Rock

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    The Devil’s Blood – The Thousandfold Epicentre (2011)

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    As one of the most anticipated releases of 2011, “The Thousandfold Epicenter” delivers in every single aspect and considerably surpasses all expectation we had from The Devil’s Blood. In this release we are treated to 11 tracks of brilliant composition and intelligently transmitted emotions that will either captivate you due to its very catchy nature or its highly interesting ideological nature. The band spares no expense in providing a very insightful release, both musically and lyrically.

    After their amazing 2009 release “The Time Of No Time Evermore”, this band blew us away immediately with their high-octane psychedelic/occult rock sound that while many bands mimic, this band is the real deal. Lead by the mysterious SL/TDB/A-O and fronted by the powerful female vocals of F/TDB/MOS, this band is the real deal when it comes to mixing psychedelic music with occult references and ideas. The band’s persona is surrounded by mystery and large amounts of symbology, allowing all people that like to dig into things to enjoy countless hours trying to identify each little (and carefully crafted) detail behind the band.

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    Vanderbuyst – In Dutch (2011)

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    As a very entertaining ‘blast-from-the-past’, today we have Vanderbuyst and their latest release “In Dutch”. In this release, the band returns with eight hard-hitting and hard-rocking songs that will immediately command your attention. If you are a fan of 70’s Hard Rock with a little Metal twist, this release will have you raving for the next few months.

    Opening with catchy riffing and very effective vocals, “Black and Blue” delivers the perfect opener for a very memorable release. The chorus section is very simple and super catchy, a signature of these types of songs. The guitar solos are also another thing to notice since they are all perfectly placed through the track. Moving into more melodic and catchier territory, “Into the Fire” is our favorite song of this release due to its epic opening section. The paring of guitar solos, pounding bass guitar line and the overall melody of this the opener of this track makes it magical.

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    Nemesea – The Quiet Resistance (2011)

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    Four years have passed since Nemeasea’s last album “In Control” and on this 2011 they return stronger than ever with the very well crafted “The Quiet Resistance” release. Morphing from a Symphonic Gothic Metal outfit to a more alternative and fresher Gothic Rock sound, the band manages to keep things ‘heavy’ and not sound overly Pop-ish like many Gothic Rock/Metal bands have been doing in the last years.

    Lead by the charismatic and powerful vocals of Manda Ophuis, Nemesea’s sound has matured greatly over the years and now they deliver confident and efficient songs that go straight to the point and never get dull. The band’s alternative and almost mainstream sound is still on their own terms and they never sound like a mash up of Britney Spears with some distorted guitars thrown into the mix (hint: Amaranthe).

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    Svölk – Svölk ‘Em All (2011)

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    Playing something called “Bear Metal”, according to what the band says, Svölk delivers us their latest full-length release “Svölk ‘ Em All”. This release is basically their 2009 self-released debut but with three new songs. Through 12 tracks the band delivers a heavy dosage of Stoner Rock/Metal elements with some ‘Nordic redneck attitude’, but it still sounds just like any other Stoner Rock album.

    With all the hundreds of Stoner Rock/ Metal albums that come out almost each day, it is very hard to keep listening to the same stuff and like all of it. While Svölk is undoubtedly a solid band and the songs in this album are pretty good, they can’t avoid sounding just like everybody else. The best thing we found about this release is that the band does not try to play (too much) the ‘Southern’ vibe in their music, but this might be what is coming in the future of this band.

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    Autumn – Cold Comfort (2011)

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    After dabbling into more ‘mainstream friendly’ lands with their previous release “Altitude”, Autumn returns to the darker side of things with the highly emotional “Cold Comfort”. In this new release the band delivers nine beautifully crafted melodies that nicely combine Progressive Rock elements with more traditional Rock influences under a very melancholic atmosphere that had us completely hooked into the album since the first track.

    The band’s vocalist Marjan Welman seems more integrated into the band’s sound and her sultry voice fits perfectly into the darker and more melancholic mood of this release than on the band’s previous ‘pop-goth’ release from 2009. Every song in “Cold Comfort” features a nice Progressive Rock/ Melancholic Rock blend of sounds, something like The Gathering with Anneke but in a less experimental way.

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    Svarti Loghin – Sea of Green (2011)

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    Blowing past the boundaries of Depressive Black Metal and ending up on the Alternative Rock side of things, today we have Svarti Loghin and their latest skillful release “Sea of Green”. The band since their last release “Drifting Through the Void” was showing extreme signs of moving away from BM, and on this latest release they complete the transition.

    Evoking elements from Alternative Rock to Grunge, “Sea of Green” features five very interesting tracks that need your complete open-mindedness or you will completely hate this release. The depressive vibe of the band is totally present in this release; this is excellent since the band has a very unique sound. However, you will have to deal with almost no Metal elements, and a very mellow and ‘alternative’ approach to things.

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    Grey Waters – Below the Ever Setting Sun (2010)

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    Coming highly recommended by some of our friends, we finally had time to check out Grey Water’s EP from 2010 titled “Below the Ever Setting Sun” and we were pretty impressed with what we heard. Playing highly emotional Depressive Rock, Grey Waters blow the listener away with soaring vocals and powerful guitars that deliver a very melancholic feeling all through the five songs presented in this release.

    After the intro track, “Say Goodbye” immediately reminded us of a modern sounding Decorayah, since the band creates a very powerful atmosphere and the vocals are a bit similar to Decorayah’s dramatic singing. The atmospheric passage in this song that leads to some harsh vocals is perfectly crafted, allowing the song to nicely flow. Next up we have “Below the Ever Setting Sun”, another very effective and melancholic track. This track has some nice Post-Rock/Metal hints that enrich the sound nicely, adding to the overall atmosphere created by the band.

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    Lonely Kamel – Dust Devil (2011)

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    Is there something in the water? Or are too many people having drugs and Jim Beam infused benders and then decided to play Southern Rock music? We quite can’t point a finger at it, but tons of bands have decided to play this kind of music with some Metal elements. Lonely Kamel is the next entry in this list, and while hailing from Norway, they still manage to pull it off very nicely.

    Since the eloquently titled “Grim Reefer” opening track, the band delivers waves of Southern Rock/Sludge guitar riffs and very engaging vocals. The raspy vocals nicely fit the sound of the music perfectly and remind us of bands like The New Black, Black River, and Chrome Division. “Evil Man”, “Blues for the Dead”, and “Rotten Seed” all keep the same trend of punchy music and witty lyrics, allowing the album to nicely settle following a particular groove.

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    Acelsia – Quietude (2011)

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    Making its way from Norway to our little corner of the world, today we have Acelsia’s latest EP titled “Quietude”. In this four-song EP the band shows their very effective approach to mixing Gothic and Doom Metal influences with some hints of Rock. Lead by the enchanting vocals of Malene Markussen, the band delivers 18 minutes of pure melancholic music that will move you one way or another.

    Opening with powerful riffs on “All these Years”, the band nicely transitions with enchanting female vocals and well constructed Doom-like riffs. While the band’s sound is not fully depressive or as down-tempo as regular Gothic Doom, you can still feel the melancholy behind the hearfelt songs presented in this release. “Happiness Prevails” opens with some weaping guitars and quickly transforms, this skill is probably Acelsia’s most interesting feature since the songs morph from one direction to another very seamlessly and effectively.

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    Mystons – 3 (2011)

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    Almost one year since the release of the very solid “Alkaem”, Mystons returns with another nine hard-hitting songs that quickly show that their last album’s success was no fluke and they mean serious business. Dropping one band member, Mystons delivers a very powerful album that feels a bit more consolidated than the first one, and is full of catchy riffs and appealing vocals.

    Funneling a White Stripes vibe, the album opens with “Mammoth” and “Mourning Sky”, the second song in particular seems to have a very familiar riff that will surely be quickly identified by the listeners. In this two songs you can hear the traditional Mystons sound, but with a bit more of direction. The album’s catchiness continues and with “CrusHer”, we find a very hard-rocking song that immediately sticks in your head.

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