Ambient

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    Löbo – Älma (2016)

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    Gloomy February approaches with yet another solid Portuguese release through Signal Rex. Atmospheric Doomsters Löbo are re-releasing their 2010 EP “Älma” on cassette and vinyl. Perfectly packing their piercing riffs, the band delivers a truly unique and transformative aural experience in over 35 minutes of music.

    Setting the mood with the mysterious opener “Aqui em baixo a alma mede-se com mãos cheias de pedras”, the band creates a very well balanced atmosphere that is both chilling and intriguing. The track also has a very well-crafted tempo that allows things to slowly progress and surround the listener. The mood turns a bit more direct and poignant on the magical “Por fim só. Livre” thanks to the trippy synths and arrangements.

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    Neutra – Music for an Exhibition (2015)

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    Hailing from Italy, today we have one-man dream machine Neutra and its latest hypnotic opus “Music for an Exhibition”. Delivering five tracks of superb ethereal music, this is one of the most engaging and transforming Ambient releases we have heard in a while. Evoking the delicate precision and ambiance created by Robert Rich, this Italian band manages to captivate for the complete duration of this release.

    The album kicks off with the angelic “After The Flood” and its very dramatic piano sections. Having very subtle mood changes, this opener tracks sets a very enigmatic and dreamy stage. Continuing with the playful “Paranthenogenesis”, the mood shifts to a more space-like cinematic vibe. Our personal favorite is the somber “Point of View” and its dramatic progression.

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    Erdh – Sidermesis (2015)

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    Arriving from Apathia Records, today we have a very weird Ambient / Trip-hop / Electronic release titled “Sidermesis”. Hailing from Paris, France, Erdh is a pretty unique outfit with a good ear for crafting intoxicating atmospheres and very diverse soundscapes. If you like their weird side of The 3rd and the Mortal, Ulver, and even Depeche Mode, this is right up your alley.

    Opening with the slowly building atmospheric title track, we get a moody piece that nicely introduces the listener to the band’s world. The vocals provided by Emmanuel Lévy fit the music nicely giving it a certain ethereal and gothic vibe. Nicolas Pingnelain’s music is pretty intense and creates a certain sense of urgency as we can hear from the very solid “Backup 1011”.

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    Luna – On the Other Side of Life (2015)

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    Unleashing over 50 minutes of crushing Symphonic/Atmospheric Funeral Doom Metal, today we have Luna and their latest opus “On the Other Side of Life”. Hailing from Ukraine, this one man show delivers waves of brilliant atmospheric passages filled with crushing Doom riffs and proficient tempo changes.

    The first part of this release comes under the 21-minute long “Grey Heaven Fall”, a highly atmospheric piece that nicely sets the mood. While there are not vocals in this release, the heavy riffs and powerful ambiance makes you forget about this and allow you to enjoy the release without even noticing.

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    Aelter - Aelter IV: Love Eternal (2015)

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    As a side project of Blake Green of Wolvserpent, Aelter produces some of the most enigmatic and hypnotic music that we have heard in quite a while. Mixing some ambient elements with Americana, Darkwave, and other murky influences, this release is truly a very unique album with tons of chilling moments and a very somber vibe.

    Slowly building into “Death Eternal” with a well-paced intro track, Aelter sets a very mysterious and ritualistic mood with sparse percussions and hypnotic guitars. The extremely bleak mood of the songs make for an excellent aural experience that features some nice atmospheric highlights and a chilling cinematic vibe, a clear example of this is one of our favorites “Love Eternal”.

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    Aureole – Alunar (2015)

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    One man American outfit Aureole is finally releasing their demo on CD and Avantgarde Music has taken to the task to do so. With a very bleak and hypnotic sound, “Alunar” delivers five songs and around 40 minutes of Atmospheric Black Metal that nicely entertains and relaxes the listeners.

    Stating with “Citadel Alunar”, M.S. creates a very bleak atmosphere that is suddenly ravaged by low-fi distorted riffs and hellish vocals. The tension is perfectly introduced and developed in the first track and some tension is relieved on the faster harsher parts. “The voice of Nebular Flame” provides a very bleak backdrop with minimalistic atmospheric elements solid riffs, very contrasting to the mostly atmospheric “The Serenity of the Hourglass”. Luckily, the raw Black Metal harshness is back with the 12-minute behemoth “Crusade of NGC 5128”, a very trippy and engaging track.

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    Blaze of Sorrow – Fulgida Reminiscenza (2014)

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    Limited to 500 copies world-wide “Fulgida Reminiscenza” is a very emotional EP from one of the best bands of Sun & Moon Records: Blaze of Sorrow. In this five-track EP the band delivers more of a Neo-Folk/Neo-Classical release, but equally depressive and engaging as their 2012 breakout release “Echi”.

    Opening with the sound of waves as a backdrop in “Fulgida Reminiscenza”, the mood is set quite hypnotically with a very slow tempo and intoxicating acoustic guitars. Keeping up the Empyrium-esque vibe, “Transcendenza” slowly progresses from lush piano sections into some BM riffs that create a very unique wall of sound. The band’s ability to craft songs that slowly transform and keep the mellow tempo even when the heavy riffing is being used is Blaze of Sorrow’s best asset.

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    Kalmankantaja - Musta Lampi (2014)

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    One man battalion Kalmankantaja is running for the most productive band of 2014 by releasing four full-length releases in the same year. This time, this prolific Finish outfit presents us with the two-track 41-minute crushing release titled “Musta Lampi”. With a heavy emphasis on a bleak atmosphere, the band’s Black Metal sound is but punishing and demoralizing.

    Opening with “Hiljaisessa Syvänteessä”, the band nicely builds up momentum with several minutes of ethereal instrumental passages before the first distorted guitars appear. The guitar sound is quite metallic and fuzzy, fitting very nicely the bleakness of the atmosphere. As the hellish screams appear, the music elevates to a new level since all elements are perfectly delivered to punish the listener.

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    Omit – Medusa Truth, Pt. 1 (2014)

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    Going out of our way to review something we didn’t get as an official promo is something that seldomly happens these days, and we are glad that we took the time to listen to Omit’s masterpiece “Medusa Truth, Pt. 1”. Recommended by one of our fellow Metal writers, this is one hell of an Atmospheric Gothic Doom Metal that will drive you to clinical depression. Masterfully crafted, three songs clock in at almost 49 minutes of depressive brilliance.

    Opening with “Distrust”, we are treated to a lush orchestral opening that is not overly pretentious or exaggerated. Cecilie Langlie’s vocals are just the right amount of sad to solemnly adorn the already very bleak music. There are some clear old-school The 3rd and the Mortal influences and we love them. Perfectly balancing the classical instruments with piercing riffs, the band creates a unique 16 minute masterpiece. The short but sweet (6:37 minutes), “Denial” is one hell of a ride with jazzy passages that are very pleasing.

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    Last Leaf Down – Fake Lights (2014)

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    Hailing from Switzerland, today we have Last Leaf Down and their dreamy Post-Rock/Shoegaze. Sounding like a combination of Katatonia, Tides from Nebula, and some sprinkles of Slowdive and Alcest, this band delivers a very unique and ethereal sounding release with “Fake Lights”. Clocking in at 51 minutes, buckle up for a very dreamy and ethereal ride with this one.

    As the intro bleeds into “In Dreams”, the dreamy shoegazing galore starts. The band’s sound is very atmospheric and melancholic. Benjamin Schenk vocals are quite hypnotic and they perfectly fit to the album’s overall pace. The Katatonia influences, while on their experimental ‘alternative’ phase, are very clear in tracks like “In These Waters” and “Giant”, we particularly love this last one and its weeping depressive guitars.

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