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    The Body – Master, We Perish (2013)

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    One of the weirdest and most sonically abusive bands to hail from the USA, The Body, returns with a three-song EP titled “Master, We Perish” that promises to be as weird as any of their previous releases. With their crushing Sludge Metal, this two-piece band delivers 18 minutes of pure aural filth that will have all fans of the genre going ape-shit about this album.

    Quickly opening with some WWII sirens, “The Ebb And Flow Of Tides In A Sea of Ash” immediately makes the raw sound of The Body felt present. The harsh and very brutal guitar work is perfectly crushing and the droning drums are just there to make things even more confusing. Sounding like something that Merzbow would have produced… while on crack, this track is quite brutal and relentless.

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    Sagntid – The Undisciplined Heart of Sagntid (2012)

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    Delivering another dosage of creepy atmospheric brilliance, today we have Sagntid and their latest release “The Undisciplined Heart of Sagntid”. Keeping the very eerie vibe always present, this one man band delivers the goods once more in a 10-track release that will keep you at the edge of your seat when played at night and in the dark.

    Warming up with “Fierce Pride” the mood is very martial and with the addition of sporadic vocals the listener will be immediately immerse into Sagntid’s world. The longest track in this release is the complex “All Contact Ceased”, a very emotional and quite relaxing track that is very hypnotic in nature.

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    Mother Susurrus – Maahaavaa (2013)

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    Fully recorded using analog gear, today we have Finland’s Mother Susurrus and their debut full-length release “Maahaavaa”. Combining elements from bands like Neurosis, High of Fire, and more traditional Hard and Acid Rock influences, they masterfully crafted a sound that is quite hard to pin down, but is very interesting and unique sounding. This 48 minute release contains five solid tracks that command maximum aural attention.

    True audiophiles greatly appreciate when things are recorded via analog gear, and this is very evident when you get those nice grainy effects and elements in the music that really make things pop and sound natural. The first example of said things is the crushing opener “Superposition”. Clocking in at around 10 minutes, this mammoth track shows the band’s Sludge/Doom power with some more direct Hard rock influences.

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    Into Darkness – Into The Darkness (2013)

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    Originally released as a demo in 2012, today we have Italy’s Into Darkness and their old-school Death Metal production “Into The Darkness”. Featuring four tracks of raw DM with some Swedish and Doom influences, this release is for all nostalgic lover of raw and fuzzy music from the 90’s. Combining elements from Incantation (earlier material), Grave and Asphyx, for over 25 minutes the band delivers the goods in a relentless and nihilistic manner.

    Opening with the desolate “Into Darkness” the band resembles the almighty Winter and their slow and painful Doom sound from back in the day. After 8 minutes of glorious Death/Doom, things pick up with the crushing “Shadows” and its killer proto-Swedish DM sound. The band truly excels in creating a very dense and old school atmosphere, relying on the riffing of Doomed Warrior and Nor.

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    E-Musikgruppe Lux Ohr – Kometenbahn (2013)

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    Always having surprises for us, Svart Records presents the very unique and highly experimental release “Kometenbahn”, by Finish outfit E-Musikgruppe Lux Ohr. Mixing all kinds of genres but mainly: Electronic, Ambient, Krautrock and Progressive elements from the 70’s, this is one very weird and totally different release to what we are used to… and we kind of dig it.

    Opening with an electronic intro “Prolog im Himmel”, the band slowly builds up with the futuristic and hypnotic “Nachtgeist”, a song that we picture to be playing in all the elevators of Sci-Fi movies like “Minority Report” and such. “Durch Den Komischen Dunst” is an 11 minute epic that is very rich in diverse elements and it is greatly put together to craft a very ethereal experience. We have to say that this is one of our favorite tracks of this release thanks to its very soothing and engaging pace.

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    Odd Dimension – The Last Embrace To Humanity (2013)

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    After blowing us away with their debut release “Symmetrical” back in 2011, Odd Dimension returns with the more mature and centered “The Last Embrace To Humanity”. This Italian band showed great potential on their first release and here they demonstrate they are growing as musicians by delivering eight excellent tracks that range from Progressive anthems to more laidback and mellow ballad-type of songs.

    The band opens with the Progressive anthem “The Unknown King” a very upbeat and quite intricate 7 minute long track. Here the band continues with their “Symmetrical”-style sound with lush keyboards and very tight instrumentation. Manuel Candiotto powerful vocals are the standout element of tracks like “Under My Creed”, where his range is nicely tested. The Progressive magic continues with “Dissolving Into The Void” filled with excellent piano sections and very well crafted guitars.

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    Norse – All Is Mist and Fog (2013)

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    What happens when a release arrives a couple of years late to the party? It just sounds very dated and weak in comparison to others. This is the main problem that we have with Norse and their sophomore release “All is Mist and Fog”. With a tight Blackened Death Metal sound from several years back and a very weak production, this release would have been greatly benefitted from a remastering or something.

    Moving on full steam ahead with the pummeling “Neglect”, the band has a dated sound that while powerful is not quite what most releases these days have. The drumming is quite intense, but it sounds, to be honest, like total shit. It might have been the promo or they tried to give it a weird effect, but it sounds like it was recorded inside a toilet and some muffling effect was added. We don’t like to be this harsh on releases, but when everything else sounds quite ok, we wonder how this could have happened.

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    Sannhet – Known Flood (2013)

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    Delivering 43 minutes of relentless instrumental Post-Metal with Black Metal, Sludge and even some post-punk influences, today we have Sannhet and their debit release “Known Flood”. With a current rise in the popularity of Post-Metal bands that try to be copycats of Neurosis and Isis, it is quite refreshing to hear a band like Sannhet that can deliver the goods and still craft a unique and crushing style of their own.

    The brutal “Abescon Isle” delivers a similar pummeling feeling to bands like Wolves In The Throne Room but with a sludgier edge. The band’s Black Metal influences are very evident and they make them very present in their intense riffing demonstration. Things get more interesting with the strange opening of “Invisible Wounds”, setting a very disturbing and quite engaging atmospheric tone before going back into powerful melodic and heavy riffs.

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    Azure Emote – The Gravity of Impermanence (2013)

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    As the brainchild of Mike Hrubovcak (Monstrosity, etc) today we have the totally wacked out second full-length release of Azure Emote titled “The Gravity of Impermanence”. Featuring 14 tracks and around 60 minutes of very chaotic and somewhat odd music, this release will have listeners at the end of their seats waiting to hear what is coming up next. Mixing all kinds of styles, both musically and vocally, this is one very complex album that takes a bit to sink in.

    Opening with the strange “Epoch of De-Evolution”, you immediately know that this is one of those albums that will keep you confused. Immediately we start to draw comparisons to bands like Sigh, Unexpect, etc, where you don’t really know where the album is going until you decide to give up and just enjoy the weirdness. “Carpe Diem” is quite a good example of this weirdness with haunting vocals and the excellent signature violin contribution of Pete Johansen.

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    Way to End – Various Shades of Black (2013)

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    After Way to End’s impressive 2009 debut, “Desecrated Internal Journey”, we had huge expectations for this French outfit and with “Various Shades of Black” they have managed to surpass them and set a whole new standard for themselves. Clocking in at 50 minutes, this release is an excellent example of how a band with excellent technical skills can produce something that is both crushing and complex in nature.

    Nicely warming up with the mellow “Sous Les Rangs”, people that don’t know the band will surely be puzzled and not really prepared for what is to come in this excellent release. “L'apprenti” brings back the intricate guitars from the band’s debut but with a more twisted and refined sound. The incorporation of Vaerohn of Pensées Nocturnes on bass allows them to sound richer with equally complex guitar and bass guitar sections.

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