Finally returning after 5 years since the band’s last full-length release “Second Skin of Harlequin”, today we have Denmark’s Illnath and their characteristic Melodic Black Metal. With several lineup changes, “Third Act in the Theatre of Madness” showcases the band’s new female growler Mona Beck and session drummer Reno Killerich. Now signed to Pitch Black Records, the band shows that they are back stronger than ever and with the ten tracks presented in this release, they mean serious business.
“Third Act” opens the album in a very traditional manner, with some keyboards, a pounding bass guitar line and tight drumming. The first surprise comes when Mona starts singing since she does not sound like your typical female growler. As a regular reader of Infernal Masquerade you might be aware that we are tired of this gimmick, but for Illnath, the female growler works perfectly. Just like a more aggressive version Angela Gossow, Mona brings a new level of brutality to the band’s sound.
Continuing on the right path after their very impressive release “Diabolical Figures”, today we have Graveworm and their latest opus “Fragments of Death”. Most of the Gothic Metal pleasantries away, “Fragments of Death” delivers 11 punishing tracks of very well balanced Death/Black Metal with a high melodic content, but always aggressive enough to make your speakers explode.
Opening with the high intensity “Insomnia”, the band shows fierce Death Metal influences with a nice Melodic edge in terms of riffing and some atmospheric keyboards. Stefan’s vocals are as good as always and his mixture between growls and shrieks is just excellent. The melodic/brutal assault continues with the ‘slower’ “Only Death in our Wake”, but quickly picks up with some excellent chorus section on “Absence of Faith”. In this track, the melody makes a huge different in making a repetitive song very catchy and powerful. Some sections in this track even feel a bit like their sound back on “As the Angels Reach the Beauty” but will less flair.
All the way from Switzerland today we have a band called Eskeype (is this pronounced Skype?), and their very catchy mixture of Groove Metal and Thrash Metal with some hints of a few other genres mixed in-between. For 13 tracks the band gives us a very in your face approach with hectic drumming, catchy and powerful riffing and aggressive vocals that will exhaust even the most active mosher from our readers.
Immediately after a very dynamic prologue, the band delivers waves of powerful riffs and aggressive vocals with the first two tracks “The Chronicle’s Origin Part One” and part two. In these two tracks the band quickly demonstrates their ability to craft very catchy guitar sections and pair them with crushing vocals. The melodic passages are excellent and the use of violins (a la Dark Lunacy) is just excellent, giving them a nice Melodic edge to their music.
Two years have passed after releasing the excellent “Vigilance” and one of Canada’s finest returns with their new release “Threat Signal”. We are extremely divided when it comes to this release since the music is excellent, but some of the vocals are just WTF. So we kind of liked the album in the sense that Threat Signal has very nicely matured musically and all songs are just excellent, but when the Linkin Park style singing kicks in we just want to jump of the balcony.
Opening very powerfully with “Uncensored”, the band delivers well crafted guitar riffs and tight drums, courtesy of two of the band’s newest members: Chris Feener and Alex Rudinger respectively. However, the band things really start showing when the clean ‘modern Metal/nu Metal’ clean vocals make their appearance. There are of course harsh screams to kind of balance things out but it is not enough to eliminate the bad taste. We can also listen to an edge of Gojira and Fear Factory in the sound of this release, and when paired with excellent solos, the music alone is truly entertaining and very good.
After the ‘departure’ from Dimmu Borgir, acclaimed singer ICS Vortex decided to not go down easily and has finally delivered a very solid ‘solo’ release that capitalizes on his biggest asset: his vocals. However, the music is also top notch since it mixes a wide variety of styles that might catch some people off guard, but with high promise and top notch quality.
Playing all instruments in the album except the drums (courtesy of none other than Asgeir Mickelson), this release is packed with soaring vocals and epic melodic sections. Capturing some of the elements of Borknagar and adding some more psychedelic and progressive brushes, “Storm Seeker” is one of the most diverse albums of 2011.
The Taiwanese Melodic/Symphonic Black Metaliers of Chthonic have been around for over 15 years and with every new album they have been improving their music by huge leaps. “Takasago Army” marks the band’s latest release and it’s probably their strongest one to date. Having released their last two albums on Spinefarm records, the band has been taking advantage of better production values to deliver their crushing music to the masses.
While there are heaps of Symphonic Black Metal bands, there are only very few that can rock out the Erhu (traditional two-stringed instrument, similar to a violin) and deliver punishing tunes with it. The similarities to bands like Cradle of Filth (vocals and symphonic elements) are evident, but this extra traditional element adds that extra originality that bands need these days to be distinguished from the rest.
Arriving all the way from Sweden, today out of our stack of band-submitted promos, we have Lapis Lazuli and their second full-length album “A Loss Made Forever”. Our first impression was that there was no way this band was not signed. For over 30 minutes, these Swedes treat us to seven very professional songs of emotionally charged Symphonic/Gothic Metal.
Opening with the traditional introduction “Ascension”, we get some glimpses of the powerful keyboards behind this band as soon as the song starts. With the super catchy “A Loss Made Forever” we finally get to hear the band’s enchanting female vocals, courtesy of Frida Eurenius. While there are hundreds of female vocals emerging every day, Frida’s pipes are very unique in the sense that they mix sweetness with power in a very balanced way. The song also features very nice keyboard arrangements crafting a very emotive atmosphere nicely contrasted by powerful guitars.
After their very impressive demo “Before the Blackened Sky”, Euphoreon returns with their crushing self-released and self-titled debut album. All fans of (old) Children of Bodom, Moonsorrow, Turisas, and similar should be keeping an eye out for this very well produced album.
Featuring re-vamped versions of the three songs presented in the demo, this new release adds five more tracks of brilliant musicianship and excellent combination of elements that have made the previously mentioned bands very successful. The song “Before the Blackened Sky” shows the wide palette of influences the band has and it also gives a very nice intro of what is to come in this release.
Having set the standard very high with “Skyforger”, Amorphis returns with an even better album with “The Beginning of Times”. Featuring 12 tracks of majestic Melodic Metal/Rock, the band is definitely at the top of their game and is set on a path of global domination with this near-perfect release.
Featuring their characteristic Melodic approach to Metal, Amorphis does not compromise or goes mainstream and has put together a very impressive release that is both aggressive and beautifully crafted. Lead by the charismatic and versatile vocals of Tomi Joutsen, “The Beginning of Times” is an early candidate of album of the year.
With all the new ‘modern’ Metal coming out these days, it is really hard to find bands that are actually doing something to improve things rather than copy everybody else. The Approach & the Execution (TA&TE from now on) does a great job in mixing a bit of everything and somewhat creating a familiar sound that will appeal fans from all areas of Metal and can be commercialized in the current ‘trendy’ Metal markets and maybe in some underground ones as well.
With a very diverse approach to Metal the band combines fast paced guitar work and melodic sections of Melodic Death Metal. They also mix several styles of vocals ranging from female clean vocals, growls, semi-shrieks and clean male vocals creating very interesting vocal sections. If this wasn’t enough, there are some clear indications of traditional Heavy Metal elements in the supper catchy and powerful chorus sections in the last songs of the album. All of these elements sound like the perfect recipe for disaster, but the band somehow manages to pulls it off graciously.