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    Old Witch – Come Mourning Come (2014)

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    Finally reaching a wider audience, today we have Old Witch and their chilling debut full-length “Come Mourning Come”, re-released on Sun & Moon Records. With 36 minutes of aural savagery, this American band manages to release a highly dissonant and punishing release that will appeal to all fans of the intersection between Black/ Doom Metal / Noise / Drone.

    The album opens with the throbbing “Funeral Rain” and its thick droning sounds and hellish atmospheric keyboards. Like something straight out of the movie “Event Horizon”, this song sets a very sinister mood for the rest of the album. The band spares no expense and creates a truly bizarre and sickening atmosphere with “This Land Has Been Cursed” and “God ov Wolves”, expertly continuing their decadent musical spew through nearly the first half of this release.

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    Blaze of Sorrow – Fulgida Reminiscenza (2014)

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    Limited to 500 copies world-wide “Fulgida Reminiscenza” is a very emotional EP from one of the best bands of Sun & Moon Records: Blaze of Sorrow. In this five-track EP the band delivers more of a Neo-Folk/Neo-Classical release, but equally depressive and engaging as their 2012 breakout release “Echi”.

    Opening with the sound of waves as a backdrop in “Fulgida Reminiscenza”, the mood is set quite hypnotically with a very slow tempo and intoxicating acoustic guitars. Keeping up the Empyrium-esque vibe, “Transcendenza” slowly progresses from lush piano sections into some BM riffs that create a very unique wall of sound. The band’s ability to craft songs that slowly transform and keep the mellow tempo even when the heavy riffing is being used is Blaze of Sorrow’s best asset.

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    Closed Room / Lunacy / La Ville Des Rêves – Triangular Cinema (2014)

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    After mesmerizing us with their debut release Closed Room back in 2012, today we have Closed Room back in this very unique split with two other Belorussian bands that feature at least one member of Close Room in each of their lineups. With three tracks per band, we get a very diverse set of influences and very unique songs from all bands. Thanks to the heavy emphasis on atmosphere, this release is one that you will not forget so easily.

    Opening the first part we have Closed Room and their suspenseful atmospheric/Trip Hop track “Surrender”. This song creates a very dense atmosphere that is nicely contrasted by Morena’s vocals and the ethereal keys. The best song in this release (and possibly the first few months of the year for us) is the uber catchy “Dancing in the Dark”. Featuring a very perky mood and highly addictive guitars notes and beats, this is one song that will never leave your head. Things get a bit heavier with their rendition of Angelo Badalamenti’s Laura Palmer Theme from Twin Peaks. The band made this track their own with eerie atmospherics and creepy vocals/samples.

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    An Autumn for Crippled Children – The Long Goodbye (2015)

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    Greatly anticipated for 2015, An Autumn for Crippled Children’s fifth full-length release delivers in all possible levels and takes the band’s sound even further into the depths of depressive Post-Black Metal / Blackgaze. In “The Long Goodbye” the band hones in their skills to produce nine of the bleakest tracks they have ever written clocking in at 41 minutes of pure emotional rawness.

    The opening track, “The Long Goodbye” starts off with a hectic level of intensity with Shoegazy dreamy guitars and brilliant harsh vocals. The overall tone is quite melancholic, making this track a perfect mood setting piece for what is to come. On “Converging towards the Light” we jump into a bigger atmospheric vibe with very dramatic ambiance perfectly capped by the punishing vocals of Mchl. As “A New Form of Stillness” rolls by, we get a certain Synth-pop vibe going with a very interesting melodic passage.

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    Abstracter – Wound Empire (2015)

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    Hailing from Oakland, CA, today we have the Abstracter and their 2nd punishing aural assault titled “Wound Empire”. Featuring over 40 minutes of crushing Blackened Sludge/Crust/Doom music with some Post-Metal elements, this is one hell of a punishing release that will subdue the listener from start to finish.

    The opener “Lightless” slowly builds up with pummeling riffs and a nice progression as the nearly 11-minutes of music go by. The vocals are quite strong and nicely fit the equally crushing guitar riffs. Abstracter goes into further exploration of their dark sound in the atmospheric “Open Veins”. This song provides us with some more typical Sludge/Doom riffs arranged in a very precise manner to fit their atmospheric passages and massive drumming.

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    Vyre – The Initial Frontier Pt. II (2014)

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    After blowing us away with the first part of “The Initial Frontier” back in 2013, this German band comes back with part 2 with great style. Delivering over 45 minutes of expertly crafted Symphonic/Avant-garde Black Metal, the band further develops their unique sound with more atmospheric elements and great riffing onslaughts.

    Opening with the superb “Naughtylus”, the band blasts away with some epic melodic riffs, crushing bursts of aggression and highly melancholic Cello passages. As the futuristic atmospheric keyboards and precise solos close the first track, the band quickly jumps into the intoxicating rhythms of “Diabolum Ex Machina”. This second song feature some quite interesting tempo changes and tribal-esque passages that make this song a magical listening experience.

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    Vyrju – Black (2014)

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    Today we have the one-man battalion Vyrju and its debut EP release titled “Black”. Hailing from Norway, this outfit delivers four tracks and around 22 minutes of catchy and sludgy/doomy Black Metal. With a great emphasis on crushing riffs and demoralizing shrieks, this release is a short but sweet one for fans of the genre.

    Opening with the catchiness of “The Constant Void”, we get a Satyricon-esque vibe with Sludge/Doom elements thrown into the mix. This song has good dosage of Black Metal influences thrown into the mix, making it quite engaging and entertaining.  As a personal favorite “There is no Grave Big Enough to take all my Sorrows”, this track is quite hypotonic and perfectly crafted with the graceful clean vocals of Tim Yatras who plays drums and clean vocals as a session member.

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    Pryapisme – Futurologie (2015)

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    After blowing us away with their weird and extremely experimental “Hyperblast Supercollider”, France’s Pryapisme returns with an even more chaotic “Futurologie”. Pushing sonic boundaries even further, the band greatly builds up on their crazy video-game/experimental music and delivers a crazy EP with one songs divided into 11 parts for around 25 minutes of music, and the orchestral version of said track is included as well.

    The release kicks off with the very progressive and jazzy extravaganza of “Petit traité de futurologie sur l'Homo cretinus trampolinis (et son annexe sur les nageoires caudales)”. The first and second parts of this song feature a wide palette of video game music and some Japanese/Asian influenced orchestrations with a collection of odd tempo changes and jazzy Oboe. Things vary from Ska-like to pure head on madness through parts III to VII with some very fast paced sections (VI) and crazy catchy instrumental interludes (VII).

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    Arcturon – Expect Us (2014)

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    Hailing from Switzerland, today we have Arcturon and their latest EP titled “Expect Us”. With a first impression of this band looking like a Goth/Industrial outfit based on the picture of their cover art, we were pleasantly surprised that the band plays some solid Melodic Death Metal with some Industrial/Djent touches here and there.

    Opening with the crushing riffs of “My Treasure”, the band makes a powerful statement on this first song. The guitars are heavy and the atmospheric elements nicely elevate this song to a good Melo Death piece that is greatly complemented by some clean vocals and solid guitar solos. The EP title track brings us some Djent infused grooviness that makes the band sound a bit mainstream/Modern Metal-like but with a clearly defined line when it comes to not being cheesy.

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    At Dusk – Anhedonia (2014)

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    Hailing from the USA, today we have a nihilistic Depressive Black Metal band named “At Dusk”. As you can imagine, this is a one man outfit that delivers waves of mournful screams paired with some pretty solid mid-tempo Black Metal. Featuring four songs and around 59 minutes of music, this debut full-length is one hell of a stepping stone for the band.

    Opening with the oppressive “Anhedonia”, we get around 5 minutes of purely atmospheric passages until the harsh and desolate BM onslaughts start. The band reminds us of a more depressive version of Mortualia with considerably better vocals. The second track, “Agonia”, starts with a barrage of riffs and intense drumming, keeping the tempo quite hectic to deliver a powerful punch to the listeners in the first few minutes.

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