Avant-garde Metal

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    Nucleus Torn – Neon Light Eternal (2015)

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    After their impressive 2014 release “Street Lights Fail”, Nucleus Torn returns with one last perplexingly beautiful release titled “Neon Light Eternal”. Featuring three songs and clocking in at around 40 minutes of music, Fredy Schnyder’s experimental outfit delivers one hell of a swan song. If you though the band’s last releases have been weird, you are in for quite an experience with this one.

    Opening with the mellow and Jazzy “A Declaration of Mistrust”, we instantly get a glimpse of Anna Murphy’s enchanting vocals. This track again reminded us of a mixture of Lethe with Tenhi/Empyrium thanks to the dramatic Neo-Folk passages weaved into this track. The whole proggy/jazzy vibe in this track is amazing, and considering it lasts 22 minutes, we are very amused at the wide variety of elements and influences introduced throughout that keep the song fresh and engaging.

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    Chordewa - Recast Gear for the Mindcraft Course (2014)

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    Constantly scouring the planet for the best Metal, it is very exciting for us to find hidden gems like Moldavian Progressive/Avant-garde Black Metal outfit Chordewa and their debut full-length release “Recast Gear for the Mindcraft Course”. Featuring a very futuristic theme and sound, the band delivers 36 minutes of brilliant music that reminds us of acts like Arcturus and Vulture Industries.

    The album starts with the funky tempo changes of “Psyche in the Shell”, a great intro to the band’s deranged musical brains filled with lush keyboards and intricate drum patterns. The Artcurus worshiping “Mindcraft Course” brilliantly shows even a more aggressive and faster side of the band as this track merges from familiar to fully represent the weirdness of Chordewa’s sound with its Proggy undertones. The playful “The Spiral” is one of our favorite songs thanks to its ritualistic percussions section and how the band swings the direction of the song’s mood very drastically.

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    Shining – International Blackjazz Society (2015)

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    As one of the weirdest and most extreme insanely popular bands that we listen to, Shining returns with their own band of crazy with the epic “International Blackjazz Society”. Delivering nine tracks of truly deranged and visionary music, this is one of those releases that keeps you guessing from start to end. Jørgen Munkeby and company manage to further elaborate on their very original style and deliver one of the most diverse albums of 2015.

    Setting a very chaotic and odd atmosphere with their sax madness of “Admittance”, the band is ready to pounce on the listener with the catchy riffs of “The Last Stand”. The catchiness of this track is nicely offset by the distorted vocals and trippy atmosphere. Reminding us a bit of Diabolos Rising and Industrial Black Metal bands, “Burn it All” has a very sinister vibe to it and we love it. Things get a bit more mainstream and radio-friendly with the very catchy and more straightforward “Last Day”.

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    Sigh – Graveward (2015)

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    We love it when bands push the limits of music and Sigh is a fine example of how to continue finding odd ways to further expand your sound in the most bizarre and exciting ways. With “Graveyard” the band continues down their path of madness and delivers one of the most exciting releases of 2015. Featuring a plethora of guest appearances and a central theme around Italian zombie flicks and Fabio Frizzi’s compositions, this is one of the must have releases of 2015.

    Leading with guest Kelly Simonz’s guitar leads on “Kaedit Nos Pestis” and the dramatic atmospheric/psychedelic elements of “Graveward”, the band sets a very atmospheric and chaotic mood right from the start. Mirai Kawashima and Dr. Mikannibal have an amazing chemistry and their insane vocal incursions are just one of many things that make Sigh quite unique. The madness reaches new level with the very cinematic “The Tombfiller” and its killer symphonic arrangements, brilliant guitar solos (courtesy of Kelly S again) and crazy effects.

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    A Forest of Stars – Beware the Sword You Cannot See (2015)

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    Delivering their most impressive offering to date, today we have A Forest of Stars (AFOS) and their fourth full-length release “Beware the Sword You Cannot See”. Further expanding their already very theatrical and unique sound, AFOS has crafted a very complex masterpiece filled with string instruments, solid percussions, and a very hearty foundation of Metal to pull everything together.

    Opening with the chaotic “Drawing Down the Rain”, has a very schizophrenic feeling that it only gets more bizarre as the release goes by… and we love it. The bands heavy riffing and pummeling drums lay the perfect foundation for the plethora of extra instruments and multiple vocal styles that this seven person outfit delivers. With a distinct feeling of getting lost in somebody’s dark mind, tracks like “Hive Mindless” and “Blaze of Hammers” continue punishing the listener with abstract sounds and very cinematic atmospheric elements.

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    Vyre – The Initial Frontier Pt. II (2014)

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    After blowing us away with the first part of “The Initial Frontier” back in 2013, this German band comes back with part 2 with great style. Delivering over 45 minutes of expertly crafted Symphonic/Avant-garde Black Metal, the band further develops their unique sound with more atmospheric elements and great riffing onslaughts.

    Opening with the superb “Naughtylus”, the band blasts away with some epic melodic riffs, crushing bursts of aggression and highly melancholic Cello passages. As the futuristic atmospheric keyboards and precise solos close the first track, the band quickly jumps into the intoxicating rhythms of “Diabolum Ex Machina”. This second song feature some quite interesting tempo changes and tribal-esque passages that make this song a magical listening experience.

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    Vesania – Deus Ex Machina (2014)

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    Featuring members (or ex-members) of Dimmu Borgir, Behemoth, Decapitated, etc., this Polish super group is set to make an impact with their fourth full-length release “Deus Ex Machina”. Taking subtle elements for tons of bands like Samael, Emperor, Arcturus, Vulture Industries and making them their own, we are left with ten very unique tracks that will creep you out while allowing you to head bang to them.

    Kicking off the release with the brutal Sympho-BM “Halflight”, we are treated to Orion’s talent both behind his sickening vocals and crushing riffs. This track is probably the most straightforward one since it fits solely in one genre. Things go circus like with the Arcuturs-inspired atmospheric elements of “Innocence”, one of the album’s best tracks. The band comes back with the Samael-sounding “Disillusion”, a very intoxicating band with tons of catchy melodic passages and superb drumming.

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    Aenaon – Extance (2014)

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    Delivering their most high-octane release to date, Aenaon returns with the punishing “Extance”. Hailing from Greece, this band has managed to push the boundaries of Black Metal with their previous efforts and this one is no different. Mixing Avant-garde/Jazzy elements into a well-structured Progressive Black Metal core, this release sees the band further refining their craft into near perfection through the 11 songs presented here.

    The band’s incisive riffing and commanding vocals are immediately felt with the intro “The First Art” blending into “Deathtrip Chronicle”. Excelling in creating killer guitar melodies, Aenaon has managed to further refine their sound since “Cendres et Sang”. The tempo changes and vocal arrangements are other factors that make the band’s music instantly be recognized. The Avant-garde weirdness we love form the band starts to shine with the upbeat “Grau Diva” and its intricate arrangements.

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    Mord'A'Stigmata – Ansia (2013)

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    After their impressive 2011 “Antimatter” we had huge expectations from Mord’A’Stigmata’s latest release “Ansia”. Delivering a half-baked cake, this album features an interesting direction the band is taking, but it fails to completely blow us away like the previous one. Mixing in some Post-Metal/Black Metal elements into their weird Avant-garde BM core, the band seems to have the right idea but missed the point a bit (hell, maybe WE are the ones missing the point).

    With “Inkaust” opening with furious strength, the song slowly transforms into a Post-Metal piece with a slow middle part and switches back again into BM mode. The band’s Post-Metal section is quite intesreting since it does not feel like straight Post-BM, but rather a hybrid of typical Neurosis-like Post-Metal with some BM riffing. Yeah, weird indeed but it feels rather odd, even after more than a few spins. Anyways, “Shattered Vertebrae of the Zodiac” comes back to a bit more familiar territories with the first few minutes being Black Metal with interesting Post-whatever percussions. The improvisational Post-Rock-ish interlude is quite interesting an unique, but it still didn’t really clicked with us.

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    Ephel Duath - Hemmed by Light, Shaped by Darkness (2013)

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    Constantly expecting something interesting and revealing from Ephel Duath, today we find out that “Hemmed by Light, Shaped by Darkness” is just a continuation of their previous EP with no clear direction and skilled (but aimlessly) guitar riffing and tight drumming. While we surely enjoyed their previous EP, we can’t help to feel a bit frustrated by the repetitive style and direction of this full-length release.

    Opening with “Fearless Under My Skin” and “Tracing the Path of Blood”, the band fully explodes into their unique weirdness and unconventional Avant-garde Jazzy style. However, nothing really feels new or unique, just a continuation of “On Death and Cosmos”. Adding into the mix the production of Eric Rutan (and some vocals on the first track), this release sounds like a million bucks, but the problem is just how convoluted the music is.

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