Thrash Metal

  • Mhorgl – Heresiarch (2011)

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    Delivering waves of technical aggression with an old-school Thrash sound, today we have Australia’s Mhorgl and their devastating third full-length “Heresiarch”. With over 45 minutes of meticulously crafted Thrash/Black Metal, this band is set to make some noise in the scene with their relentless tracks filled with technical nuances that only a handful of bands can pull off. Just imagine Obscura playing Thrash infused songs and you will get a glimpse of what this band is unleashing.

    Starting with the hellish “Inheriting the Mantle of Power”, the band sets the standard very high with crazy guitar riffing, crushing solos and inhuman drumming. The vocals are also very demonic and they have that snarl that perfectly fits the whirlwind sound of the band. Pounding through tracks like “Ophidian Legacy” (featuring killer guitar wizardry and a punchy Southern vibe), “Black World Militia” and “Ravenous Wargod”, the band delivers high-octane music that will max out your heart rate.

  • Eskeype – Legacy of Truth (2010)

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    All the way from Switzerland today we have a band called Eskeype (is this pronounced Skype?), and their very catchy mixture of Groove Metal and Thrash Metal with some hints of a few other genres mixed in-between. For 13 tracks the band gives us a very in your face approach with hectic drumming, catchy and powerful riffing and aggressive vocals that will exhaust even the most active mosher from our readers.

    Immediately after a very dynamic prologue, the band delivers waves of powerful riffs and aggressive vocals with the first two tracks “The Chronicle’s Origin Part One” and part two. In these two tracks the band quickly demonstrates their ability to craft very catchy guitar sections and pair them with crushing vocals. The melodic passages are excellent and the use of violins (a la Dark Lunacy) is just excellent, giving them a nice Melodic edge to their music.

  • Hatesphere – The Great Bludgeoning (2011)

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    After multiple line-up changes, today we have the return of Hatesphere and their aggressive Thrash Metal sound, but now refined with a Hard Rock edge that makes them even better than before. Changing vocalist is a major move for any band, but Esse Hansen delivers powerful pipes that nicely fit the band’s evolved sound.

    Through the nine tracks presented in “The Great Bludgeoning”, the band delivers powerful Thrash Metal anthems that sound very sophisticated and intriguing since they don’t seem to be ‘more of the same’ stuff we get with countless Thrash releases these days. With the powerful opener “The Killer”, we immediately listen to the different distortion and melodic nature of the guitar riffs, something very refreshing considering the band’s previous two releases sounded very similar to each other.

  • Untimely Demise – City of Steel (2011)

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    All the way from the Nordic lands of Canada, today we have Untimely Demise’s debut full-length release “City of Steel. While the band plays the traditional Thrash/Death Metal game, there are a few elements here and there to make this release standout from the countless dull bands we get every week.

    Having some early Children of Bodom (vocals and some guitar work) edge makes “City of Steel” a nice 32 minute release that will not go easily forgotten. In the opening “Virtue In Death” track, we have the traditional Thrash/Death Metal sound back in the day, but the guitar work is what makes this song (and album) more entertaining and different.

  • Zerstörer - Panzerfaust Justice (2010)

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    Marking Zerstörer second full-length release today we have “Panzerfaust Justice”. In this album the band wastes no time and delivers an in-your-face Black/Thrash Metal assault of the most rudimentary and crushing fashion. The band features no fancy elements, just the traditional metal lineup and a shit ton of build up anger inside, perfect for Black/Thrash Metal.

    Over the span of nine songs, the band does deliver very aggressive tracks full of raw energy and sound, but it also falls short in creating something we haven’t heard before. The bands sound is very traditional and is limited to the very similar structures in each song. While there is nothing bad in this, after the first 4 songs you start to get drowsy and with a sudden urge to change the CD.

  • Sylosis – Edge of the Earth (2011)

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    Getting rid of the Metalcore-ish crap that influenced their near perfect debut album “Conclusion of an Age”, Sylosis returns sans previous vocalist with the crushing and mind-blowing sophomore release “Edge of the Earth”. If you thought the first one was pretty good, wait until you listen to this one.

    With the band’s front man Josh Middleton now handling the vocals, Sylosis has become more vicious and will surely please any Thrash/Melodic Death Metal fan out there. This release features endless amounts of brilliant Thrash riffs and melodic sections that will pummel you into submission.

  • Intervention - Growing Line of Caskets (2011)

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    All the way from the artic circle in Finland, today we have the Thrash-tastic 3rd demo of Intervention called “Growing Line of Caskets”. In this very effective demo, the band presents us with 3 tracks and around 16 minutes of excellently crafted Thrash-infused Death Metal tracks that will surely take you by surprise.

    Starting with “The Mortal Shell of Man”, the band quickly makes a strong impression with excellent Thrash riffing, elaborate drumming and a three-prong attack on vocals. This song is very well crafted and shows a level of maturity far superior to other bands that are signed to bigger labels. The band’s sound is dynamic enough to be both modern and ‘classical’ sounding at the same time.

  • Empatic – Gods of Thousand Souls (2010)

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    Hailing from Poland, today we have Empatic and their super catchy Thrash infused Death Metal. The band’s debut album shows a promising band with an interesting sound and potential to be even better.

    The album starts with the brutal “Green Mile”, since the first 20 seconds the band let’s you know they mean business. An interesting thing to notice since this song is the band’s Melodic DM/Groove influences that make this release even more interesting to listen to. With “G.O.T.S” the band goes into full Death Metal mode and this song provides us with catchy hooks, powerful drumming and strong vocals.

  • Onslaught – Sounds of Violence (2011)

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    With the current Thrash Metal revival we have seen bands like Exodus, Forbidden, etc, release very impressive albums. Onslaught brings their A-game and manages to release a pretty solid effort with “Sounds of Violence”. This album marks their best effort to date, after a long break and return to the scene in 2005.

    Getting into “Sounds of Violence”, we are presented with 8 tracks and two filler intro songs. For around 45 minutes the band does a great job in bringing back the old-school Thrash Metal vibe with some more up-to-date production values. This release sounds like a million bucks thanks to the help of Jacob Hansen and allows the band to fully showcase its technical abilities and songwriting chops.

  • Havok – Time is up (2011)

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    After their solid debut album “Burn”, Havok is back with their crushing Thrash Metal sound with “Time is up”. This new release features 10 tracks and 42 minutes of non-stop Thrash Metal music that will blow your speakers off. Unlike all the copycat bands, Havok is influencing their sound with modern elements and with a crystal clear production that puts them in the same caliber are the greats of the genre Exodus, Forbidden, etc.

    With the opening track aptly titled “Prepare for Attack”, the band unleashes their musical skills with sick tracks that will have you headbanging from the first minute. The guitar riffing is even better than on their “Burn” album, and the catchiness of the songs is unrivaled.

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