Album Reviews

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    Pain – Cynic Paradise (2010)

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    We really do not understand the point of re-releasing for the USA an album that has been out for almost a year in Europe, but hey, it’s Pain and Cynic Paradise is indeed a very solid album that we loved since it came out (in Europe!). With their intoxicating Industrial Metal, Pain is the brain child of Peter Tägtgren and is considerably different from any of his other projects.

    “Cynic Paradise” has taken even more electronic/techno influences than before and it’s pushing the boundaries of Industrial Metal quite far with its pop-ish influences in songs like “Follow Me”, which by the way has vocals provided by Anette Olzon from Nightwish. As a very versatile musician, Peter Tägtgren shows that he can do very bombastic music that will please people that are usually repulsed by his other projects (people that do not listen to metal).

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    Keep Of Kalessin – Reptilian (2010)

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    After releasing amazing albums like “Armada” and “Kolossus”, we have Keep Of Kalessin’s latest offering with “Reptilian”. And let us tell you that the band did not failed to deliver another brilliant Black Metal assault that will make all the Black Metal posers weep in despair. Keep Of Kalessin is back with a very brutal release that will surely be considered one of the top Black Metal albums of 2010.

    With it’s unique riffing style (for Black Metal), this band revamped the genre back in 2006 with “Armada” and continues to keep pushing the boundaries of Black Metal to the extreme. “Reptilian” opens up with a very epic song “Dragon Iconography” and it’s immediately evident that the band has been taking more influences of old-school Trash/Heavy Metal and NWOBHM bands for their riffing assaults.

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    Eclectika – Dazzling Dawn (2010)

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    Hailing from France, today we get a very unique Post-Black Metal band that is not afraid of pushing the boundaries of music. This French trio plays a very well balanced mixture of raw Black Metal with experimental elements that makes “Dazzling Dawn” a very refreshing album that is both aggressive and very melodic.

    Starting off with a very symphonic intro, you are set to expect something like Dimmu Borgir or similar Symphonic Black Metal bands, but instead you get a very raw BM approach with some female vocals. All this for 2 tracks and then it changes into a very melodic acoustic ballad that could be from any Gothic Metal band out there. This is pretty much how the album flows, featuring a wide variety of styles and elements put together in a very intricate way.

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    Gjenferdsel – Varde (2010)

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    Hailing from Norway we have yet another Black Metal band!, and this one is one of the good ones from what we can hear with “Varde”. This two man outfit has a very similar sound to Gorgoroth and we really dig their music. But don’t think they are a carbon copy since they add their own elements to make their sound different.

    As you know we don’t usually compare bands to the all-mighty Gorgoroth unless they are pretty solid and Gjenferdsel has won this comparison based on their efforts over the years. Varde” is the band’s second full-length album and features 10 songs all sang in Norwegian, adding that extra level of authenticity to the bands music.

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    Lux Ferre - Atrae Materiae Monumentum (2009)

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    With all the hundreds of Black Metal albums being released every month is hard to determine which ones are worth buying. Today we have Lux Ferre from Portugal and their second full-length album “Atrae Materiae Monumentum”, this release is one the ones we can easily recommend you spend your money on.

    The band plays a very basic and Black Metal that has the old-school feeling to it but it’s not under produced to sound like it was recorded in the woods or in the bathroom. Lux Ferre centers their sound on aggressive riffing and relentless drumming, an old but effective formula that fans of true Black Metal will greatly appreciate.

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    Rosetta – A Determinism of Morality (2010)

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    Hailing from Philadelphia today we have Rosetta, a band that combines elements of Hardcore, Shoegaze and Post-Metal with heavy melancholic atmospheres. This American band has been around for a while and has a pretty strong following in the scene, achieved thanks to their superb releases.

    “A Determinism of Morality” is the band’s latest effort. The album is being released by Translation Loss Records, a very unique label that has such acts as: Javelina and Mouth of the Architect. “A Determinism of Morality” starts off very aggressive before blending into an intoxicating mix of atmospheric passages. The band does a great job in gravitating between aggressive sections and instrumental passages that remind us of God is An Astronaut and similar bands.

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    Evig Natt – Darkland (2010)

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    After their impressive debut album “I Am Silence” back in 2007 we were left wanting more from Evig Natt, and finally we get “Darkland” this 2010. This Norwegian band debuted combining Black Metal with Gothic/Doom Metal influences in a very unique way, getting them enough attention and acclaim for their first album.

    With “Darkland” the band is back with a sound geared towards our favorite trifecta: Gothic/Doom/Death Metal. We completely love this genre, and we can say we are its harshest critics. With only a handful of bands that we discovered in the last few years that are worthy of carrying the banner of the combination of these three genres, we were pretty cautious when reviewing “Darkland”.

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    Fall of Empyrean – A Life Spent Dying (2010)

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    After a waiting period of 6 years between releases Fall of Empyrean is finally back, with their crushing Death/Doom Metal. “A Life Spent Dying” has been waiting to be released for a few years now, and finally Grau records picked it up for release. The band still plays Death/Doom Metal like in the old days and kills at it.

    “A Life Spent Dying” is a pretty decent successor to “A Darkness Remembered”, the band features their characteristic sound crafted with “Anhedonia” with only a few tweaks to make it sound even better. Most of this album is very formulaic; take for example the song “The Air is Still” which showcases every Death/Doom Metal trick in the book. This approach does not reduce the quality of music created by Fall of Empyrean, and take anything from this great release.

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    Trollech – Jasmuz (2010)

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    All the way from the Czech Republic, today we get Trollech presenting their latest release “Jasmuz”. The band self-labels their music style as “Forest Pagan Black Metal” but we prefer Pagan Metal to sound less pretentious. We review quite a few Pagan/Viking Metal albums every year, and this 2010 we have to say the best so far is Trollech’s “Jasmuz”.

    “Jasmuz” like we mentioned is a very solid release that features every single element that makes a great Pagan Metal album. But it’s an extra element in this release that made us deduct several points from our score, some terrible vocals that sound like a troll getting raped by a bear, or something like that. In the first song “Moudrost Kovare” they stick out like a sweater on the beach. And most people will stop listening to this album after they hear them.

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    Angmar - Zurück in die Unterwelt (2009)

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    For all of us that like our Black Metal with some Melodic aspects to it, today we have Angmar, a French band that would easily be considered a pissed-off version of Alcest. Angmar features magical acoustic/atmospheric passages similar to what Alcest, Fen, Celestia, etc. are doing but with an overall focus on Black Metal.

    “Zurück in die Unterwelt” is the band’s second full-length album and a very memorable one. The band kicks off the album with a very hypnotic atmospheric part with backing choruses that sets the stage for the Black Metal assault that is to follow. The whole album varies between melodic sections into full-on BM aural assaults.

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