Unleashing one of the most punishing releases of 2022, today we have Lorna Shore and their highly anticipated release “Pain Remains”. Further refining and sharpening their razor-sharp sound, this release blasts away with over 60 minutes of brutal, and yet melodic Deathcore music unlike anything you have ever heard before. Yes, there are elements of bands like Black Dahlia Murder, Fallujah, etc., but this American outfit takes them to a whole new level with the perfect blend of blasting aggression, crafty tech proficiency, and dramatic atmosphere.
Our first introduction to the band was this summer during their European festival run at Brutal Assault. With an unusually high amount of security guards in the photo pit, we were not prepared for how as the band hit the stage, waves of people started crowd surfing and moshing to the band’s relentless music (see some of our pics here). The album wastes no time in establishing its dominance with the piercing opener “Welcome Back, O' Sleeping Dreamer”, which nicely builds up with atmospheric arrangements until it blasts open with crushing drumming and Will Ramos insane vocals. This track, and most of the album, has a very unique vibe as it feels like a mixture of Cradle of Filth/Dimmu Borgir and The Black Dahlia Murder, but on its own level of intensity.
Completely blowing us away with their EP “The Baring of Shadows”, earlier this year, we now have Kardashev’s sophomore full-length release and it is even more grandiose than their EP. Featuring almost one hour of music, this release delivers the perfect balance between aggression, technical proficiency, atmosphere and melancholy, in one very unique and explosive package.
After setting a very mysterious and imposing mood with the spoken words and atmospherics of the opener, “Silvered Shadows” shows the band at its element with a lush mixture of Progressive/Death-core/ and Post-Metal. This amalgamation of styles creates a very sublime and dreamy atmosphere, nicely bleeding into pieces like “Apparitions in Candlelight”, “Lavender Calligraphy”. Which nicely combines a mix of dreamy clean and crushing growls.
Unleashing one of the most punishing and oppressive releases of 2021, today we have Carnifex and their latest opus “Graveside Confessions”. With all the pent up energy of not being able to tour during the pandemic, Scott Lewis and company return with a vengeance striking with 15 tracks and over 63 minutes of crushing Deathcore. What makes this release standout is that it is beyond brutal, something the listeners will certainly appreciate.
Opening with the album title track, the band unleashes a brutal onslaught of harsh screams, pummeling drums, and incisive riffs that will rattled the listener off his seat. The heat is on as tracks like “Pay for Peace”, “Seven Souls”, and “Cursed” continue the violence, but with some interesting atmospheric elements thrown into the mix, making the band’s sound have more depth and variation. For example, “Carry us Away” has a very melancholic edge to it, while the typical Deathcore aggression is front and center.
When a band usually says that their latest album is the heaviest to date, they are usually just playing the marketing game. However, once in a blue moon, this is actually true, and “Wallflowers” from Jinjer is one of those rare exceptions. Featuring an even more explosive and expansive sound than before, this release will certainly propel the band’s status thanks to its incisive and crafty songs.
The band opens with the in-your-face track “Call Me A Symbol” and never looks back, from Tatiana’s mountrous harsh vocals to the throbbing bass guitar and crafty drumming, this track sets a very intense pace. Songs like “Colossus”, “Vortex”, and “Disclosure!” perfectly showcase the band’s versatility and explosivity, going from playful clean vocal passages to crushing guitars and diverse tempo changes.
Creating a very unique and distinctive sound, today we have Kardashev and their latest EP “The Baring of Shadows”. Self-proclaimed as “Deathgaze”, the band’s music merges elements from bands like Deafheaven and Alcest with proggy Deathcore elements. We have to say that this mixture is quite excellent as it delivers over 25 minutes of lush and melancholic music, while keeping a nice dose of heaviness.
Opening with “A Frame. A Light”, we instantly got the Deafheaven “Sunbather” chills as the track starts with very dreamy guitars. Slowly building momentum, we get lush clean vocals and sweeping guitars to serenade you into submission. The tempo changes are subtle and nicely contrast the harsh vocals and more distorted parts with richly atmospheric clean vocals and mellow passages. Right after the first song, “Snow-Sleep” shakes things up delivering a more traditional Deathcore aggression with nice mellow interludes.
Not being huge fans of Deathcore music, it was a nice surprise when Aversions Crown release bleed into our review playlist and we found ourselves doing a double take on “Hell Will Come For Us All”. Blending Technical Death Metal elements with Deathcore onslaughts, this Aussie band delivers nearly 40 minutes of punishing music that is quite brutal and yet intricate and complex. If you like bands like Obscura, Necrophagist, and the like, you will definitely be interested in giving these guys a shot.
Delivering a swift opening blow with “The Soil”, the band unleashes all hell with their singular brutality and technical proficiency. As “Born In The Gutters”, the breakdowns do appear here and there, but they are well crafted into an intricate onslaught of crushing riffs, hyper fast drumming, and an intense tempo. This track reminds us a bit of the earlier days of The Black Dahlia Murder.
Unleashing a very unique amalgamation of different styles, today we have Germany’s Ancst and their crushing release “Ghosts of the Timeless Void”. Blending Black Metal with Hardcore and Crust elements, the band crafts a very punishing and direct sound that is not for the faint of heart and weak of mind. Delivering over 41 minutes of music, this release will have you listening to it over and over to discover all the intricate layers build on-top a very aggressive foundation.
Opening with the melodic guitars of “Dying Embers”, the band quickly escalates the situation with blistering drums and hyper aggressive vocals. The complexly crafted brutality is quite interesting and it allows the band to explore multiple combinations of genres in a very chaotic and yet directed way. While songs like “Shackles of Democracy” have melodic undertones, the punkishness of “Concrete Views” allows the band to pivot from what the listener expects into what they are most comfortable doing.
Elevating the definition of musical violence to the nth power, today we have Teethgrinder from the Netherlands and their crushing Grindcore/Brutal Death Metal music. Delivering nine pummeling tracks, this release rivals Anaal Nathrakh’s “The Whole of the Law” for the most mercilessly brutal release of 2016.
The band preps the listener with the dissonant sounds of the deranged intro track “Sommambulant”, a piece that somewhat describes the madness that is about to take place in this release. Shit gets instantly real with the violent screams of “The Soil has a Thirst for Blood”, a track that is both intense and punishing thanks to the killer drums and ravaging riffs. We particularly enjoy the sporadic audio clips inserted on tracks like “Isolation” and “Pale Flowers”, which remind us a bit of the song intros Macabre uses.
Hailing from France, today we have Melo-death/Deathcore/Modern Metal outfit Master Crow and their sophomore release “Die for Humanity”. Delivering over 44 minutes of crushing music, the band nicely showcases their influences from bands like The Black Dahlia Murder, Whitechapel, Death, Cynic and others in between. While not very original, the album is quite enjoyable since it features tons of powerful riffs and intricate tempo changes.
Led by vocalist Julien "Nutz" Deyres, the album opens with the strong “Die for Humanity”, a track which mixes melancholic melodic sections with a funky bass guitar line. The band continues their brutal onslaught with the more Deathcore/Modern Metal influences tracks “Down from the Sky” and “Road of Vice”. It is quite interesting how the band manages to blend old-school Melodic Death Metal elements with their more modern influences and still sound fresh.
Hailing from Italy, today we have Deathcore battalion Despite Exile and their latest EP titled “Disperse”. Usually not a fan of the genre, when a band commands of attention it means that the have unique elements to make them stand out from the rest. Delivering five tracks and two interludes, the band crushes the competition with a perfect balance of melody and aggression that only a handful of bands can master. While not as crushing as The Black Dahlia Murder, this band does not lag behind with excellent moshing passages and solid melodic head banging moments.
Leading the charge with the melodic “Act I – Gaze of Leviathan”, we instantly got a certain Soilwork vibe from the first few minutes of the track. This playful and very melodic piece brilliantly weaves back and forth from all out brutality to excellent momentum-building sections. Seamleasly bleeding into “Act II – Panoptic Servant”, the band changes the pace to crushing a more typical Deathcore with funky tempo changes thanks to some killer drum patterns.