German Thrash Metal juggernauts return with one of their best releases of the last decade with “Born to Perish”. Featuring a hyper aggressive sound and ten superbly catchy tracks, this album shows the band firing on all cylinders and delivering one of the most intense and engaging releases in the genre. Perfectly suited for old and new fans of the band, this release will certainly propel the band back into the spotlight and ready to battle the new, young bands jumping in the genre.
Leading with the title track, the band sets a very fast paced and brutal tone with ravaging riffs, brilliant drumming and crushing guitar solos. As we all know, Schmier’s vocals are one of the staples of the band’s sound as they perfectly fit the aggression and speed of the music. There are some additional melodic elements on tracks like “Inspired by Death”, that keeps things fresh and interesting without overusing the band’s musical formula.
Perfectly blending style and brutality, today we have Revocation and their most refined opus to date: “The Outer Ones”. Featuring a sound that is reminiscent of bands like Death, Exmortus and Sylosis, this outfit delivers over 48 minutes of superbly crafted music that will keep you at the edge of your seat. While many bands focus on technicality just for the sake of it, Revocation actually crafts catchy and engaging songs that are highly technically proficient and headbangable from start to end.
Opening with the ravaging “Of Unworldly Origin”, we get crunchy Death Metal riffs paired with intense drumming and hellish vocals. With some killer guitar leads thrown into the mix, this track sets a very lively and engaging mood that feels old-school, but will all the advantages of a modern production. The band continues to show their melodic elements in well paced songs like “That Which Consumes All Things” and the brilliant “Blood Atonement”. This last track delivers intense twin guitars and crafty tempo changes alongside some funky trippy bass guitar elements.
Unleashing one of the most ravaging Thrash Metal releases of the last few years, today we have Brazilian Nervosa and their third full-length release “Downfall of Mankind”. With extremely punishing brutality, the band unleashes over 45 minutes of demoralizing music. Rapidly climbing the ranks of the genre, this trio is poised to make a run to the top with the extreme quality and intensity behind this release. If you are a Thrash Metal fan, this is definitely one of the most brutal releases of 2018 that you don’t want to miss.
Opening with “Horrordome”, right after an intro, the band goes for the yugular with intense riffs, bestial drumming and crushing vocal onslaughts by Fernanda Lira and Prika Amaral. As far as violent and intense opening tracks, it can’t get any better than this one. Settling into their crushing intensity and ravaging musicianship, we are treated to demoralizing tracks like “Never Forget, Never Repeat” and “Enslave”. There is a magical clarity into the album’s crystal clear production, which allows you to enjoy every single detail, from the complex drum patterns to the ripping guitar leads from tracks like “Bleeding”, “Vultures” and the chunky “Kill the Silence”.
Originally started as a Celtic Frost cover band, today we have Spain’s Totengott and their debut full-length release “Doppelgänger”. With a very old-school and raw style, this band combines Doom and Thrash Metal elements into a very decadent sound that is quite engaging and sickening. Just imagine a Doom version of Celtic Cross and you will be closer to what the band actually sounds like.
Starting the release with the 8-minute “Delusion of Negation”, the band creates a very thick atmosphere with punishing riffs and atmospheric arrangements. The drums/tempo have that old-school Black/Thrash vibe with a Punkier edge. Being the shortest track in this release, the band sets a very unforgiving atmosphere for this release.
As one of the most awaited Thrash Metal releases of 2016, today we have Testament and their latest opus “Brotherhood of the Snake”. As one of the originators of the Bay Area Thrash movement, Testament seems to only get better with age as this album delivers over 45 minutes of no-holds-bared Thrash-tastic music.
Opening with the intense album title track, the band quickly fires the first round with blistering drumming and crushing riffs. Paired with Steve DiGiorgio’s intricate base guitar line, this song fires on all cylinders and delivers a hectic opening that will instantly raise your pulse. The intricate guitar work of Eric Peterson and Alex Skolnick brilliantly shines on killer tracks like “The Pale King”, “Seven Seals” and the amazing leads of “Neptune’s Spear”, which almost make this track, be more along the lines of Power/Progressive Metal bands.
Arriving from Germany, today we have the legendary Sodom and their latest Thrash-tastic master piece “Decision Day”. Showing no signs of slowing down and with a thirst for blood, the band delivers 11 relentless tracks that will blow you away from start to finish. If you like old-school Thrash Metal and don’t mind a clean and crisp modern sounding production, this release will blow your socks off.
Opening with the pummeling “In Retribution”, Tom Angelripper and company fire on all cylinders delivering vicious riffs and tight drums crafting a very sinister mood. The band quickly sets an insane level of intensity as they pummel through pieces like “Rolling Thunder”, “Decision Day” and “Caligula” and its cool chorus sections. Picture the cleanliness of Accept’s sound paired with the Thrash grittiness of bands like Destruction and Death Angel, this is exactly what this release sounds like.
Arriving from Spain, today we have Thybreath and their very interesting Modern Thrash Metal sound. Delivering ten tracks of high-octane music, “Where the Gods Fall” provides the listener with plenty of ammunition to headbang their way into a coma. Perfectly mixing old and new influences, this band will surely get any Thrash Metal fan excited.
Opening with the eerie kids chants on the intro track, the band sets a creepy mood that is nicely capped with the high level of intensity of “The Bogeyman”. In this song at some point, the band has a certain Amon Amarth sound to them due to the combination of harsh vocals and catchy riffing. Never straying too far from their Thrash roots, “Deceit and Letdown” is a perfect example of a well-crafted Modern sounding Thrash anthem filled with crafty guitar leads and catchy melodic passages.
Creating a very interesting mix of Thrash, Punk, Hardcore influences, today we have La Horde and their crushing release “Dystopia”. Featuring 14 tracks of intense music, this release will keep the listener engaged from start to end and quite amused for the durations of the album. If you are looking for a mixture of Municipal Waste with Hatebreed and Unearth, this band should be of interest.
The album quickly makes an impression with the intense “Soleil Noir” and the Thrashy “Nous Saviouns”. By this point, the listener should still be trying to digest the unique style of the band, but at the same time being strangely attracted to it. The album continues to intoxicate the listener with the Punk-ier edge of tracks like “Ravage” and “Le Monde Inverti”, while still retaining that crushing Thrash Metal riffing which borrows from bands like Exodus and Dark Angel.
Hailing from the USA, today we have the superbly unique Vex and their 3rd full-length release “Sky Exile”. Seamlessly blending influences of Death/Thrash/Progressive Metal with melodic undertones, this band’s sound is quite refreshing and unique. Reminding us of bands like Cenotaph, Buried Dreams and The Chasm, this band has a very unique and polished sound that is very diverse and engaging.
Slowly building up from the intro, the album really kicks off with the intense “To Anacreon (Strangling the Muse)”, a very diverse track that showcases heavy riffs, crushing growls and very proggy Enslaved-like rhythmical sections. Perfectly continuing the uniqueness of this release, “Empyrean” provides an interlude before the melodic brilliance of “Antithetical Age”. In this track we have again that gritty Death/Thrash Metal influences paired with more melodic influences, and even some clean vocals to fully round up the song.
Hailing from Greece, today we have old-school Death/Thrash Metal outfit Aeons fo Hate and their self-titled debut release. Featuring over 30 minutes of music, this album brings back some memories of the late 90’s with incisive riffs perfect for headbanging while chugging beer. If you like the riffing capabilities of bands like Sodom, Kreator, Death Angel and Morbid Angel, this this one interesting release for you.
Opening with the Slayer-esque “Sands of Deception”, the band makes quite a strong impression with pummeling guitars and harsh vocals. The riffing is quite pleasant as it weaves between Thrash influences and old-school Death/Thrash influences from the Sepultura early days. It is quite interesting to note that as track like “Solemn” and “Aeons of Hate” roll around, the music tempo is kept relatively ‘slow’ allowing the riffs to fully sink in and our heads to start bobbing from beginning to end.