Melodic Metal

    • Posted By: Dark Emperor
    • Comments: 0

    Mythraeum - Oblivion Aeternam (2024)

    cover

    Proposing a very lively and engaging Melodic/Symphonic Black Metal, today we have North American outfit Mythraeum and their sophomore release “Oblivion Aeternam”. With a sound similar to Vesperian Sorrow, Limbonic Art, and to a point mid-career Dimmu Borgir, this release unleashes nearly one hour of superbly crafted high-octane music that any fan of the genre will certainly love.

    Opening strong with “Crown of Sepsis” after a flashy intro, the band quickly delivers waves of powerful guitar driven melodies perfectly accompanied by hearty snarls and a good dose of atmospherics. The band’s sound is very well crafted and polished, allowing tracks like “Harbinger’s Chant” and “Halls of Forgotten Will” to focus on mixing melodic passages with more faster-paced headbanging moments. Masterful tracks like “Terrestrial Despair”, showcase the band’s core influences, while still crafting their own style with tons of tempo changes and dramatic arrangements.

    • Posted By: Dark Emperor
    • Comments: 0

    Rotting Christ - Pro Xristou (2024)

    cover

    Hailing from Greece, Rotting Christ is finally back with another sinister exercise of aggression and melody with “Pro Xristou”. Featuring ten tracks and over 45 minutes of highly engaging music, the band shows no signs of slowing down and delivers another high quality release. Slowly refining their melodic Black Metal over the years, the band has it down to a science and unleashing ten of their most catchy and enjoyable tracks.

    Setting the stage with a dramatic atmospheric intro, “The Apostate” nicely takes on from where the band left off with their previous release “The Heretics”, and continues unleashing unholy atmospheric brilliance, paired with eerie vocal arrangements and the band’s signature riffing. Sakis Tolis has the band’s sound perfected to deliver crafty guitar melodies alongside his signature snarls, as songs like “Like Father, Like Son”, “The Sixth Day”, and the blistering “La Lettera Del Diavolo” demonstrate.

    • Posted By: Dark Emperor
    • Comments: 0

    Sarcasm - Mourninghoul (2024)

    cover

    Unleashing an interesting sounding mixture of Necrophobic-meets-Dissection hybrid, today we have Sweden’s Sarcasm and their latest offering “Mourninghoul”. Featuring eight tracks and nearly 45 minutes of fierce music, this release has a nice old-school vibe with a modern mix/production edge. If you are looking for ravaging guitar-driven melodic songs, this is certainly a solid release to check out.

    The album starts with the savage “As Northern Gates Open” and its waves of melodic riffs. The harsh snarls perfectly complement the velocity of the drumming and are nicely contrasted with lush melodic passages. As “Lifelike Sleep” and “Withered Memories of Souls We Mourn” roll in, we hear the band’s versatility as they incorporate crafty atmospherics and engaging headbanging moments into their crafty style.

    • Posted By: Dark Emperor
    • Comments: 0

    Funeral Oration - Antropomorte (2024)

    cover

    Capturing a very unique style of old-school Melodic/Symphonic Black Metal, today we have Italy’s Funeral Oration and their latest effort “Antropomorte”. Inducing a feeling of going back in time a couple of decades, the band unleashes seven tracks and around 40 minutes of highly theatrical and very engaging music. If you were ever a fan of Limbonic Art, Tartaros, and Charmand Girmloch, then this is the release for you.

    Opening with “PLenus Larvarum”, we are immediately treated to old-school BM riffs and to some extent a slight Punk-ish vibe, this all quickly changes as the playful keyboards come around and the whole vibe changes to a more theatrical style. Perfectly blending incisive riffs with superbly catchy interludes and solid harsh vocals, “Amor Obsessio”, “Cloaca cattolica”, and “Il Serpente della Genesi”, keep things intense and yet full of lush and elegant atmospheric arrangements.

    • Posted By: Dark Emperor
    • Comments: 0

    Grey Skies Fallen - Molded By Broken Hands (2024)

    cover

    Since While Heaven Wept disbanded a few years back, Grey Skies Fallen has been left carrying the torch for that unique mixture of Epic-ish Melodic Doom/Progressive Metal that mostly North American bands have been playing. With “Molded By Broken Hands”, the band further refined their sound while keeping their signature elements and delivering seven tracks and nearly 50 minutes of moody and melancholic music.

    Opening with the acoustic guitars of “A Twisted Place in Time”, the band quickly sets a very melancholic vibe as the doomy distorted guitars come in alongside harsh vocals and engaging atmospherics. The album title track dabbles into more atmospheric territories at first with some crafty guitar leads and it progresses with some excellent moody tempo changes.

    • Posted By: Dark Emperor
    • Comments: 0

    Insomnium - Songs of the Dusk (2023)

    cover

    Just a few months after unleashing the melancholic masterpiece “Anno 1696”, Insomnium returns with a three song EP titled “Songs of the Dusk”. Featuring over 20 minutes of music, the band exploits their moody and doomier side in the release. As expected, filled with melancholy and gloom, this Finnish band continues to surprise listeners with high quality music and brilliant execution.

    • Posted By: Dark Emperor
    • Comments: 0

    Amorphis - Queen of Time - Live at Tavastia (2023)

    cover

    Polishing their live shows over the years, Amorphis now a well oiled machine that can deliver a killer show to a packed arena, but also face-melt the crowd on more intimate club shows. For those that haven’t been able to catch the band live, their latest release: “Queen of Time - Live at Tavastia”, perfectly captures their intensity and precise delivery of their crafty music. Recorded during COVID-19 times, this live album is a testament to the bands tenacity and brilliant live showmanship.

    • Posted By: Dark Emperor
    • Comments: 0

    Uada - Crepuscule Natura (2023)

    cover

    Continuing their path of cosmic catchiness, today we have Uada and their latest opus “Crepuscule Natura”. Featuring five tracks and over 41 minutes of music, the band unleashes their riff-driven Black Metal continuing with the intensity and magic that “Djinn” left off. Full of highly memorable moments and plenty of headbanging/moshing opportunities, this album is a testament to the band’s search for perfection and polish of their sound and message.

    Opening with the “The Abyss Gazing Back”, the riffing onslaught is quickly present with incisive guitars and masterfully crafted drumming. The tempo changes allow for some nice transitions between aggressive passages and more mellow melodic interludes. Without needing many additions or experimentation, the band’s sound is crips and direct as pummeling tracks like “Crepuscule Natura” and “The Dark (Winter)” unleash a plethora of crafty guitar elements alongside moody vibes.

    • Posted By: Dark Emperor
    • Comments: 0

    Wooden Veins - Impending Waves (2023)

    cover

    Highly melancholic and expertly crafted, “In Finitude” was the bands excellent 2021 debut and with “Impending Waves” they show this was no fluke. Composed of musicians from Chile, but residing elsewhere, the band’s music has a certain Mar de Grises edge but with their own shroud of melancholy and despair. If you are looking for a truly engaging and melodic dose of bleakness, this release is right up your alley.

    Opening quickly with the lush “Dreamside Death”, the band quickly sets a very mellow and yet expertly crafted mood with lush layered guitars and highly emotional vocals. The mixture of proggy and doomy riffs and tempo changes makes for very unique and engaging pieces like “Tearing Seas”, “The Dreamer” and the more dynamic “Skies”. The way the band layers their guitars alongside dreamy atmospherics is excellent, creating a very intoxicating style and sound.

    • Posted By: Dark Emperor
    • Comments: 0

    Graveworm - Killing Innocence (2023)

    cover

    The highly underrated Graveworm is finally back after eight years since their last release and with “Killing Innocence” they are making up for lost time. With a very unique mixture of Melodic Death/Black/Gothic Metal, this band has released some pretty epic albums over the years and they now unravel ten tracks and around 50 minutes of highly engaging music. Hailing from Italy, this band has a very unique sound and a knack for highly melodic songs, as this release is a testament to.

    Opening with “Escorting the Soul”, we get a sinister and engaging atmospheric introduction that slowly transforms into pummeling drumming and crafty riffing. Having a certain Hypocrisy-esque vibe from their “The Fourth Dimension” period, “We are the Resistance” is an excellent track with excellent guitars and tempo, creating a very mysterious and yet highly melodic piece. The band’s sound has a retro-sounding component to it, drawing older listeners like ourselves into their style.

Pages

Recent Image Galleries