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  • Zerstörer - Panzerfaust Justice (2010)

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    Marking Zerstörer second full-length release today we have “Panzerfaust Justice”. In this album the band wastes no time and delivers an in-your-face Black/Thrash Metal assault of the most rudimentary and crushing fashion. The band features no fancy elements, just the traditional metal lineup and a shit ton of build up anger inside, perfect for Black/Thrash Metal.

    Over the span of nine songs, the band does deliver very aggressive tracks full of raw energy and sound, but it also falls short in creating something we haven’t heard before. The bands sound is very traditional and is limited to the very similar structures in each song. While there is nothing bad in this, after the first 4 songs you start to get drowsy and with a sudden urge to change the CD.

  • Graveyard Dirt – For Grace or Damnation (2010)

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    With Death/Doom Metal being almost a dying art, Graveyard Dirt delivers a gasp of fresh air to one of our favorite genres. In “For Grace of Damnation” the band crafts one of the most monumental releases of the genre we have heard in quite a while.

    Drawing obvious inspirations from early Anathema and Paradise Lost, and combining them with newer influences of Mourning Beloveth, Shape of Despair, etc, the band shows great maturity in all eight tracks presented in this release. Painting landscapes of desolation and darkness, “For Grace or Damnation” is sure to attract all fans of the genre.

  • Massive Slavery – Global Enslavement (2010)

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    Relentless and Brutal are probably the two best words to describe Canada’s Massive Slavery debut album “Global Enslavement”. Featuring inhuman vocals and drumming paired with skillful guitar and bass guitar work, this release is as crushing and technically proficient as you can imagine for a veteran band, which Massive Slavery is not.

    Since the opener track “MediAssasiNation”, the band will blow you away with harsh vocals, very brutal drumming and an array of guitar riffs and solos that will make your fingers and hands hurt just by thinking on how to play them. The band specializes in creating hyper-fast songs that feature almost equal amounts of aggressive and melodic sections, creating a perfect harmony between the two of the (e.g. “Shade of Corruption”).

  • The Gates of Slumber – Wretch (2011)

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    The tone is set to heavy with Gates of Slumber’s latest album; the riffs crawl along at a sludge-like tempo with an eeriness weaving in and out of the pattern. Moving away from their usual theme of swords and sorcery and into the real world was a wise choice for their part as well the pick for new drummer, J “Cool” Clyde” Paradis. His drumming has a vibe to it that sounds like it made even vocalist Karl Simon and bassist Jason McCash step up their game a bit.

  • Aerial Run – Valleys of the Earth (2011)

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    Finally! And American act that can rival European bands in the lands of dark Folk/Neo-Folk music. Aerial Run’s latest offering “Valleys of the Earth” delivers a very engaging and ethereal album that will surely gain them some comparisons to: Ulver (very early), Empyrium (a bit less dark and lush), The Moon And The Nightspirit, and similar bands.

    The album starts with the very somber “Amends”, this track nicely features lush acoustic guitars and very depressing vocals. While the album is not reeking of originality, all compositions in this release are very pleasing a ranging between different moods. The album nicely builds up and around track six; we have ‘faster’ paced sections that unsettle the flow (in a good way).

  • Turmion Kätilöt – Perstechnique (2011)

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    Our favorite Industrial Metal degenerates are back with a very pleasant release with “Perstechnique”. After being blown away by them live (read here). We are huge fans from this completely under-rated beast of a band. The band’s previous releases intoxicate fans with brilliant dual-vocal attacks (courtesy of MC Raaka Pee and Spellgoth) and super catchy electronic elements (courtesy of RunQ of Tarot and Eternal Tears of Sorrow fame).

    In “Perstechnique” the band reinforces their position as one of the best bands of the genre and hopefully this leads to world domination (and touring). There are a few songs in English and while the rest are in Finish, we don’t really care since the music is so catchy and intoxicating. The beats of tracks like “Grand Ball”, “Hanska” and “Hellhound Earth” are just magical.

  • OvO – Cor Cordium (2011)

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    Leading our monthly pile of ‘WFT?’ releases today we have Italian OvO and their sixth full-length ‘album’ named “Cor Cordium”. If you are one of those snobs that likes a bunch of random shit put together connected through some sort of ‘theme’ and pretends to fully ‘get it’, then you will love this release. For us, normal Metal (and some Experimental/Avant-garde stuff) this is exactly what “Cor Cordium” is: a bunch of random shit put together.

  • Heirs – Fowl (2011)

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    Featuring one of the weirdest covers ever, Heirs delivers their sophomore released titled “Fowl”. In this album the band explores many different genres, manages to stitch them all together and create a truly disturbing and very complex listening experience.

    We have been putting out writing this review for quite a while due to the complexity and intricacies of this very dense release. The band creates very thick layers of guitars that are nicely maneuvered to shape seven songs that are very complex and multi-layered, leaving the listener baffled at first glance.

  • Alghazanth – Vinum Intus (2011)

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    After their monumental “Wreath of Thevetat”, Finland’s best Symphonic/Melodic Black Metal band Alghazanth returns with a very interesting offering titled “Vinum Intus”. In three years between releases, the band has managed to fuse new elements into their sound and will surely take by surprise a lot of people, but they still manage to deliver a crushing release.

    The album starts off very rudimentary with the straight forward track titled “A Living Grace”. In this song you can immediately notice a simpler and less bombastic sound from the band, but equally cold and raw than before (and other Finish bands like Sargeist and Horna). The keyboard hints are a nice atmospheric element added to this song. The band gets a bit more comfortable and melodic with “With a Thorn in Our Hearts”, some guitar riffs even remind us of Celestia and their melancholy Black Metal style.

  • Korpius – Shades of Black (2011)

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    Did somebody ordered a 40 minute session of brutal Death/Black Metal? if your answer is yes, then you should definitely check out Korpius and their crushing debut album “Shades of Black” out on Maple Metal records. With a crystal clear production and engaging songs, “Shades of Black” is by far the most brutal release we have received from Canadian lands this 2011.

    Crushing their way through nine tracks this Canadian foursome does a great job in keeping things brutal and straight forward. All riffs in this album a very meaty and have tons of ‘traditional’ DM hooks that will keep fans satisfied for endless hours. The drumming is also massive and the vocals are as inhuman as you can get. Both the growls and the shrieks that go into Grindcore territory at times are very well balanced to give enough power to this release.

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