2011

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    Origin – Entity (2011)

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    Origin has arrived with their highly anticipated follow up to 2008’s “Antithesis” and with brand new vocalist Jason Keyser joining the ranks as well they prove to be an unstoppable force of brutality. The onslaught of double-pedal drumming and shredding riffs joined by death metal growls and shrieks is enough to make your head explode like that one scene in Scanners but is it enough to hold your attention? These are all highly talented musician but there is the repetition factor that might turn off the listener.

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    Aerial Run – Valleys of the Earth (2011)

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    Finally! And American act that can rival European bands in the lands of dark Folk/Neo-Folk music. Aerial Run’s latest offering “Valleys of the Earth” delivers a very engaging and ethereal album that will surely gain them some comparisons to: Ulver (very early), Empyrium (a bit less dark and lush), The Moon And The Nightspirit, and similar bands.

    The album starts with the very somber “Amends”, this track nicely features lush acoustic guitars and very depressing vocals. While the album is not reeking of originality, all compositions in this release are very pleasing a ranging between different moods. The album nicely builds up and around track six; we have ‘faster’ paced sections that unsettle the flow (in a good way).

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    Turmion Kätilöt – Perstechnique (2011)

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    Our favorite Industrial Metal degenerates are back with a very pleasant release with “Perstechnique”. After being blown away by them live (read here). We are huge fans from this completely under-rated beast of a band. The band’s previous releases intoxicate fans with brilliant dual-vocal attacks (courtesy of MC Raaka Pee and Spellgoth) and super catchy electronic elements (courtesy of RunQ of Tarot and Eternal Tears of Sorrow fame).

    In “Perstechnique” the band reinforces their position as one of the best bands of the genre and hopefully this leads to world domination (and touring). There are a few songs in English and while the rest are in Finish, we don’t really care since the music is so catchy and intoxicating. The beats of tracks like “Grand Ball”, “Hanska” and “Hellhound Earth” are just magical.

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    OvO – Cor Cordium (2011)

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    Leading our monthly pile of ‘WFT?’ releases today we have Italian OvO and their sixth full-length ‘album’ named “Cor Cordium”. If you are one of those snobs that likes a bunch of random shit put together connected through some sort of ‘theme’ and pretends to fully ‘get it’, then you will love this release. For us, normal Metal (and some Experimental/Avant-garde stuff) this is exactly what “Cor Cordium” is: a bunch of random shit put together.

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    Heirs – Fowl (2011)

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    Featuring one of the weirdest covers ever, Heirs delivers their sophomore released titled “Fowl”. In this album the band explores many different genres, manages to stitch them all together and create a truly disturbing and very complex listening experience.

    We have been putting out writing this review for quite a while due to the complexity and intricacies of this very dense release. The band creates very thick layers of guitars that are nicely maneuvered to shape seven songs that are very complex and multi-layered, leaving the listener baffled at first glance.

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    Marienbad – Werk 1: Natchfall (2011)

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    Hailing from Germany’s Massacre records, today we have Marienbad and their debut album “Werk 1: Natchfall” released both in English and Germany languages. Being the good journalists we are, we never heard of this band before and gave it a spin before reading the promo notes and we came up to the unanimous decision this band sounded like a mixture of Eisregen and The Vision Bleak with a darker edge. To our surprise this band is formed by M. Roth and Yantit (of Eisregen) and features Allen B. Konstanz (of The Vision Bleak) on drums.

    With a very dark and varied sound, Marienbad is one of the most entertaining and diverse bands we have heard in quite a while. They manage to combine dramatic vocals with shrieks, the way only M. Roth can do, with powerful guitar riffs, tight drumming and very interesting atmospheric elements. All of these ingredients create a very dark and thick atmosphere that will hypnotize you.

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    Horde of Hel – Likdagg (2011)

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    With all of the venom and hatred that the Swedish black metal outfit Horde of Hel lives and breathes they bring you their latest release, “Likdagg”. Delivering a relentless slab of black metal it seems like the band has taken a different direction from their last album “Blodskam”. Stripping themselves mostly of the electronic effects and distortions that they’ve used in the past, the album comes across as a raw form of pure brutality.

    Keeping with their anonymity, names won’t be revealed but the vocalist delivers a powerful performance with ongoing maliciousness and aggression.

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    Arkona - Stenka na Stenku (2011)

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    Few months before the release of their sixth full-length album, the Russian guys of the Pagan/Folk Metal Arkona decided to keep listeners a little taste of their new release with the EP “Stenka na Stenku”. In this release we have one song from the upcoming album, and five more previously unreleased tracks. The EP features just enough material to keep the band’s hordes of fans happy until their new full-length.

    Opening the EP we have “Stenka Na Stenku”, a very dynamic track that shows the wide spectrum of elements that comprise the band’s sound. Masha’s vocals are as excellent as always and the festive feeling to the song makes it a very catchy and effective Pagan/Folk Metal piece. The accordion-like keyboards are very well fitting in this awesome song.

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    Alghazanth – Vinum Intus (2011)

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    After their monumental “Wreath of Thevetat”, Finland’s best Symphonic/Melodic Black Metal band Alghazanth returns with a very interesting offering titled “Vinum Intus”. In three years between releases, the band has managed to fuse new elements into their sound and will surely take by surprise a lot of people, but they still manage to deliver a crushing release.

    The album starts off very rudimentary with the straight forward track titled “A Living Grace”. In this song you can immediately notice a simpler and less bombastic sound from the band, but equally cold and raw than before (and other Finish bands like Sargeist and Horna). The keyboard hints are a nice atmospheric element added to this song. The band gets a bit more comfortable and melodic with “With a Thorn in Our Hearts”, some guitar riffs even remind us of Celestia and their melancholy Black Metal style.

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