Avant-garde Metal

  • Igorrr - Spirituality and Distortion (2020)

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    As a very fitting soundtrack to the current global chaos, Gautier Serre’s Igorrr unleashes their most chaotic and yet brilliantly crafted release to date: “Spirituality and Distortion”. Featuring an amalgamation of completely disparate elements like Baroque and Classical Music, Metal and Electronic Music, this release delivers nearly one hour of crazily addictive music. For those that have not been initiated into Igorrr’s madness, this album will definitely blow you away, if you have an open mind.

    The album opens on a very mystical note, as it slowly transitions into heavy riffs and the angelic vocals of Laure Le Prunenec. The male vocals are nicely handled by Laurent Lunoir, who turns into a very unique beast-like performer on their live shows, and perfectly adds dynamism to the bands music. Listeners do not have to wait longer to hear Igorrr at its finest with the mesmerizing “Nervous Waltz”, a track that blends lush vocal arrangements, dramatic instrumentation, and electronic madness to perfection.

  • Lychgate - Also sprach Futura (2020)

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    Unleashing a truly unique level of aural abuse, today we have UK’s Lychgate and their new label debut EP “Also sprach Futura”. If you think you have heard weird stuff before, this release will re-define the concept for you. Featuring four tracks of pure madness, this band combines elements from Doom/Jazz/Progressive/Brutal Death Metal, and pretty much everything else into an amalgamation of sonic abusive tracks.

    The release opens with the cirquesque “Incarnate”, incorporating brutal guitar riffs with chaotic tempo changes and funky organ/mellotron atmospherics. Taking this track over the top are the throat singing moments that just add more confusion and madness between the Black Metal-ish harshness and funky atmospherics. Things settle down a bit on the interesting “Progeny of the Singularity”, where the band starts with brutal onslaughts and slowly evolves into an eerie sickening atmospheric passage , just as the brutality returns to close this magically weird piece.

  • Lotus Thief - Oresteia (2020)

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    Hailing from San Francisco, Lotus Thief has slowly been evolving into one unique and captivating musical outfit over the years. On their latest effort, “Oresteia”, the band takes their sound a step further by unleashing eight tracks of enigmatic Avantgarde Metal with tons of Doom and ambient influences. Highly recommended for people that like somber, exploratory and at the same type captivating music, this album will elevate your state of awareness with its uniqueness.

    The release opens up with haunting vocal arrangements in “Agamemnon”, a very mystical track that slowly crafts an enigmatic atmosphere. Things get heavier as the melodic guitar leads give way to creepy piano laden passages. Being the first track, this song truly captures the uniqueness and intensity of what is to come. Allowing the listener to fully digest the first onslaught, “Banishment” is a trippy atmospheric piece that sets up the progression into the captivating “Libation Bearers”. The crescendos in this track are quite magical as the band perfectly creates magical soundscapes filled with harsh vocals and delirious laughs.

  • Botanist - Ecosystem (2019)

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    After nearly getting hives and having to puncture my eardrums to make the sound stop with Botanist “I: The Suicide Tree / II: A Rose From The Dead” release back in 2011, I have seen the band from afar evolve their sound and actually saw them play live once. Arriving to our inbox, we have “Ecosystem”, the band’s latest offering through Aural Music. Hearing the band with a new perspective after 8 years, we have to say that their sound now seems more cohesive and engaging, completely changing our initial shock reaction to their music.

    Opening with “Biomass”, the hammered dulcimer creates a very unique and chaotic atmosphere, nicely exacerbated by the harsh screams. We are quite surprised by the contrast created by the angelic clean vocals in tracks like “Alluvial”, were they nicely change the mood of the track until the following hellish onslaught of harsh vocals and fast paced drums appear. Creating a very tense and dramatic atmosphere, the ravaging dulcimer makes “Harvestman” one of the best songs in this release.

  • Violet Cold - kOsmik (2019)

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    Embracing the contrast between dreaminess and aggression, today we have Azerbaijan’s one-man battalion Violet Cold and his latest full-length release “kOsmik”. Perfectly blending elements from Shoegaze, Post-Black Metal, Post-Metal, with very interesting more mainstream elements, the band’s releases are always very interesting to dissect since you will spend days trying to peel all the layers to be found. Clocking in at 36 minutes, this album will fly by very quickly, but it just means you get to start it again.

    Creating a very soothing and uplifting mood with the opener “Contact”, this vibe transforms with the heaviness of “Black Sun”. The Shoegazey guitars are nicely contrasted with harsh vocals as this track travels between atmospheric passages, somber female vocals and an overall more aggressive and hectic pace. Creating a very Alcest-like heavenly mood, “Mamihlapinatapai” is definitely one of the most magical and engaging songs in this release thanks to its vocal arrangements and overall pace.

  • Mord’A’Stigmata - Dreams of Quiet Places (2019)

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    Slowly building up, “Void Monolith” starts the performance with an introduction to craft psychedelic extravagance thanks to the warm and fuzzy distorted guitars and trippy synths. The madness truly begins with the chaotic “The Shamanic Vision” and its crushing drumming. The deranged vocals make this song even more terrifying thanks to their unique range and style. The underlying melodies of songs like “Seeker’s Reflection” and “Journey to the Center of Mass” are quite intoxicating with a certain jazzy vibe, and perfectly crafted around trippy tempo changes.

    Opening with the intricate atmospherics of “Between Walls of Glass”, the track sets a very hypnotic and ritualistic vibe that slowly builds up as the electric guitars come into play. Evoking the psychotic rhythmic powers of bands like Oranssi Pazuzu, the band sets a very unique vibe to this release. Keeping the weirdness going with its odd tempo changes, “Exiles” gives more of a Post-Metal vibe paired with hellish screams and pretty intense drumming.

  • Waste of Space Orchestra - Syntheosis (2019)

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    Luckily for those of us unfortunate to Waste of Space Orchestra at Roadburn, Svart Records releases a perfect quality recording of this event with “Syntheosis”. For the uninitiated, this project is a collaboration between Oranssi Pazuzu and Dark Buddha Rising, two of the most exciting genre-bending bands to ever come out of Finland. Clocking in at 65 minutes, this a unique musical exploration that transports the listeners to a bizarre plane of existence.

    Slowly building up, “Void Monolith” starts the performance with an introduction to craft psychedelic extravagance thanks to the warm and fuzzy distorted guitars and trippy synths. The madness truly begins with the chaotic “The Shamanic Vision” and its crushing drumming. The deranged vocals make this song even more terrifying thanks to their unique range and style. The underlying melodies of songs like “Seeker’s Reflection” and “Journey to the Center of Mass” are quite intoxicating with a certain jazzy vibe, and perfectly crafted around trippy tempo changes.

  • Laster - Het wassen oog (2019)

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    Completely taking the boundaries of Black Metal for a spin, today we have Laster and their latest effort “Het wassen oog”. Featuring over 44 minutes of truly bizarre and yet completely intoxicating music, this release will have you listening to it over and over and over to discover all the little weird and quirky details baked into their music. If you like outfits like Mord'A'Stigmata and Fruze, you will find this band amazing.

    Opening with the dreamy and intense “Vacuüm ≠ behoud”, the band opens a can of weird after the first couple of minutes. This track features a very comfy pace and dreamy guitars, flanked by a mixture of intense harsh vocals and ethereal clean vocal sections. The overall atmosphere is quickly established to be kind of dreamlike and very trippy, thanks to the throbbing bass guitar lines and the funky jazzy elements thrown into the mix, like the piano arrangements of “Schone schijn”.

  • In the Woods… - Cease the Day (2018)

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    Unleashing one of the most expected and full of hype (in some circles) releases of 2018, In the Woods… delivers one of their most direct and engaging albums. Filled with over 53 minutes of music, the band leaves no stone unturned with their highly diverse and creative musical repertoire. If you thought “Pure” was a one-off release after their return from a 14-year hiatus, this album will set the record straight that they are fully back and ready to rock.

    Opening with the mystical “Empty Streets”, the band invokes similarities to old school outfits like Yearning, but with their own Progressive influences. James Fogarty had been instrumental for the band’s return and with his performance in this album (and the live shows) he cements his legacy in the storied history of this band. Going from soaring clean vocal passages to frenetic harsh sections, his vocals work wonders with the band’s unique music. As tracks like “Substance Vortex” and the epic “Respect My Solitude” establish the album’s mood, we are instantly brought back to the band’s revolutionary beginnings with a plethora of influences and genres mixed in together in perfect unison.

  • Diablo Swing Orchestra – Pacifisticuffs (2017)

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    Finally returning after a five-year stint without new releases, today we have Sweden’s Diablo Swing Orchestra and their truly kooky and extremely diverse Avant-garde Metal music. With “Pacifisticuffs” we are instantly transported into the band’s unique world with thirteen brilliant tracks filled with lush instrumentation, superbly catchy melodies and chaotic creativity.

    Opening with the superbly catchy “Knucklehugs (Arm Yourself with Love)”, the band makes a very quick impression with this chaotic piece that mixes everything from Punk-ish elements with Country-Western influences to Jazzy and Bluesy elements, creating a very unique song. Setting a very dark opening mood with string instruments, “The Age of Vulture Culture” leads up to some Mariachi-like passages led by the charismatic Kristin Evegård, the band’s new female vocalist. This track in particular reminds us of bands like Russkaja.

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