Black Metal

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    Ghost Bath - Rose Thorn Necklace (2025)

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    Fully going back to their roots, Ghost Bath unleashes another masterclass in melancholy and devastation. The band’s Depressive/Post Black Metal sound made a more prominent comeback in their previous release, “Self Loather”, and now they elevate it with the highly melancholic “Rose Thorn Necklace”. Featuring nine tracks and around 36 minutes of music, this album is very engaging, crushing, and yet walks a very fine line between sorrowful and intense.

    Opening with the dreamy atmospheric opener, “Grotesque Display”, the band sets a bleak mood that is masterfully continued with the piercing album title track. The harrowing screams perfectly flank intense tremolo picking alongside a very lively modern Post-Black Metal vibe, similar to Harakiri For The Sky and such bands. In “Well, I Tried Drowning”, the melancholy starts to ooze as the tempo slowly increases, flanked by crafty guitar leads and harsh growls. The atmospherics in this track give “Moonlover” vibes and we are all for it.

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    Behemoth - The Shit Ov God (2025)

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    Arriving like a freight train without any breaks, today we have Behemoth and their latest opus “The Shit Ov God”. Nergal and company never shy from controversy and unleash the most powerful music they can, and with this release, the band unleashes nearly 40 minutes of their most potent and yet highly polished songs. For a band that has been around for 34 years, these guys sound like no one else, without any signs of slowing down or just doing more of the same.

    Opening with the fierce “The Shadow Elite”, the band unleashes mystery and chaos at the same time with hellish atmospherics that lead to pummeling riffing onslaughts by Nergal and Seth. The drumming is massive, as it is always expected from Inferno, ripping through tracks like “Sowing Salt”, and the eerily atmospheric album title track. With a more ravaging Black Metal edge, “Lvciferaeon” is a crafty track that changes the tempo of the release a bit, while still unleashing the aggression and magick that the band always delivers.

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    Solfatare - Asservis par l'espoir (2025)

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    Unleashing a savage debut full length release, today we have Belgium’s Solfatare with “Asservis par l'espoir”. Featuring six tracks and over 40 minutes of crushing Black Metal, this release showcases that there are still bands pushing the limits of the genre and crafting releases that do not sound exactly like most. With a ferocious take on the genre and the musicianship to back this up, this release is as intense and fierce as they come.

    Starting with the blistering “Des monarques anhédoniques” we get that crispy Mgła-esque guitar driven style, but with some sinister twists, creating a very haunting experience. The harsh vocals masterfully add that extra level of desperation and aural abuse that songs like “D'hommes et d'isoptères” and “Du deuil affairé” need to be pushed over the edge. There is a certain intoxicating nature to the sneaky melodic undertones of the guitar work that makes them more effective.

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    Karg - Marodeur (2025)

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    V. Wahntraum (aka J.J) has been on a roll as of recently, not only with his exploits in Harakiri for the Sky, but also with this upcoming crushing Karg release titled “Marodeur”. With eight tracks and over 54 minutes of piercing music, this Post-Black Metal release is full of visceral rawness. Masterfully crafting highly melancholic music, this release is both punishing and demoralizing, creating a very bleak and yet lush atmosphere.

    Opening with the enigmatic “ Schnee ist das Blut der Geister”, which also features guest vocals from Perchta and solemn piano elements from Michael Eder, the band sets a very emotional mood. There are certain similarities to Harakiri for the Sky, due to the vocals and some of the guitar melodies, however, this band takes it further into darker and bleaker territories with more solemn and direct songs like “Findling”, “Yūgen”, and our favorite “Annapurna” and its very dramatic atmospherics and cathartic moments.

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    Ahamkara - The Harrow of the Lost (2025)

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    Hailing from the UK, today we have Atmospheric Black Metal outfit Ahamkara, with their sophomore release “The Harrow of the Lost”. With a more than 10 year gap between releases, this outfit nicely delivers four tracks and over 42 minutes of music that blends elements from outfits like Saor, Fen, Fellwarden, and Panopticon. Creating a very organic and effective sound, this band masterfully crafts immersive atmospheres that will capture the listener’s attention.

    Creating a very mellow and intoxicatingly bleak atmosphere, “The Circle of Remembrance” opens this release with a slow burning approach that quickly is flanked by piercing riffs and harrowing harsh vocals. Austin Lunn of Panopticon fame handles the drums in this release, keeping things tight and very versatile as each track changes moods. The band’s atmospherics are subtle and never overbearing, thanks to Alexandra Blenkarn-Durning keyboards and effects, like on “Our Scars Shall Abide In The Thaw”, a very elegant track that blends in fierceness with Alcest-like dreaminess.

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    Rotting Christ - 35 Years of Evil Existence - Live in Lycabettus (2025)

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    Celebrating their 35 years of existence, Rotting Christ is unleashing a 25-track live release of their show in Lycabettus. If you have never seen the band live, the Tolis duo (and live musicians) always deliver a raw and powerful hypnotic experience that is very hard to describe. Luckily for all, this release brilliantly captures that energy and showcases the band’s very diverse and constantly evolving musical style with most of their popular songs.

    Not banking on having an overproduced release, but rather a more organic and direct approach, this live release showcases the band’s crowd interaction and live antics that brings songs to life in slightly different versions (to the studio ones), as one can hear on “Sorrowful Farewell”, “Dies Irae”, and “Shadows Follow”, some of our personal favorite tracks. However, all those sick riffs and melodic passages are always there, and we can’t help ourselves from starting to headbang here and there.

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    Cradle of Filth - The Screaming Of The Valkyries (2025)

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    Unearthing their first offering through Napalm Records, today we have the legendary Cradle of Filth with “The Screaming Of The Valkyries”. Featuring nine tracks and nearly one hour of music, this outfit delivers one of their most complete and diverse releases while retaining their signature sound. With the full incorporation of Zoe Marie Federoff and Donny Burbage into the fold, the band manages to add some exciting elements into an already well established and highly effective style.

    The release opens with the Omen-esque intro to “To Live Deliciously”, which quickly transitions into nightmarish territories thanks to lush orchestrations and Dani Filth’s signature shrieks. The album’s tempo changes a bit into more sinister territories with the crafty “Demagoguery” and the epic “The Trinity of Shadows”, which delivers very cool vocal arrangements and some killer guitar leads. For those looking for Gothic darkness, “Non Omnis Moriar” is an excellent melodic piece that creates a “Dusk and Her Embrace”-esque atmosphere.

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    Granitader - Schlachtenklang (2025)

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    Unleashing a crafty mixture of Melodic/Pagan/Folk Metal with atmospheric tendencies, today we have Germany’s Granitader and their latest EP “Schlachtenklang”. Showcasing 15-minutes of music in three tracks, this release shows a nice balance between power and melody, reminding us of outfits like Enid, Ensiferum, and User Ne.

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    Grima - Nightside (2025)

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    Enigmatic Russian outfit Grima are finally back with their ravaging Atmospheric Black Metal with “Nightside”. Featuring a very bombastic and lush sound filled with raw and powerful emotion, this band manages to shine from the rest thanks to their unique atmospheric sound and fierce brutality. Carving their own name and path in a very crowded scene, this outfit delivers nearly 50 minutes of magical ritualistic music that is hypnotic and captivating.

    After the folky intro, “Beyond the Dark Horizon” quickly sets a hypnotic pace with crafty melodic guitars, an engaging tempo, and majestic keyboards that create a very immersive atmosphere as Vilhelm’s shrieks and growls keep things dynamic. Far from linear, songs like “Flight of the Silver Storm”, “Impending Death Premonition”, and “Skull Gatherers” explore mysterious atmospheric depths that feel very unique and enchanting, taking the listener into dark paths in the woods.

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    Havukruunu - Tavastland (2025)

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    Quickly taking the Pagan Metal Scene by storm, Finland’s Havukruunu have graciously evolved their sound in the last couple of years and with “Tavastland” they almost achieve perfection. With a very regal and explosive nature, the band’s fourth full-length release features eight tracks and over 53 minutes of lush and dynamic music that will have you marching towards battle while also headbanging until your neck hurts.

    Starting with the ravaging “Kuolematon laulunhenki”, the band creates a very effusive atmosphere with crafty guitar work, captivating vocal arrangements and an overall very explosive and engaging vibe. The band continues to showcase their masterful songwriting skills as “Yönsynty”, “Havukruunu ja talvenvarjo”, and “Tavastland” roll around with excellent melodic passages, an hypnotic tempo, and a plethora of epic atmospheric elements, just think of Ensiferum-meets-Thyrfing with some Bathory sprinkles.

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