Other

  • Frozen Ocean – Oneiric In Geocentrism (2011)

    cover

    Extremely productive one-man project Frozen Ocean delivers their one of their four full-length releases of 2011 with the transcendental “Oneiric In Geocentrism”. Featuring over 65 minutes of nightmare-inducing Dark Ambient/Drone music, this release feels like a journey through space. While we are bigger fans of Frozen Ocean’s Atmospheric Black Metal, this album delivers a similar vibe that will send chills down your spine.

    Setting off with “The Striding Watchtower”, the mood is very mystic and ethereal allowing the listener to fully immerse into Frozen Ocean’s world. Our sidereal journey continues with the tense “A Chink in Coelosphere” and “Levitation”, two tracks that clock in around 24 minutes of intense atmospheric brilliance. On a lighter note, “Quiver in the Voidrift” releases some of the tension initially, but keeps the album’s flow going very steady.

  • Frozen Ocean – Steamworks: Hibernation (2009)

    cover

    Limited to a short run of 62 CD-R copies, Frozen Ocean presents us with their 2009 EP titled: “Steamworks: Hibernation”. With a behemoth 30+ minutes song, this release is a good stepping stone into understanding the band’s evolution and how Vaarwel’s skills have been changing over time. With a constant stream of releases Frozen Ocean is one of the most active bands we have heard of, so it is nice to hear a bit more from their musical origins.

    Immediately starting with some droning percussions, the album has that unsettling vibe with a martial touch to it. The atmosphere is quite heavy and tense as it slowly builds up. The ritualistic percussions are quite interesting and give it a different vibe to what we have heard in the past from Frozen Ocean. As the song mellows out around the 20th minute, some of the tension gets released and we can finally move over from the edge of our seat.

  • Fallen Tyrant – No World to Win, a Life to Lose (2013)

    cover

    Delivering pummeling waves of punishing Black Metal, today we have Germany’s Fallen Tyrant and their debut full-length “No World to Win, a Life to Lose”. With eight tracks and over 35-minutes of crushing music, this release is one of the most devastating BM albums of the year, paired with Watain’s latest opus.

    The album opens with a very traditional and at moments Black’n’roll-ish “Fallen Tyrant Rising”. This track immediately unleashes the powers of the band and showcases their killer riffing and powerful vocals. Reminding us of newer Gorgoroth and other bands like Lord Belial, the punishment continues with the killer “Exaltation” and “Bortrykkelsen”. The band also has a melodic aspect to their BM and you can how crafty they can get with tracks like “To Finnmarken”.

  • Tarja – Colours in the Dark (2013)

    cover

    Three years after “What Lies Beneath”, iconic singer Tarja finally returns with another bombastic release titled “Colours in the Dark”. Ever since her departure from Nightwish, Tarja has constantly been delivering amazing releases filled with her characteristic vocal style and expertly crafted with world class musicians to produce some of the most exciting and lush Symphonic Rock/Metal releases of the last few years.

    Opening with the engaging “Victim of Ritual”, we get an excellent balance between catchiness, operatic singing, and explosive musical arrangements. Surrounding herself with musicians of the caliber of Mike Terrana and Max Lilja (ex-Apocalytica), Tarja manages to create very elaborate songs that fit her vocal skills perfectly and allows them to shine to the max. This release is filled with very energetic tracks such as the melancholic “Lucid Dreamer” and the engaging “Never Enough”. Other songs take darker and more classical approach like the excellent “Mystique Voyage”.

  • Merkstave – Merkstave (2013)

    cover

    Undeground Funeral Doom legends from the US Northwest finally see the ‘proper’ release of their demo materials with this monumental self-titled LP release. With three songs clocking in at a total of 44 minutes of gut-wrenching Doom, this release has that raw and analog vibe of bands like Thergothon. As the songs were originally released on tape, we are unsure if these versions are newer recordings or just re-mastered originals, but what we are sure is that they are as crushing as you can get.

    Opening with the behemoth “Lament for Lost Gods Pt.1”, the band starts on a very tranquil and slow paced stage. Their sound is very consistent to bands like Shape of Despair and such, but it differs with the usage of mournful clean vocals and some Black Metal-esque screams. “Lament for Lost Gods Pt.2” nicely continues the flow of the release with sparse guitars at the beginning, slowly leading up to some very harsh and brutal sections. The band does a great job in creating very well timed speedups that nicely contrast the passivity of the general flow of things.

  • Scout Paré-Phillips – Fields of Ash (2013)

    cover

    Being very far from your average Infernal Masquerade release, today we have Scout Paré-Phillips and her 7” release “Fields of Ash”. Featuring two haunting tracks, this very short but effective release will grab you attention since the first minute and will never let go. Being a member of The Sterling Sisters, Scout Paré-Phillips manages to craft two very unique songs that cannot be missed by any fan of Neo-folk music with mesmerizing female vocals.

    The opener track is “Fields of Ash”, a nearly three minute tune that starts with beautiful acoustic percussions and ethereal vocals. The simplicity behind this mesmerizing track is perfect for the excellent vocal melodies and basic instrumentation. The second song, “In the End”, takes a more dramatic twist and enables Scout’s vocals to shine through the melancholic acoustic guitars. This track has a considerably darker edge and a very relaxed soothing vibe.

  • Winterblood – Herbstsehnsucht (2013)

    cover

    Making its way from Germany, today we have Winterblood and their debut full-length “Herbstsehnsucht”. Mixing Black Metal with some Doom elements, this Post-BM release is one tough cookie to crack. At first some things seem a bit rough, but once you get the whole picture of the album it comes together nicely in a very unconventional way.

    The album starts with the mysterious opener “Nur der Tod hat mir Erlösung gebracht”. In this track the band nicely builds up to some brutal sections with harsh screams. While the music is well-crafted, the drums are programmed and sound a bit fake in some points. We are usually very picky about this, but most of the time you can’t tell them apart. Taking the opposite approach, “Mit jedem Abschied wird Erinnerung geboren” starts very heavy and slowly mellows out as it concludes. The atmospheric sections have some Drone-like elements and really help setting up a dark and cavernous mood.

  • Acacia – Tills döden skiljer oss åt (2013)

    cover

    Just when you think you have almost heard everything under the sun, it comes a truly moving release like Acacia’s debut full-length “Tills döden skiljer oss åt”. Melancholic and depressive are adjectives that barely start to describe the mood and atmosphere of this soul (and spirit) crushing album. Formed originally under the name of Livsnekad, this Swedish outfit manages to deliver 61 minutes of truly moving music that we will do our best to try to do justice while describing.

    The solemn piano opening of “Död mans mask” really builds anticipation and once the clean vocals come on, the mood suddenly gets even darker. As “Förnimmelsens lund af längtan” opens, the riffs remind us a bit of bands like Draconian and Desire with a certain atmospheric touch of My Dying Bride. Being huge fans of Death/Doom Metal, the growls are up to par to any of the heavy hitters of the scene, a very important element to contrast the atmosphere of the music. The Black Metal influences kick in and elevate the music to a whole new level, featuring extremely contrasting brutality with a highly atmospheric content. As the song winds down, we get some nice Post-Rock/Depressive Rock final minutes that serve as a relaxing culmination to this excellent track.

  • Black Magician – The Pursuivant (2013)

    cover

    Delivery waves of Pyschedelic Retro Doom Metal with some Rock influences, today we have Black Magician and their EP titled “The Pursuviant”. In this very unique but short EP, slated to be released on 7” vinyl, this UK band manages to craft a very mystical and unique sound that ranges from heavy Doom passages, to all out Hammond Organ-fueled psychedelic sections. While never lacking creativy, this is one of the most interesting EP’s we have received in a while.

    Opening with the pounding album title track, the band seems to be going down a straightforward Doom path, but as soon as the organ kicks in, the mood drastically changes. The band manages to fuse into the heavy riffs some very cool organ arrangements paired with interesting guitar leads. This track immediately shows that this band has a very unconventional sound.

Pages

Recent Image Galleries