Hailing from Finland, today we have Amongst The Ashes, a very interesting band that fuses Middle Eastern elements with a solid Melodic Death/Thrash Metal foundation. With a bit of an Orphaned Land/The Ottoman Empire vibe, “The Fabricated Monolith” provides the listener with a small sample of the band’s songwriting chops and solid execution.
Featuring guest appearances from the likes of David Ellefson to Devin Townsend, Sepultura unleashes the most star-studded release of 2021 with “SepulQuarta”. Conceived during the COVID-19 pandemic, this release features 15 Sepultura songs with a wide range of guests, creating a very unique and once-in-a-lifetime production. If you are a fan of the band, this release will be a very special addition to your collection.
The release quickly sets a very high bar with David Ellefson playing bass guitar on one of our favorites, “Territory”. If that wasn’t enough, Scott Ian plays on “Cut Throat”, Danko Jones in “Sepulnation”, and Phil Rind in “Inner Self”, this sets a very nice trip down memory lane for some of us, while enjoying uniquely different versions of these songs. Pieces like “Hatred Aside” are very nicely enhanced by multiple guests, leaving them at some times even better than the original.
Unleashing one of the most fierce and pummeling Thrash Metal releases of 2020, today we have the legendary Sodom and their latest effort “Genesis XIX”. With a new crew behind this release, Tom Angelripper manages to craft nearly 55 minutes of incisive music, split into ten high-octane songs that will have you headbanging from beginning to end. It goes without saying that this release is highly recommended for any Thrash Metal fan.
The riffing onslaught begins with the short opener, “Blind Superstition” and nicely bleeds into the vicious “Euthanasia”. With new band members, since the last full-length, Yorck Segatz and Toni Merkel, the band shines with crafty drums and powerful guitar arrangements, when paired with Frank Blackfire (who was in the band at some point in the late 80’s). This revitalized core allows the band to rip through pieces like “Genesis XIX”, “Sodom & Gomorra”, and the sinister “Dehumanized”, all of this while delivering blistering guitar leads and superb drumming.
Back in the late 80’s Mortician and Macabre were two of the most extreme and yet crafty bands in the scene, we remember listening to all those horror movie samples just before the bands wailed with pummeling fury. Macabre has slowly evolved over the years and with “Carnival of Killers”, the band delivers nearly 41 minutes of music in 16 pieces encapsulating both their heavy and their bizarre side. While I am sure this will appeal to older folks like us, there are still some interesting and downright hilarious things to discover from this release.
As their first album in nearly a decade, “Carnival of Killers” continues the band’s fascination with serial killers and delivers a wide variety of tracks that range from Grindcore to Thrash to plain weird, with some brilliant sing-along sections. Never as heavy as Mortician, tracks like “Your Window is Open”, “Richard Speck Grew Big Breasts” and “The Murder Mack”, do still deliver some powerful riffs and Thrash-tastic tempo changes, mixed with the band’s funky vocal melodies and funny lyrics.
Unleashing the most depraved release of 2020, today we have the return of Germany’s Tsatthoggua with their compilation mCD “Hallelujah Messiah”. As one of those bands that marked your youth thanks to their album covers and bizarre lyrics, we never would have expected the band to come back after more than 20 years of silence. If you are ready for a nostalgic dose of old-school Black/Thrash Metal with a knack for BDSM, check out this release.
Starting with material from the band’s 1995 demo “Siegeswille”, the remastered versions presented in this release capture the band’s raw and punishing style while allowing the songs to sound updated and crystal clear. The gaudy keyboards of “The Belief - The Lie” (and the rest of the first 5 songs) is one of the elements that shows the band’s uniqueness as not just an appearance gimmick, but rather an experimental outfit. Tracks like “Heirs of Fire” capture that old-school timeless Immortal-style of BM which is furious and yet melodic enough for some headbanging sessions.
After a super busy touring schedule since joining Architects since mid-2016, Josh Middleton and company finally return with their crushing fifth full-length release “Cycle of Suffering”. Building up on their powerful Melodic Death/Thrash Metal sound, this release unleashes 50 minutes of crafty music filled with intricate guitars and punishing aggression. Like no time has past, this release continues the band’s legacy of well crafted brutality and melody.
Quickly getting in the listener’s face, “Empty Prophets” delivers an exquisite balance of crunchy riffs and crafty guitar leads. Others might prefer the more melodic and mellow side of the band with tracks like “I Server” and the album title track delivering a unique mixture of Death-like guitars and intricate melodic passages. The headbanging value of the band’s music is unrivaled as we can enjoy sweeping transitions from dramatic melodic passages into brutal agressive onslaughts thanks to Josh Middleton’s harsh vocals.
As one of the most exciting and different bands in the USA Metal scene, Exmortus combines Melodic/Technical Death Metal with Thrash-tastic elements, creating a very fresh sounding musical hybrid. Featuring five tracks and over 15 minutes of music, “Legions of the Undead” is a nice sampler of the band’s musical abilities and unrivaled creativity. If you like guitar acrobatics and catchy tunes, look no further and pick up a copy of this EP..
The release opens with the brilliant album title track, full of crazy guitar leads and a crystal clear production, this track sounds both familiar and fresh at the same time, something not very common. The guitar acrobatics continue in the sinister “Swallow Your Soul”, which delivers catchy tempo changes and headbanging melodic passages.
German Thrash Metal juggernauts return with one of their best releases of the last decade with “Born to Perish”. Featuring a hyper aggressive sound and ten superbly catchy tracks, this album shows the band firing on all cylinders and delivering one of the most intense and engaging releases in the genre. Perfectly suited for old and new fans of the band, this release will certainly propel the band back into the spotlight and ready to battle the new, young bands jumping in the genre.
Leading with the title track, the band sets a very fast paced and brutal tone with ravaging riffs, brilliant drumming and crushing guitar solos. As we all know, Schmier’s vocals are one of the staples of the band’s sound as they perfectly fit the aggression and speed of the music. There are some additional melodic elements on tracks like “Inspired by Death”, that keeps things fresh and interesting without overusing the band’s musical formula.
Perfectly blending style and brutality, today we have Revocation and their most refined opus to date: “The Outer Ones”. Featuring a sound that is reminiscent of bands like Death, Exmortus and Sylosis, this outfit delivers over 48 minutes of superbly crafted music that will keep you at the edge of your seat. While many bands focus on technicality just for the sake of it, Revocation actually crafts catchy and engaging songs that are highly technically proficient and headbangable from start to end.
Opening with the ravaging “Of Unworldly Origin”, we get crunchy Death Metal riffs paired with intense drumming and hellish vocals. With some killer guitar leads thrown into the mix, this track sets a very lively and engaging mood that feels old-school, but will all the advantages of a modern production. The band continues to show their melodic elements in well paced songs like “That Which Consumes All Things” and the brilliant “Blood Atonement”. This last track delivers intense twin guitars and crafty tempo changes alongside some funky trippy bass guitar elements.
Unleashing one of the most ravaging Thrash Metal releases of the last few years, today we have Brazilian Nervosa and their third full-length release “Downfall of Mankind”. With extremely punishing brutality, the band unleashes over 45 minutes of demoralizing music. Rapidly climbing the ranks of the genre, this trio is poised to make a run to the top with the extreme quality and intensity behind this release. If you are a Thrash Metal fan, this is definitely one of the most brutal releases of 2018 that you don’t want to miss.
Opening with “Horrordome”, right after an intro, the band goes for the yugular with intense riffs, bestial drumming and crushing vocal onslaughts by Fernanda Lira and Prika Amaral. As far as violent and intense opening tracks, it can’t get any better than this one. Settling into their crushing intensity and ravaging musicianship, we are treated to demoralizing tracks like “Never Forget, Never Repeat” and “Enslave”. There is a magical clarity into the album’s crystal clear production, which allows you to enjoy every single detail, from the complex drum patterns to the ripping guitar leads from tracks like “Bleeding”, “Vultures” and the chunky “Kill the Silence”.