Psychedelic Rock

  • Molasses - Mourning Haze/Drops of Sunlight (2019)

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    Born as a commissioned ‘project’ from Roadburn Music festival, Molasses brings back Farida Lemouchi and her old The Devil’s Blood bandmates to craft a very unique body of music that serves as a way to move on from the death of Selim Lemouchi and TDB days. Not being a tribute to TDB, we were quite excited to hear if Molasses would even resemble their older material or just sound completely different, luckily for us there are certain hints of their old style with newer elements thrown into the mix.

    This two song single release through Ván Records is all we will get for now, especially the ones that missed out on Roadburn 2019. Opening with the amp fuzziness of “Mourning Haze”, we are quickly transported to the days of Psychedelic Rock and its trippiness. Featuring a very accommodating pace and beautifully adorned with playful guitar leads and groovy synths, this opening track is pure magic and a very powerful way to open this release.

  • GOLD - Why Aren’t You Laughing Now (2019)

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    Hailing from the Netherlands, GOLD is a band that has been on our radar for quite a while since we saw them at Roadburn festival in 2013. Playing a interesting mixture of Dark Rock with Post-Metal/Punk/etc. elements, this band has a very unique and crafty sound that instantly makes them recognizable. With the current wave of bands playing Psychedelic Rock and all variants, GOLD is one that stands above the rest thanks to their crafty music and interesting amalgamation of styles.

    As soon as “He is Not” opens, we get a certain mysterious vibe and then the sultry vocals of Milena Eva take over the driver’s seat. As one of the signature elements of the band, Milena’s vocals are the perfect mixture of enigmatic and intoxicating. After the opening track ends with a Post-Rock-ish passage, the band changes pace to a more mellow lounge-ish tempo in “Things I Wish I Never Knew”. The guitar work is quite excellent and there are definitely more than a few layers to digest.

  • Cellar Darling - The Spell (2019)

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    After their brilliant and lively debut “This is the Sound” back in 2017, Cellar Darling quickly established themselves as one of the most promising up-and-coming Folk Metal/Rock bands in the scene. With “The Spell”, the band builds up on their earlier sound and turns into more Progressive territories with 13 superbly crafted tracks. Featuring a wide variety of folk elements , the super talents of Anna Murphy on vocals, and proven song-writing capabilities, the band delivers one of the best releases of their genre in 2019.

    Opening with “Pain”, we notice and instant shift into darker and more progressive territories. The band continues to deliver their signature lush vocal arrangements, but in a more conservative and yet engaging manner. As “Death” and “Love” roll in, the band’s sound feels like a combination of Kari Rueslåtten’s folkier works with Anneke van Giersbergen’s charisma and sense of melody. This is quite a killer combination we have to say, however, of course Cellar Darling imprints their own ideas and style in the mix.

  • The Exploding Eyes Orchestra - II (2018)

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    What better way to end a side project/temp band than with an epic release. Unfortunately, The Exploding Eyes Orchestra deliver their swan song with “II”. Featuring all the current members of Jess and the Ancient Ones, this band delivered unparalleled Psychedelic Rock experiences through their highly atmospheric and very emotional music. The seven tracks in this release perfectly craft a sultry and enigmatic atmosphere that is quite unique and intoxicating.

    Leading the way with “Those of Us Left”, Jess enigmatic vocals hypnotize the listener as they waltz through moody melodies. This first track perfectly sets the ambiance for the more upbeat psychedelics of “Belladona”, a song that bring more of a J.A.T.A.O vibe to this release thanks to its playful keyboards and sultry pace. Providing an Opium-fueled experience, the lush “Harmain” is the perfect chill-out piece for those long nights at work.

  • Dark Buddha Rising – II (2018)

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    Unleashing one of the most hypnotic and intoxicating Psychedelic Sludge/Doom release of 2018, today we have Finland’s Dark Buddha Rising and their latest EP “II”. Coming out via Neurot Recordings, this release features two tracks and around 25 minutes of trance inducing music that elevates the band’s already unique sound to a whole new level.

    The band kicks off with the sludgy opening riffs of “Mahathgata I” and it slowly transitions into a truly intoxicating piece with the uniquely odd vocals of Marko Neuman. This track perfectly blends catchiness with atmospheric dominance and hints of psychedelia that are quite characteristic from the band. As the track progresses, it keep beating the listener with its crushing riffs while shifting into a darker and heavier piece. Lasting around 15 minutes, this is one hell of a track that perfectly captures the band’s idiosyncrasies.

  • Jess and the Ancient Ones – The Horse and Other Weird Tales (2017)

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    Unleashing one of the most groovy and psychedelic releases of 2017, today we have Finland’s Jess and the Ancient Ones and their third full-length release “The Horse and Other Weird Tales”. Featuring nine songs and over 30 minutes of deeply intoxicating music, this release will transport you back in time with its funky vibe and excellent instrumentation.

    Opening with the killer old-school Psych Rock vibes of “Death is the Doors”, we are instantly transported into the band’s own world. While the whole Psych Rock fad has gotten mainstream in the last few years, JATO’s leading lady is one of the main elements that sets them apart from the rest. Her sultry voice is a perfect fit for such trippy and mysterious music, and if you are lucky enough to see them live, her stage presence is truly mesmerizing.

  • Echolot – Volva (2017)

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    Unleashing over 55 minutes of brilliant Psychedelic/Progressive Metal, today we have Switzerland’s Echolot and their sophomore release “Volva”. Channeling their inner Pink Floyd and Black Sabbath influences, this three-piece outfit release for very intricate and engaging songs that will keep you engaged from start to end. With tons of bands flocking to these genres, it is quite refreshing to hear new ideas in this release.

    The album opens with the groovy proggy guitars of “II”, a track that brilliantly introduces the band’s musical skills and vibe. The warm and fuzzy distortion is quite inviting and eases the listener into Echolot’s sonic world. Slowly building up, “III” continues the album’s progression with Doomy riffs and very moody vocals, greatly enhancing the atmosphere in this release and keeping it diverse and fresh sounding.

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