With the current popularity of Post-Rock and its variations, we have recently received tons of album submissions of this genre but there are only handfuls that are very interesting and pleasant to listen to. “Esperar Eternity” is one of those select few albums that we can say are pretty solid and should be purchased. Featuring five tracks of Ambient Post-Rock from Lyan and four tracks from Blien Vesne (post-rock), this release has a very high atmospheric content that should be heard.
Opening the release with the Ambient sounds of “Toi Cho Doi”, we are treated to beautiful landscapes for melancholy. This song nicely creates an atmosphere of peace that will calm even the most hyper person in the world. The magic continues with “Cotton House”, where there are some electronic-like elements and ethereal vocals added to the mix. “Childhood’s Seasons” follows the same path but with a deeper atmosphere, a very magical song (and our favorite from the Lyan side of things).
As one of the most beautifully crafted releases of 2011, today we have Falloch’s debut album “Where Distant Spirits Remain”. Featuring 7 tracks of emotional atmospheric post rock/Metal with shoegaze and Black Metal, this release is set to take the scene by surprise due to its intricate design and flawless execution. If you are a fan of bands like Les Discrets, Alcest, Wolve in the Throne Room, Lantlos, etc, you will be blown away by the quality of this album.
Formed by Andy Marshall and Scott McLean in Glasgow, Scotland, this very young and promising band has managed to capture both emotional landscapes and beautiful imagery through highly atmospheric and nostalgic music. With an emotional layer of vocal styles paired with dreamy guitars and ethereal atmospheric elements, “Where Distant Spirits Remain” is one of those albums that you will not be able to put away after one listen.
As one of the most ambitious self-released albums we have received in years, we have Lebowski’s musical opus “Cinematic”. In this release, the band culminates a 5 year writing process in the shape of a sound track to a non-existent movie as they put it. Being the band’s first full-length release, we are sure they will turn some heads along the way with such a professional and rich production.
The variety of textures created by the moods and instruments is outstanding, all the elements come together magically in such a way that you can visualize the atmospheres created by the band in each of the 10 songs presented in this release.
At The Soundawn comes from Italy and are here to show us what they are made off with “Shifting”, the band’s second release. For a band so young the musicianship in “shifting” is pretty impressive to say the least. Fusing Post-Rock, Post-Metal and even some Jazzy influences, the band will easily draw comparisons to Cult Of Luna, Mowgai and similar artists.
While there are countless of boring Post-Rock/Metal album, “Shifting” is one of the best we have heard this 2010. The band does an excellent job at creating haunting atmospheres and instrumental passages to transport the listener into a different world. Featuring healthy doses of raspy vocals and aggressive parts, this release does not fall into the ‘too much atmosphere, not enough content” category that many bands playing this genres of music do.
As one of the most complex and intricate albums we have received in 2010, “Heliocentric” is an interesting release that will keep you guessing what’s next until the album comes to an end. The band does a great job at mixing Post Rock influences with Progressive elements.
Compared to their previous release “Precambrian”, “Heliocentric” is less complex and shows how the band is consolidating on a sound and sticking to it. This new release does have moments when they use cello, trumpets and other things, but it’s never abused and just complements the music very nicely.
When I first started listening to this album and the intro song “Red Sun Sets” was over, I thought I had the wrong promo on my playlist since the band’s music sounded like a demo tape for a Coldplay/U2 song. The guitars were rough and the percussions were too calm from what I expected from a BM band, then minute 1:50 hits and there are some weird Bono style vocals that made me double check that I was listening to Svarti Loghin and not some shitty U2 album that somebody sneaked into my computer.
After the initial shock, I went to the band’s myspace and found out that in fact that is how the album starts. If I would have waited 30 seconds more I would have heard the shrieks and all I would know I had the right album. As you can expect, Svarti Loghin plays a very interesting sounding Black Metal that will surely shock a bunch of people if you are expecting furious blastbeats and incontrollable shrieks for desperation.