Death Metal

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    Alter Self – Seven Deadly Blessings (2013)

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    Hailing from Athens, Greece today we have Alter Self, a killer Death/Thrash Metal band that delivers eleven punishing tracks on their debut full-length release “Seven Deadly Blessings”. For this release being the band’s debut full-length, their sound is very mature and the songs are perfectly executed. Mixing Thrash and Death Metal, the band achieves a timeless sound that is quite catchy and appealing.

    After the traditional intro track, “My Sober Reflection” has a very Sepultura-esque ring to it and it also showcases the band’s ability to craft catchy and brutal songs. The drumming is quite impressive and the guitar work is pretty well crafted, allowing the song to flow naturally. The band’s songs keep getting more and more interesting as the funky riffs/bass guitar sections of “Fovea” make for a very cool track.

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    Abyssal – Denouement (2013)

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    Always delivering brutal releases, Hellthrasher Records surprised us this time with a release that goes beyond brutal and mixed some very interesting Black and Doom Metal elements to produce one hell of a devastating album. Abyssal’s “Denoument” was originally self-released in 2012, but with this re-release more people will get to experience their crushing and complex sound that will blow you away from your seat.

    Featuring six tracks and around 50 minutes of brutal music, the band wastes no time and delivers the first blow with the powerful “The Moss upon Our Ruins”. This song seems to start heading in Black Metal direction, but the band suddenly changes to crushing Brutal Death Metal in a heartbeat. Layering BM guitars with crushing DM riffs works greatly for the band allowing them to be very brutal and yet diverse. The tempo of the music is also very Doom-like keeping things slow and painful while sounding massive.

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    Atrocity – Okkult (2013)

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    Always known for pushing the boundaries of Metal with their quite unique musical vision and extremely unexpected releases, Atrocity this time delivers a very direct and quite ‘traditional’ release that might puzzle some people. Getting slammed by the press for releases like “Werk 80” and “Calling The Rain”, the band sticks to a more traditional approach on “Okkult”. For 12 tracks, this German outfit delivers enjoyable tracks that will surely get the attention of older Atrocity fans and fans of Melodic/Symphonic Death Metal from the early 2000’s.

    Opening with the Therion/Cradle of Filth-esque “Pandaemonium”, the band seems to be on track for a very direct and powerful release. The choir arrangements are quite chilling and they are greatly countered by Alexander Krull’s powerful growls. “Death By Metal” takes us back to the earlier days of Death Metal with crushing riffs and crazy solos, a great contrast from the first and following tracks, but solid nonetheless. The symphonic arrangements come back on songs like “March Of The Undying” and “Murder Blood Assassination”, both very catchy and effective tracks.

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    Into Darkness – Into The Darkness (2013)

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    Originally released as a demo in 2012, today we have Italy’s Into Darkness and their old-school Death Metal production “Into The Darkness”. Featuring four tracks of raw DM with some Swedish and Doom influences, this release is for all nostalgic lover of raw and fuzzy music from the 90’s. Combining elements from Incantation (earlier material), Grave and Asphyx, for over 25 minutes the band delivers the goods in a relentless and nihilistic manner.

    Opening with the desolate “Into Darkness” the band resembles the almighty Winter and their slow and painful Doom sound from back in the day. After 8 minutes of glorious Death/Doom, things pick up with the crushing “Shadows” and its killer proto-Swedish DM sound. The band truly excels in creating a very dense and old school atmosphere, relying on the riffing of Doomed Warrior and Nor.

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    Hod – The Uncreated (2013)

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    Packing in a lot of fire power in three songs, today we have Hod and their 2013 demo “The Uncreated”. Delivering relentless riffs, tight drumming, and hellish vocals, this band has what it takes to take you by surprise and command you to headbang from the beginning to the end of this nifty release.

    Opening with the sheer power of “Beneath The Mountains of The Scorpions”, this nearly six minute long opus delivers high-octane energy and plenty of killer riffs, showcasing the band’s brutality and musical abilities. The vocals are quite entertaining and keep things fresh, but what hooks you is the massive drumming surrounding the catchy riffing. The band does a great job in keeping the song fresh and diverse by switching up tempos very graciously.

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    Norse – All Is Mist and Fog (2013)

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    What happens when a release arrives a couple of years late to the party? It just sounds very dated and weak in comparison to others. This is the main problem that we have with Norse and their sophomore release “All is Mist and Fog”. With a tight Blackened Death Metal sound from several years back and a very weak production, this release would have been greatly benefitted from a remastering or something.

    Moving on full steam ahead with the pummeling “Neglect”, the band has a dated sound that while powerful is not quite what most releases these days have. The drumming is quite intense, but it sounds, to be honest, like total shit. It might have been the promo or they tried to give it a weird effect, but it sounds like it was recorded inside a toilet and some muffling effect was added. We don’t like to be this harsh on releases, but when everything else sounds quite ok, we wonder how this could have happened.

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    Six Feet Under – Unborn (2013)

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    Cranking out another release in less than one year, today we have Six Feet Under and their Groove infused Death Metal. Not lacking in quality and diving a bit into their older sound, “Unborn” delivers 11 crushing tracks that any fan of the band and American Death Metal will enjoy from beginning to end. Being the band’s 13th full-length release, they still have the magic to make the crows mosh themselves to a pulp and they are not afraid to pull the trigger on it.

    Opening with the crunchy “Neuro Osmosis”, Chris Barnes treats us with his powerful growls and the band does a great job in crafting meaty hooks and solid melodic sections. After the quintessential Death Metal track “Prophecy”, the band delivers the groovy goods with the super catchy “Zombie Blood Curse”. With back to back neck breaking anthems with “Incision” and “Decapitate”, Six Feet Under keeps the album varied and entertaining, something that has been a problem with them in the past, but in “Unborn” they deliver without getting repetitive.

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    Hypocrisy – End of Disclosure (2013)

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    Four years have passed since the crushing “A Taste of Extreme Divinity” and Hypocrisy finally returns with a release that brings them back to their more melodic and epic sound of albums like “The Fourth Dimension” and “The Final Chapter”. Bringing back the demonic aliens on the album cover, this release is both powerful and melodic with epic riffs and haunting atmospheres, a must have for any fan of the band’s earlier work.

    Opening with the atmospheric epic “End of Disclosure” we are immediately transported to the band’s classics like “Roswell 1947” and similar tracks from those years. The band really changed things up from their last album to this one, and we particularly like this more melodic approach they have. The riffing as you can expect is amazing and on “Tales of Thy Spineless” they bust out some crushing Thrash Metal-style passages that will make you headbang instantly.

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    October Tide – Tunnel of No Light (2013)

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    Recently resurrected (2009) October Tide delivers us their second release in four years with “Tunnel of No Light”. Featuring their traditional early Katatonia sound from the 90’s, this band keeps doing what they do best, and we totally dig them for that. Lead by Fredrik Norrman, the band recently changed bass guitarist and vocalist, but you can’t even tell the difference since October Tide is as melancholic and brutal as ever.

    Opening with their signature layered guitars on “Of Wounds To Come”, we get the first impression of the band’s new growler Alexander Högbom, and we must say it is very impressive. The intricate melodic guitar work is the staple of the band and they do not disappoint in tracks like this one and “Our Constellation”. The first Doom epic comes under the name of “Emptiness Fulfilled” and its crushing weeping riffs. This song delivers both magical melodic passages and super powerful growls… exactly what Infernal Masquerade likes.

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    Forlorn Chambers – Unborn and Hollow (2013)

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    Founded in 2012 and already with a killer demo out in 2013, Forlorn Chambers is one very promising Death Metal band from Finland. Featuring three tracks, this release shows a very mature band with a knack for melodic passages and killer drumming. Having a vibe combining Swedish Death Metal with some more Melodic elements, we are quite shocked about how good this mysterious band in.

    Opening with the crushing “Unborn and Hollow”, this demo starts on a very high note due to the excellent quality of the band’s music. The drumming is superb and the riffing is very well structured, the vocals are a bit odd for the way the music sound but they have that old-school vibe similar acts like Nebiros (Mexico) and such. Thanks to the killer production, this track (and the rest) sound exactly like something that any big-name Scandinavian band would be able to produce.

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