Album Reviews

  • Decapitated – Blood Mantra (2014)

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    Continuing to go down a completely different path, today we have Decapitated and another entry to the band’s ‘second period’ of average Death/Groove Metal music. With two new members (that is half the band) since the last release, this band seems to be wondering what kind of music they should be playing. Featuring eight tracks, this release has some moments, but they continue to fall flat compared to their early legacy.

    After the uninspired opener “Exiled in Flesh”, we are treated to a brutal track filled of intense drumming and some Djent-esque elements thrown into the mix. This makes “The Blasphemous Psalm to the Dummy God Creation” one of the oddest named tracks, and one of the better ones in this release. Both “Veins” and “Blood Mantra” have some cool Death Metal moments here and there, but fail to grab our attention.

  • Blut Aus Nord – Memoria Vetusta III – Saturnian Poetry (2014)

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    Fresh after completing their 777 trilogy, Blut Aus Nord returns with another part of their Memoria Vetusta saga titled “Saturnian Poetry”. Moving away from the electronic/experimental elements introduced in the 777 releases, the band returns to their Black Metal roots with seven devastating tracks that will re-capture the attention of the band’s most purist fans.

    After setting the mood with an atmospheric prelude, the devastation begins with the furious “Paien” and its nearly 8 minutes of blistering riffing and savage shrieks. The band invokes some epic melodic riffing passages on “Tellus Mater”, perfectly accentuated with guitar leads and clean Viking Metal-esque vocals; we also get an early Borknagar vibe in this intense track.

  • Manes – Be All End All (2014)

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    Usually, there are weird releases that completely push the envelope and then you have Manes weird. “Be All End All” delivers nine tracks that mash genres together and crates a truly bizarre, and yet awesome, experience. Having passed seven years since the band’s last full-length release, this album will surely please and puzzle all fans of Tor-Helge Skei (aka Cernunus) and his uniquely odd musical vision.

    Opening with the jazzy/trip-hopish “A Deathpact Most Imminent” clearly states that this is going to be one unique musical experience. Asgeir Hatlen’s vocals are one of the band’s signature elements and greatly enhance the experience with his unique pipes having influences of Kjetil Nordhus and Kristoffer Rygg. Experimentation is the main theme behind this release, and by the odd vocals mixed in with the mellow tempo and atmospheric jazziness of “A Safe Place In The Unsafe” you clearly notice how everything comes together in a very bizarre way.

  • Derdian – Human Reset (2014)

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    Out of the hundreds of releases we receive at Infernal Masquerade every month, it is always refreshing to find some extremely well produced self-released albums that sound better than some more popular and well-established bands. Luckily for us, Derdian’s 5th full-length release is one of them with their well-refined Power Metal that reminds us of bands like Rhapsody of Fire, Blind Guardian, Stratovarius, etc.

    After the typical atmospheric opener, “Human Reset” kicks off with the album title track delivering excellent vocal melodies and a very healthy pace. The band’s sound is clearly very well refined and everything sounds just right, making the songs flow like water. As the album keeps providing us with gems like “In Everything” and the melancholic “Mafia”, we are greatly impressed with the perfect union of crafty drumming, playful keyboards and soaring vocals.

  • Winterfylleth – The Divination of Antiquity (2014)

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    As a solid contender for Black Metal album of 2014, today we have Winterfylleth and their ravaging latest release: “The Divination of Antiquity”. Showing that Black Metal does not need to be static to deliver raw brutality, the band has been slowly morphing over time while maintaining their devastating BM roots. In this release the band’s sound is as crisp as ever delivering eight brilliant onslaughts of sheer devastation that any fan of the genre will surrender to.

    Opening with dissonant title track, we can hear fierce drumming and a melodic undertone in the band’s blistering first few minutes. This level of intensity only lets go when the band is delivery melancholic passages that further enhance the destructive powers of their music. The band’s superb ability to construct playful riffs that shift the mood of the song in an instant, are clearly outlined in songs like “Whisper of the Elements”. We particularly love the disarming melancholic passage in this song that bleeds into more merciless brutality.

  • May the Silence Fail – Of Hope and Aspiration (2014)

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    Arriving from Germany, today we have Melodic Death/Gothic Metal outfit My the Silence Fail and their debut full-length release “Of Hope and Aspiration”. Featuring a solid mixture of traditional Melodic DM elements with some more modern Groove/Core influences, the band delivers a very solid 11 track release that will keep you entertained for a while.

    The release quickly sets a very lively tempo with tracks like “Gods are Long Since Dead” and “Return to Mind”, both showcasing the dual harsh/clean female vocals approach that works very well with the band’s highly dynamic sound. One of the band’s biggest selling point for people that are not 100% sold on music and need gimmicks, is that both singers are females, so yes, they have a female growler for your amusement. The guitar leads are quite well crafted and make up for very cool passages like on “If It Wasn’t For You”.

  • Atrum Tempestas – Néant (2014)

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    Hailing from Finland, today we have an Atmospheric Black Metal duo that comes under the moniker of Atrum Tempestas. Delivering 30 minutes of bleakness and aggression mashed together in three tracks, this release goes further than Atmospheric BM and touches the reals of Doom/ Post-Rock creating a very unique and satisfying blend music.

    Opening with the melancholic “Quitter ceux qui étaient déjà partis”, the band sets a very mellow mood with very accessible atmospheric/melodic passages. The vocals range from BM screams, growls, and some spoken sections that nicely blend with the underlying Post-Rock foundation of this song. Coming in at 14 minutes, this track nicely adds some Doom-ish passages to keep things interesting and engaging.

  • Kruger – Adam and Steve (2014)

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    Having released one of our favorite albums of 2010, Kruger finally returns with an even more impressive follow-up with “Adam and Steve”. With a very melodic and yet crushing sound, the band takes Post-Metal/Sludge to new heights in this eight track assault.

    The insanity beings with the very intense opener “Bottoms Up” and never lets go. Vocalist Renaud Meichtry delivers a savage performance with his charismatic screams and greatly elevates the level of intensity presented by the music. The band’s ability to craft intricately layered songs like “Discotheque” and “Charger” is truly unique and its one of the factors that makes them stand out from the rest.

  • The Sabbathian - Ritual Rites (2014)

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    Delivering waves of crushing riffs and hypnotic vocals, today we have The Sabbathian and their debut EP, “Ritual Rites”. Formed by Chad Davis (ex-Hour of 13), Joey Down (Altar Blood), and the charismatic Anette Uvaas Gulbrandsen, this band combines Doom structures with a hefty dose of Heavy Metal influences, giving them a very retro and rich sound.

    The album leads off with the monumental “Ancient’s Curse”. For over seven minutes we get expertly crafted riffs that instantly set you off in a spiraling ‘doom mood’. Anette’s vocals greatly enhance the ritualistic feeling and work wonders on the retro Heavy Metal-eseque passages that are thrown into the mix. The release continues with the slow-paced headbanging anthem “Ritual Rites” delivering over six minutes of enthralling atmospheric riffs. The vocals are a healthy mixture of Jex Thoth and Agnete M. Kirkevaag of Madder Mortem.

  • Frozen Ocean – The Dyson Swarm (2014)

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    The ever changing, busiest man of Atmospheric Black Metal, Vaarwel, delivers us another brilliant Frozen Ocean’s release under the title: “The Dyson Swarm”. With a higher emphasis on the atmospheric side of FO’s music, this release crafts a unique aural experience that is quite trippy and pleasant to the listener. Featuring just the right amount of vocals (two tracks), this album will surely transport you to distant galaxies with its futuristic vibe.

    The journey begins with the lush “Syzgy”, a song that very nicely builds up to the trippy “CE-4”. This track has a weird trip-hop kind of vibe thanks to its beats, the guitars and vocals are what really make it standout and be unique. In “Sloan Great Wall”, we get a certain Germ feeling with its mix of futuristic atmospheric elements and somewhat shoegazy vibe. With a big Doom-sounding riff, “SHGb02+14a” is one tense track that will slowly hypnotize you.

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