Black Metal

  • Chthonic - Bú-Tik (2013)

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    After gaining quite a boost on outside of Taiwan popularity with “Takasago Army”, Chthonic returns with another very intense and equally interesting release. With “Bú-Tik” the band continues with their very thematic lyrical context and their majestic music that mixes Melodic/Symphonic Black/Death Metal elements with lush arrangements and authentic instrumentation. Proving that their last album was not a fluke, “Bú-Tik” continues with their musical intensity, and delivers ten tracks of top-notch quality.

    The album opens with the very dramatic “Arising Armament”, a lush instrumental intro with a very tense vibe. The band’s musical magic continues with the powerful “Supreme Pain for the Tyrant”, a very aggressive yet atmospheric and catchy track. The vocals of Freddy Lim are impressive, and add that extra level of intensity to the music. “Sail into the Sunset’s Fire” keeps things rolling with blistering drumming and excellent riffing, a highly underrated skill from the band if you ask us. Featuring some excellent solos, this track is one of the best of the album.

  • Astarium – Wyrm of Melancholy (2012)

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    Rounding up Astarium’s promo package, today we have “Wyrm of Melancholy”, the band’s 2012 full-length release originally self-released and then released by Metallic Media, which is the version we are reviewing. In this 55-minute epic, we get to hear SiN fully develop a full-length release that is quite cohesive and very effective. Having only reviewed short EP’s from the band, it is quite clear now that Astarium has more than enough depth to keep somebody engaged for almost an hour with this release.

    Instead of taking the traditional instrumental intro, “Unrelieved Solitude” opens up with some very creepy whispers and screams accompanied by distorted guitars. The atmospheric synths are again overpowering and very nicely set a creepy vibe. Having more ‘time limit’ freedom, the songs in this release are slower to develop, but always having very interesting and melancholic passages, like on “Kingdom of White Madness” and the minimalistic instrumental “Voices from the Night Sky”.

  • Astarium – Ostracism of Anachoret (2011)

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    The highly atmospheric Astarium strikes again with their 2011 EP titled “Ostracism of Anachoret”. In this bone chilling release this one-man band continues with their highly creepy and theatrical music and delivers 4 very solid tracks filled with eerie atmospheres and sorrowful shrieks. Having been released and re-released multiple times since 2011, we are writing this review based on the Hexenreich Records highly limited edition that we got in the mail.

    Opening with the lush “Birth of the Flame”, the band sets a very creepy Dracula-esque mood with excellent orchestrations and a tense development. The guitars finally appear on “Recantation by Death”, a track that keeps the same atmosphere but delivers some very solid riffs and shrieks. The drums are clearly programmed, but they don’t sound as fake as many one-man releases, and they nicely set the pace for the track.

  • Gmork / Astarium / In Tenebriz - Mysterious Winds of Ancient Past (2012)

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    Arriving from Russia, today we have a very solid split release between Gmork, Astarium and In Tenebriz. All of the bands here are Russian, and they play different variations of Atmospheric Black Metal. With almost four songs each on this release, we get a very good glimpse about each band’s style and their unique features. If you are a person looking for new bands to like, this is the perfect release to get an impression of three talented groups.

    Gmork opens up the release with four Russian titled tracks so we avoid the embarrassment of writing their names here, and will just refer to the by number. The first song opens with some cool spoken (in Russian) section and it slowly moves into atmospheric territory with some cool synths and very simple and effective guitars. Howling winds open the second track as it starts revealing its very regal and medieval-esque atmospheric elements. The harsh vocals make their appearance and provide a decent combination of growls and more BM-esque screams. Our favorite track from this band is their last song on the split, allowing them to show a very unified and diverse style. Combining melancholic guitars with tight drums and very enjoyable atmospheric elements, the band left a very good impression on us.

  • Nemesis Irae – Eradikate Kampaign (2013)

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    Hailing from Belgium, today we have Nemesis Irae and their latest crushing release “Eradikate Kampaign”. Featuring eight tracks of devastating Black/Death Metal, this release is very raw and powerful, perfect for fans of old-school music from the genre. Delivering pummeling riffs and massive drumming, this Belgian band pummels through this release in a very stylish and aggressive way.

    Opening with the hectic “Karnage”, the band instantly makes an impact with their powerful guitars and demonic vocals. The combination of screams and semi-growls is quite effective and gives an extra boost to the band’s already powerful sound. The releases provides a healthy mixture of powerful and to the point short songs with other tracks going over four and a half minutes being a bit more complex and elaborate.

  • Ash Borer – Cold of Ages (2012)

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    As one of the most brutal USBM bands of these days, Ash Borer has carved a name for them with crushing and relentless Black Metal brutality with some Noise/Drone and weird FX’s to add to their music. Originally released in 2012 by Profound Lore Records, today we have the Double LP version of “Cold of Ages”, one of the most devastating records of 2012. Released by Pesanta Urfolk in extremely limited quantities, this is one release you must hear on vinyl.

    Opening with the sheer brutality of “Descended Lamentations”, the band delivers a 16-minute song of epic proportions. The drumming is hellish, the riffing is ultra-powerful and the screams are phenomenal. The band achieves an extreme level of brutality that almost no USBM band has ever come close to. Our favorite track in this release is “Phantoms”, thanks to the sick opening riffs and the weird outro that the track features.

  • Frigoris – Wind (2013)

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    Arriving this June on Hypnotic Dirge Records and Misanthropic Art Productions we have Frigoris and their sophomore release “Wind”. Perfectly mixing acoustic guitars with melancholic Black Metal, the band creates a very powerful and emotional atmosphere around their songs. Hailing from Germany, this band is an ideal match for fans of bands like Agalloch, Fen, and Woods of Ypres, and older Empyrium.

    Opening with the mysterious intro “Windgeflüster” that features some nice acoustic guitars and whispers, the band fully explodes with “Zwischenwelten”. This straightforward Pagan/Black Metal track is quite melancholic and perfectly crafted to create a special atmosphere. The BM harsh vocals are quite good, but what elevates this release is the creepy whisper/acoustic guitar combination that bands like Empyrium have used in the past.

  • Lychgate – Lychgate (2013)

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    Delivering a very impressive debut self-titled album, Lychgate combines highly atmospheric music with brutal Black Metal in a very crushing and terrifying way. Featuring tracks form the band’s ‘dormant’ years, this release carves out perfectly songs that are both chilling and very harsh. With over 37 minutes of music, this release is by far one of the best we have reviewed this year when it comes to Atmospheric Black Metal.

    Hailing from the UK, the band warms up with “The Inception”, an dense and creepy mood setting intro. When the first track, “Resentment” arrives, the dramatic keyboards/organs create a very bleak and commanding atmosphere, but it is ultimately the riffing that completes the band’s awesome wall of sound. Having elements of bands like Way to End and Nidingr, the band’s sound is hellish and very well constructed.

  • Svartsyn – Black Testament (2013)

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    Out of the tons of Black Metal releases we get each week at Infernal Masquerade, there are just a handful that are worth purchasing, sadly “Black Testament” is not one of them. One-man beast Ornias returns with Svartsyn and this very insipid release that while not bad, it is just too linear and predictable to generate any positive emotion from us.

    After a quite interesting and bleak intro track, the band blasts away with “Revelation In The Waters”, a very solid and punishing BM song that sadly is the only highlight of this release. After this track goes by, the rest of the songs feel just too similar. The music is quite decent indeed, but it lacks creativity and direction. We found ourselves getting pretty antsy to reach the end of the album very single time we listened to it (over five times… we counted).

  • Aborym – Dirty (2013)

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    Ever since Mysticum and Diabolos Rising/Raism disappeared form the Industrial Black Metal scene, there have been countless of uninspired bands and releases trying to achieve the same level of brutality, catchiness, and overall deranged awesomeness of said bands. Malignant Eternal and Aborym are the only two bands that ever came close to said greatness. With “Dirty”, Aborym returns with a double CD release filled with crazy electronics and massive drums, a considerably better effort than their previous release “Psychogrotesque”.

    Opening with the average “Irreversible Crisis”, the band really kicks things off with the mega-catchy “Across The Universe”. Filled with very tense electronics and clean vocals, this track is nicely elevated by Faust’s supreme drumming abilities. The band nicely keeps the intensity up with “Dirty” and “Bleedthrough”, both very brutal tracks that are quite solid and well crafted. Our favorite track in this CD is the atmospheric “Rapped By Daddy”, a song that creates a very deranged atmosphere, perfect to creep out my neighbors by blasting it at 3 am on a Tuesday.

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