band has a more Metalcore aesthetic and edge to their sound.
Opening with the heavy guitars and harsh vocals of “Razorblade Teeth”, the band sets a heavier mood than their previous release, however, Lela’s vocals nicely balance the band’s sound. As the band delivers pieces like “Whydah Gally”, “Rite of Passage”, and “Uncaged Birds”, the listener is presented with a masterful combination of atmospheric synths, engaging clean vocal melodies, and crafty heavier parts for moshing and non-stop headbanging.
When a band usually says that their latest album is the heaviest to date, they are usually just playing the marketing game. However, once in a blue moon, this is actually true, and “Wallflowers” from Jinjer is one of those rare exceptions. Featuring an even more explosive and expansive sound than before, this release will certainly propel the band’s status thanks to its incisive and crafty songs.
The band opens with the in-your-face track “Call Me A Symbol” and never looks back, from Tatiana’s mountrous harsh vocals to the throbbing bass guitar and crafty drumming, this track sets a very intense pace. Songs like “Colossus”, “Vortex”, and “Disclosure!” perfectly showcase the band’s versatility and explosivity, going from playful clean vocal passages to crushing guitars and diverse tempo changes.
Seven years have passed since Lantlos released “Melting Sun”, an album that turned the page from the early Post-Black Metal days into more sonically diverse and immersive territories. With “Wildhund”, Markus Siegenhort further develops his musical exploration and delivers over 50 minutes of superbly catchy and sonically engaging music. If you like heavy, lush, and sonically imposing releases that are not quite Metal music, this album should peak your interest.
The release quickly sets a very dreamy mood with the lush atmospherics of “Lake Fantasy”. This track continues the “Melting Sun” style of soaring vocal arrangements alongside powerful distorted guitars and generous atmospherics. “Magnolia” nicely continues with playful tempo changes and lively clean vocals alongside a commanding bass guitar line and crafty drumming.
One man Italian outfit The Nightly Disease is ready for the spotlight with their excellent debut full-length release “Delicate White Sound”. Unleashing nearly 40 minutes of highly intoxicating atmospheric music, this release delicately blends Doom and Atmospheric Metal with additional instrumental elements. While many bands seem formulaic in nature, this one-man project carves very unique moods through the four tracks presented here.
After creating an eerie atmosphere with its first few minutes, the first part slowly transforms into a doomier version of older Burzum music. The hypnotic drums and guitars create a very regal and yet piercing vibe. We particularly enjoy the Doomy vibe the song features in its second half, as it nicely progresses with the acoustic guitars and more ambient elements of the second part.
Always pushing the envelope when it comes to unique aural experiences, Ván Records is set to unleash one of the most unique, and yet intoxicating releases of 2021 with Wolvennest’s “Temple”. Clocking in at nearly 80 minutes, this eight song release is filled with haunting atmospherics, eerie arrangements and solid doses of heaviness. Mixing elements from all kinds of genres like Psychedelic Metal, Ambient, to Apocalyptic Folk, and everything in between, this is one truly majestic experience that demands attention and patience.
The album warms up with the ambient/atmospheric elements of “Mantra”, a track that slowly evolves into a mystical piece with piercing guitars and eerie vocal arrangements. Reminding us a bit of Dark Buddha Rising but with some restraint, plus the enigmatic vocals of Shazzula. The mood feels rising with “Swear to Fire” and its incisive riffs and ghastly vocal melodies mixed in with a very crafty tempo and cathartic guitar leads.
When it comes to weird and out of the ordinary music, we are always on looking for the next weirdest thing. Today, via Agonia Records, we have Shadows and their self-titled debut EP. Led by Alex Bouks of Incantation and Goreaphobia fame, this band unleashes a very intoxicating and unique release with a blend of musical styles within Metal and bordering with Rock and Goth elements.
Opening with the somber “Ghosts of Old”, we get an interesting mixture of crafty drumming, firm riffs and a very moody tempo. The clean vocals remind us a bit of the band EverEve, with a certain twang added to them. The album’s atmosphere is quite dark and enjoyable as tracks like “Shadows”, “Night of the Goat Winter Moon”, and “Elders” have a nice mixture of warm and fuzzy psychedelic distortion with engaging tempo changes and very solemn vocals.
Back in the late 80’s Mortician and Macabre were two of the most extreme and yet crafty bands in the scene, we remember listening to all those horror movie samples just before the bands wailed with pummeling fury. Macabre has slowly evolved over the years and with “Carnival of Killers”, the band delivers nearly 41 minutes of music in 16 pieces encapsulating both their heavy and their bizarre side. While I am sure this will appeal to older folks like us, there are still some interesting and downright hilarious things to discover from this release.
As their first album in nearly a decade, “Carnival of Killers” continues the band’s fascination with serial killers and delivers a wide variety of tracks that range from Grindcore to Thrash to plain weird, with some brilliant sing-along sections. Never as heavy as Mortician, tracks like “Your Window is Open”, “Richard Speck Grew Big Breasts” and “The Murder Mack”, do still deliver some powerful riffs and Thrash-tastic tempo changes, mixed with the band’s funky vocal melodies and funny lyrics.
Unleashing an all-out pirate party, today we have Alestorm and their sixth full-length release “Curse of the Crystal Coconut”. Keeping their lively style nearly untouched since their inception, the band continues to deliver their signature playfulness and epic melodies that have captivated the masses for years. Clocking in at 45 minutes, this release gives you more Alestorm in a more bombastic and engaging way than ever before.
Opening with the hilarious “Treasure Chest Party Quest”, Christopher Bowes leads his crew with his signature playful lyrics and his legendary keytar skills. This very lighthearted opener features the band’s staples and a nod to more folky/instrumental elements making the song quite enjoyable. The band’s typical intensity will get you bopping as soon as “Fannybaws” and “Chomp Chomp” deliver their catchy chorus sections and the later unleashes dramatic guitar leads.