With almost every Finnish musician playing on an average of 3 bands, we get tons of high-quality outfits like Solacide. This band features an intense Melodic Black Metal sound filled with excellent musicianship and solid songwriting capabilities. In “Fall from Eternity”, the band unravels nearly 40 minutes and seven tracks of music reminiscent of bands like Old Man’s Child, Dimmu Borgir, and Naglfar.
Opening with the album title track, the band quickly makes a statement with commanding guitars, blistering drumming and subtle atmospherics. Being far from linear, playful pieces like “Forsaken Gods” perfectly blend the band’s Symphonic BM core sound with some progressive elements thrown in the mix, alongside some killer vocal lines. Changing the pace with the instrumental “Oblivion”, the band returns with the lush, more elaborate, and slightly slower tempo “Far Beyond Reality”.
Unleashing a lively mixture of Modern/Alternative Metal with some *Core elements, today we have Germany’s Venues and their latest release “Solace”. Featuring a brand new singer, Daniela ‘Lela’ Gruber, the band delivers nearly 40 minutes of superbly catchy music with soaring vocal melodies and heavy distorted guitars. Similar to outfits like Amaranthe and Sumo Cyco, this band has a more Metalcore aesthetic and edge to their sound.
Opening with the heavy guitars and harsh vocals of “Razorblade Teeth”, the band sets a heavier mood than their previous release, however, Lela’s vocals nicely balance the band’s sound. As the band delivers pieces like “Whydah Gally”, “Rite of Passage”, and “Uncaged Birds”, the listener is presented with a masterful combination of atmospheric synths, engaging clean vocal melodies, and crafty heavier parts for moshing and non-stop headbanging.
Unraveling a very powerful and yet engaging Symphonic/Melodic Black Metal release, today we have UK’s Necronautical and their crushing “Slain in the Spirit”. Perfectly blending elements from the early days of Dimmu Borgir, Old Man’s Child, and Emperor, this release balances nostalgia with excellent craftsmanship and brilliant execution for nearly one hour of high-octane music.
Opening with the blistering “Ritual & Recursion”, the listener is treated to pummeling drums and intense synths, creating a very hectic tempo as the harsh screams roll in. There is a certain sinister vibe that the riffing of “Occult Ecstatic Indoctrination” creates, and is nicely flanked by crafty tempo changes, piercing guitar leads and dramatic vocal arrangements. The combination of female operatic clean vocals alongside the harsh screams creates a very playful and effective dynamic.
When a band usually says that their latest album is the heaviest to date, they are usually just playing the marketing game. However, once in a blue moon, this is actually true, and “Wallflowers” from Jinjer is one of those rare exceptions. Featuring an even more explosive and expansive sound than before, this release will certainly propel the band’s status thanks to its incisive and crafty songs.
The band opens with the in-your-face track “Call Me A Symbol” and never looks back, from Tatiana’s mountrous harsh vocals to the throbbing bass guitar and crafty drumming, this track sets a very intense pace. Songs like “Colossus”, “Vortex”, and “Disclosure!” perfectly showcase the band’s versatility and explosivity, going from playful clean vocal passages to crushing guitars and diverse tempo changes.
Hailing from the USA, today we have newcomers Arcane Existence and their lush and haunting Symphonic/Melodic Black Metal release “Colossus”. With a very lively and engaging style, the band borrows from some of the genre greats (Dimmu Borgir, Cradle of Filth, etc.) but manages to carve a different and unique style for themselves. For nearly 56 minutes this release will certainly transport you to a different world, exactly what albums like this one should do.
Opening with the lavish “Mystic”, the band sets a very cinematic and mysterious mood, thanks to lush symphonic arrangements and crafty Metal elements. As the album progresses, tracks like “Sovereign Blood” and “Transmutation” show the heavier side of the band with pummeling drums, varied riffs, and a good balance of harsh and clean vocals. With small transition pieces like “Formation” before more elaborate and moody tracks like Dimmu Borgir-esque “Conclave”, the band keeps the album interesting and fresh.
Unleashing some of the most incisive and yet superbly catchy melodic Black Metal of 2021, today we have Sweden’s Wormwood and their latest opus “Arkivet”. Delivering the perfect blend of aggression, melody, and melancholy, this outfit unravels 46 minutes of highly intense and piercing music. Recommended for fans of bands like Ellende, Netherbird, and Seth, this release is one of the most impressive ones we have heard in a while.
Opening with the incisive guitars of “The Archive”, the band sets a very high-octane mood thanks to the crafty drums and engaging vocal styles. There is no shortage of brutality in this release as the headbanging quickly starts and alternates with dreamy interludes. Tracks like “Overgrowth”, the melancholic “End of Message”, and the captivating “My Northern Heart”, slowly unravel the band’s very complex and yet precise songwriting, weaving different tempos and styles seamlessly together.
Having released one of our top Melodic Black Metal releases of 2019, today we have Netherbird with their latest opus: “Arete”. Further refining their already crafty and elegant sound, this release unleashes nearly 45 minutes of majestic music, up to the quality level of bands like Dimmu Borgir, Old Man’s Child with a mixture of Uada. Perfectly crafted for fans of melody and aggression, this Swedish outfit have managed to outdo themselves with this highly impressive release.
After the traditional atmospheric intro, the release opens with the blistering “Towers Of The Night” and its incisive guitar work. Both guitarists, Pontus Andersson and Tobias Jacobsson are at the top of their game, creating expertly layered foundations for impressive tracks like “Infernal Vistas” and “Carnal Pentiment”. The overall sense of melody thanks to the dramatic arrangements on pieces like “Void Dancer”, greatly distance the band from the competition as it is perfectly blended with the more aggressive elements.
Perfectly blending melancholy and melody, today we have the latest EP of international duo Enshine, titled “Transcending Fire”. Highly recommended for fans of In Mourning, Insomnium and similar outfits, this release delivers 20 minutes of highly refined melancholic music. Slowly evolving since their 2013 debut release, the band seamlessly blends different influences in a highly appealing and atmospheric package.
Opening with the title track, we are treated to a slow and melodic intro with lush guitar arrangements and highly melancholic atmosphere. The mixture of clean and harsh vocals works in perfect harmony as the track weaves back and forth between heavy passages to more exploratory melody interludes. One of the band’s greatest strengths is the ability to create highly enjoyable songs that are conducive of both fearless headbanging and hypnotic contemplation, as we can hear in “Awake in Void” and the dreamy “Ascend”.
Hailing from Germany, today we have Dawn of Disease 2.0, under the name of Hiraes. Featuring all members of DoD up until 2019 plus a talented new vocalist in Britta Görtz, the band is ready to continue releasing highly melodic Death Metal that is both technically proficient and extremely catchy. Being huge fans of the genre, “Solitary” provides a very promising introduction from this band as they start their journey, already being compared with bands like Dark Tranquility, Nightrage, etc.
The release opens with the moody “Shadows Break” and its incisive guitar work, perfectly paired with Britta’s powerful growls. Crafted with intricate tempo changes, powerful distorted guitars and a perfect pace for headbanging, “Under Fire” and “Grain of Sand” continue the highly melodic and engaging mood. We particularly enjoy how each song is crafted to deliver a different facet of the band while solidifying their core elements, like the traditional “1000 Lights” and the Amon Amarth/Arch Enemy-esque “Eyes Over Black” and its killer guitar leads.
Always surprising us with high quality and engaging releases, Rain Without End records is ready to unleash the third full-length release of Seeming Emptiness, titled “Bliss Entombed”. For the uninitiated, this band features members/ex-members of In Mourning and October Tide while creating a very unique blend of Melodic Death Metal, Doom, with some Post-Rock elements. With over 50 minutes of highly melancholic music, this release will please any fan of the previously mentioned bands and genres.
Opening with the Katatonia-esque “An Impious End”, we get a very moody track with crafty drums, incisive guitars and a well balanced mix of growls and clean vocals. Showing a more dynamic and yet melancholic side, tracks like “What Spirits Forebode” and “Infernal Charade” perfectly mix all of the band’s influences and are complemented with soaring clean vocals and engaging tempo changes.