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  • Siculicidium - Keringők (Valses) (2012)

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    Arriving in a limited edition 7” today we have Siculicidium’s EP titled “Keringők”. Featuring two tracks, this release has two different ‘reinterpretations’ of Swans iconic “New Mind”. Each track delivers quite disturbing sounding versions of this song that are very traditional to the band’s creepy Black Metal sound.

    Opening with “Valse Triste” the band sets a very slow and painful pace. As you can instantly hear, the riffing closely resembles Swans original version, but the mournful vocals greatly enhance the experience. The Black Metal roots of the band are also very present has the song progresses, adding that extra level of personalization the band gives to the track. As unique as Swans original version was, we very much enjoyed this different interpretation of the song.

  • Grave Desecrator – Unblessed Bootleg (2012)

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    Showcasing the band’s raw talents in a live setting, today we have Grave Desecrator’s official ‘bootleg’ release “Unblessed Bootleg”. Featuring 11-tracks of brutal old-school Black/Death Metal, this live album delivers an aural assault for any fan of the band that is dying to hear how they sound live. With over 40 minutes of music, this crushing release is a must have for any fan of this band.

    Leading this release with the combo of “Hellhound Breed / Sign of Doom / Revelations (Of the Beast) / Stared to Hell”, the band blows away the crowd with crystal-clear renditions of these crushing songs. Butcherazor’s vocals are as brutal as anybody could expect and the powerful riffing is excellently captured in this live recording.

  • Throne – Avoid The Light (2012)

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    Featuring 41 minutes of solid Southern/Stoner Metal, today we have newcomers Throne and their debut album titled “Avoid The Light”. In this very promising debut album, the band manages to deliver a Sludgy and heavy Stoner/Southern Metal that while not very original, it catches the listener’s attention and never let’s go.

    Opening with the slow and painful “Prefer to Die”, flashes of Neurosis immediately came to us thanks to the powerful vocals of Samu. The tone is very doomy/sludgy creating a very thick and simple atmosphere. Things pick up with “Buried Alive” and “3 Days of Rain”, two tracks that establish the band’s Southern influences very early and are packed with traditional riffs.

  • Prehistoric Pigs – Wormhole Generator (2012)

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    Arriving from Moonlight Records, today we have another solid Stoner Rock/Metal release that hails from Italy. We have seen a surge in Stoner Rock/Metal releases in the last few years and luckily for Prehistoric Pigs, they fall under the ‘better than average’ category. Cranking out 55 minutes of catchy music, “Wormhole Generator” is a quite a solid release from any fan of the genre.

    Starting the release with the trippy “Swirling Rings of Saturn”, the band showcases their very simplistic approach into creating catchy and trippy music. There is nothing very fancy about their sound or event extremely technically proficient, it is just straight up effective riffing and traditional song structures. The fact that “Wormhole Generator” is fully instrumental makes it even better since you can enjoy the hard-rocking tracks without the need of putting up with a (maybe) bad singer on top.

  • Deep-pression - Vegtelen Tenger (2012)

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    After not really liking the band’s previous releases, we finally have found the key to enjoy Deep-pression’s very unique and disturbing music: while taking a hike in the dark. If you listen to this album while you walk alone in the woods, we guarantee that you will go paranoid in a few minutes and think something supernatural is following you around, and this is without the help of drugs or any other ‘mood enhancer’.

    The traditional intro flying by, “Syreny” creeps up on you with some Psycho-esque ambient sounds that made us jump when not expecting them. The guest vocals in this release really hit the jackpot as they are creepy as fuck. We imagine that a ghost would sound exactly like this, and they greatly add to the overall ambience of the music. “Tam,Gdzie Martwe statki Jęczą...” is equally creepy and very effective thanks to the dark ambient elements and the dissonant bass guitar here and there.

  • KoldVoid – Roadside Ghosts (2012)

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    Arriving on a promo package filled with goodies from Romania, today we have KoldVoid’s “Roadside Ghosts”. In this dreamy release we are treated to 11 tracks of pure atmospheric brilliance that bring imagery from some of the most surreal and unique movies such as David Lynch’s work. If you want to be transported into very ethereal places, this is the release for you.

    In this debut release, KoldVoid manages to create beautiful landscapes since the openers “Start” and “Equilibrium”. With a very minimalist sound at first, this release transports the listener immediately with perfectly timed ambient elements. The hypnotic “Phantasma” is the first stand out track with an excellent cinematic feeling of flying through space in a very smooth and relaxing trip.

  • En Nihil – The Approaching Dark (2013)

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    As one of the most annoying releases we have received in the last few months, today we have En Nihil’s idea of ‘music’. In “The Approaching Dark” we have 52 minutes of ambient noises with a few creepy elements and a shit-ton of repetition.

    While trying to be too creepy and apocalyptic, this release just swims in a sea of uninspired atmospheric elements that never really deliver anything. There are some tracks that are plain irritating like “Futile Man - The Weight Of Absolution” and it’s droning frequencies.

  • Lifeless – Godconstruct (2013)

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    Navigating the seas of insipid Death Metal releases is quite difficult if you are trying to find a good one, thanks to Lifeless we have gotten our fix for the month. In “Godconstruct” this German band delivers 12 tracks of no-bullshit DM that will have you moshing in minutes. While the band’s approach is not revolutionary, they do a pretty good job in keeping things brutal and entertaining.

    With a powerful mixture of traditional Death Metal with some Swedish influences we get excellent tracks like “Godconstruct” and “Towards Damnation” that sound like Grave and Suffocation had a mutant child. Some of our favorite tracks have to be the crushing “Blood for the Gods” and “The Truth Concealed” and their very solid drumming and melodic undertones, reminding us of a more aggressive Hypocrisy on their “Fourth Dimension” years.

  • Vreid – Welcome Farewell (2013)

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    The kings of catchy Black ‘n’ Roll have returned with another killer release in “Welcome Farewell”. Continuing to push the boundaries of Black Metal mixed with old-school Metal, Vreid shows that they can only keep improving their very unique and aggressive musical approach. For over 40-minutes the band delivers waves of uber catchy riffs paired with hellish vocals and a knack for ridiculously entertaining song arrangements.

    Immediately pounding away with “The Ramble”, the band shows that they haven’t forgotten their Black Metal roots, but they deliver them on their own terms. There are very typical BM riffs here, but they are given an old-school vibe that makes them as addictive as heroin. Tracks like “Way of The Serpent” and “The Devil’s Hand” are excellent examples of riff-a-thons that are the staple of this band’s excellent song writing skills.

  • King Bong – Space Shanties (2012)

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    With a name like King Bong, one can immediately tell what kind of music this band plays. This Italian trio delivers a hefty dosage of Instrumental Stoner/Sludge Metal that was recorded live and without the usage of any studio magic, adding to the overall brilliance of the songs presented here. Featuring over 60 minutes of jazzy and funky music, this is one album that all fans of the genre should pay attention to.

    Starting with the interestingly named track “Even 50 Feet Hamsters Have Feelings”, we all know what the band was on when they came up with such a name. With a very slow and hypnotic pace, this track features a hefty amount of psychedelicness that will make you start thinking you are hallucinating. The bass, guitar, and drums approach to the music gives it a very minimalist take, while being far from being dull and repetitive.

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