Album Reviews

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    Pavillon Rouge – Legio Axis Ka (2015)

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    Industrial Black Metal is one of those genres that are quite hard to get right. Mysticum and Diabolos Rising did a great job igniting the flame, and others like Aborym, Diabolicum, and Malignant Eternal took good stabs at the genre, more than a few years ago. Fast-forward to 2015 and we finally have a promising band in this genre: Pavillon Rouge. Filled with over 47 minutes of devilish catchy beats and sickening soundscapes “Legio Axis Ka” marks the band’s sophomore release.

    The album opens with the blistering “Prisme vers l'Odysée”, a track that sets a very dreamy and yet crushing atmosphere that is very well contrasted by the harsh vocals of Kra Cillag. The album’s atmosphere continues to grow with psychotic tracks like the awesome “A l'Univers”, and the aggressive “L'enfer se souvient, l'enfer sait”. For others looking for catchy and more ‘techno’ stuff, “Droge Macht Frei” reminded us of Turmion Kätilöt and their Industrial Metal.

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    Illuminata – Where Stories Unfold (2015)

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    After blowing us away with their music in 2011, Austria’s Illuminata returns with yet another Gothic/Symphonic Metal masterpiece with their third full-length album “Where Stories Unfold”. Using a 60-piece orchestra and two different choirs, the band bets big on their music and delivers around 60 minutes of brilliant music that will impress any fan of the genre.

    Crafting a very dramatic opening with “A Story Unfolds”, the lush orchestrations and very cinematic music instantly catches our attention. With the real opener, “Eternity of Today” the band shows that their core sound has greatly evolved and delivers a magical Gothic Metal track filled with astonishing arrangements and the hypnotic vocals of Katarzyna Nieniewska.

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    Impalers – God from the Machine (2015)

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    Delivering a Thrash-tastic sophomore release, today we have Denmak’s Impalers with “God from the Machine”. Featuring over 45 minutes of frantic Thrash Metal, this band nicely sets themselves apart from the countless other Thrash ‘revival’ bands by adding some cool melodic elements into their music.

    Opening with the relentless “Future Void”, we are treated to some solid old-school Thrash with a certain European vibe. Filled with attitude and relentless riffing, the band makes this opener quite intense. The melodic elements start appearing as tracks like “God from the Machine” and “Prepare for War” start to wind down. Filling the album with blistering guitar leads, Thomas Carnell does a pretty solid job in epic songs like “Beyond Trinity” and “Destroy the Meek”.

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    Sabbath Assembly – Sabbath Assembly (2015)

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    As one of the most awaited releases from 2015 (at least for us), today we have Sabbath Assembly and their eponymous fourth release. Moving away from the Process Church theme and influences, the band delivers nine tracks that feature a very distinctive sound that they are now calling 100% their own. For fans of their older style, this will need an expectation adjustment, but the band nicely delivers an unique (but different) experience.

    Opening with the angry “Risen From Below”, the band has a very nightmarish style rooted on trippy percussions and the deep vocals of Jamie Myers. The band’s catchiness and ability to create a dark atmosphere is still present in tracks like “Confessing a Murder” and “Ave Satanas”, but they spice it up with a heavy bass guitar line and solid guitar leads.

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    Skepticism – Ordeal (2015)

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    Pioneering Funeral Doom Metal band Skepticism finally returns with their fifth full-length release “Ordeal”. Hailing from Finland, this band alongside Thergothon are tipped to be the founders of the genre and they have releases some monumental albums over the years to keep their legend intact. With “Ordeal”, the band continues to mercilessly punish people with their melancholic sound filled with long drawn out riffs, piercing atmospheric elements, and crushing growls, for nearly 80 minutes of music.

    The album immediately gets under your skin with the demoralizing “You” and its subtle atmospheric keyboards. Never wasting a moment to create the perfect atmosphere, “Momentary” has a retro Funeral Doom vibe from the late 90’s when the genre was in full swing. In terms of dramatic, “The Departure” features some of the most haunting keyboards we have heard in quite a while as they are perfectly flanked by Matti Tilaeus soul crushing growls.

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    Kröwnn – Magmafröst (2015)

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    Finally getting a proper physical release, today we have Italy’s Kröwnn and their debut riff parade titled “Magmafröst”. With over 45 minutes of music, this release features very Sludgy/Doomy music that will keep any fan of the genre hypnotized for the whole time. In a similar configuration to Ides of Gemini, this band features two female members (bass guitar and drums) and a male vocalist/guitarist, making this very compact lineup pack a lot of punch in terms of music.

    After the typical filler intro, the band dives into some crushing Doom riffs with “Skeksis Dance”. This track instantly shows the band’s commitment to the power of the riff. The vocals are bit on whiny side, at least for us, but very fitting for such a release. The band continues to pummel through songs like “Wyvernking” and “Wölfhunt”, both of which have a certain Sludge/Stoner vibe to them.

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    Nile – What Should Not Be Unearthed (2015)

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    Making 2015 even more brutal than it already is, today we have the legendary Nile returning with yet another punishing release via “What Should Not Be Unearthed”. Karl Sanders and company return with their signature Technical/Brutal Death Metal with Egyptian influences and deliver around 50 minutes of uncompromising brutality that will ravage your eardrums from start to finish.

    Opening with the monumental “Call to Destruction”, the band quickly delivers the first blow of furious riffs and crushing drumming. The band is set on a path of destruction with this release being considerably more brutal than their previous one. The sound of tracks like “Negating the Abominable Coils of Apep” and the ravaging “Liber Stellae – Rubaeae”, is quite heavier and more in the Brutal Death Metal side of things when comparing it to the band’s previous release “At the Gate of Sethu”.

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    Svoid – Never To Return (2015)

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    Every time we receive a package from Romania’s Sun & Moon Records we brace ourselves for very good and very unique releases that will make us listen to them over and over. This time is the turn for the 2015 re-release of Svoid’s debut full-length “Never to Return”. Featuring a very filthy Black Metal sound with direct influences from bands like Watain, this re-release is definitely needed as this band’s sickening music must be heard.

    The album opener, “Eleven Alpha” oozes with that filthy Black’n’roll-ish playful sound that is nicely complemented by S’s harsh vocals and a vibrant bass guitar line. The band’s sound is raw and very basic, but yet manages to be extremely efficient and engaging. The percussions are quite funky at times, greatly enhancing the experience and keeping the listener engages as on tracks like “Queen of Those Below” and the sort-of Punk-ish opening of “The Pulse”, which masterfully transforms into something completely different… and awesome.

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    Elyose – Ipso Facto (2015)

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    Hailing from Paris, France, today we have Industrial/Gothic Metal outfit Elyose and their sophomore release titled “Ipso Facto”. Featuring a very bombastic and crafty sound, this outfit delivers over 47 minutes of super catchy music. Led by the charismatic Justine Daaé, this is not just another clone band, as they nicely carve their own style and create very engaging music.

    The album makes a quick impact with the super catchy electronic elements of “Femme De Verre” which perfectly blend with the strong vocal leads. The same high energy continues with the lush “De Guerre Lasse” and its solid guitar riffs paired with cool electronic effects. The band at this stage reminds of a mixture of Theater of Tragedy in the “Musique” days with the more modern style of Nemesea.

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    Kadavar – Berlin (2015)

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    As the perfect blast from the past, today we have Germany’s Kadavar and their latest studio full-length release “Berlin”. Titled in homage to the city where all members of the band met, this release continues the band legacy of catchy and very authentic sounding Psychedelic/Hard Rock music. For over 11 tracks (plus one bonus cover song) the band delivers hard rocking music that will instantly grab your attention and never let got.

    The album instantly makes an impact with the superbly engaging “Lord of the Sky”. In this track the trio deliver their signature fuzzy sound that has a very ‘live show’ feeling to it. Bassist Simon Bouteloup, the latest person to join the band, is fully incorporated into their style and nicely adds some killer bass guitar lines in songs like “Thousand Miles Away from Home”, “Last Living Dinosaur” and the super catchy “Filthy Illusion”. This last song has a more mainstream Rock vibe, allowing the band to reach even more people.

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