Folk

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    Tenhi – Saivo (2011)

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    After five years of ‘silence’, Tenhi band finally returns with another mystical exploration into the dark realms of neo-folk music with “Saivo”. Keeping their very dark yet lush sound intact, the band delivers 12 tracks of majestic compositions that push the boundaries of Tenhi’s sound into less traveled areas of musical exploration.

    Four years in the making, “Saivo” marks the band’s best release to date. This is due to the complexity of the songs presented and the amazing atmosphere created in this release. The dark and minimalistic passages are always present while the enigmatic vocals push the somber atmosphere into darker places. If you never heard of Tenhi before, it is very hard to find a way to explain how something this somber can be as beautiful as it is, so we strongly recommend you check out some of the band’s earlier material.

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    Aerial Run – Valleys of the Earth (2011)

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    Finally! And American act that can rival European bands in the lands of dark Folk/Neo-Folk music. Aerial Run’s latest offering “Valleys of the Earth” delivers a very engaging and ethereal album that will surely gain them some comparisons to: Ulver (very early), Empyrium (a bit less dark and lush), The Moon And The Nightspirit, and similar bands.

    The album starts with the very somber “Amends”, this track nicely features lush acoustic guitars and very depressing vocals. While the album is not reeking of originality, all compositions in this release are very pleasing a ranging between different moods. The album nicely builds up and around track six; we have ‘faster’ paced sections that unsettle the flow (in a good way).

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    Nucleus Torn – Andromeda Awaiting (2011)

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    As the last part of a trilogy, “Andromeda Awaiting” closes of the band’s previous two albums “Nihil” and “Knell” with a very melodramatic sound of beautifully constructed neo-classical/neo-folk pieces. Produced and written by Fredy Schnyder, this album has the same cinematic feeling that the band’s previous releases have presented us and provides a peaceful closure to a 4 year writing period.

    The beautiful vocals of Maria D'Alessandro adorn this release since the opening track and provide a very solemn performance that at some points (like on “II”) will give you the chills. On the other side we have some male vocals on here and there that give that extra touch to this release to make it a very personal and emotive.

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    Nucleus Torn – Travellers (2011)

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    Released as a compilation album “Travellers” features most of the band’s earlier works and two unreleased songs. All of the earlier songs have been re-worked and sound better than ever. If you are into Neo-folk and Avant-garde music, this is a brilliant opportunity to catch up with the band’s discography.

    “Travellers” starts off with the 4 songs of the “Krähenkönigin”. All of these songs are mainly neo-folk pieces and feature no vocals. Fredy Schnyder the band’s mastermind, multi-instrumentalist, producer, mixer, and jack of all trades has done a great job in making these four songs sound even better than the first time.

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    Dornenreich – Flammentriebe (2011)

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    After gaining widespread popularity with their “Bitter ist's dem Tod zu dienen” album, one of the first ones to introduce Folkish elements with Black Metal back in 1999, the band has been constantly experimenting and releasing more and more interesting album every time. While plenty of people never understand the path of a band like this, we have loved almost every single album this band has put out.

    On “Flammentriebe”, the band returns to some of their most brutal roots and delivers one hell of an album.  Featuring 8 tracks of atmospheric neo-folk/classical metal with Black Metal attacks, Dornenreich makes it very hard for us to find a band that has done it before as graciously as them in this release. Each track is beautifully adorned with the amazing violin skills of Thomas Riesner and with Moritz Neuner back on drums, the sonic aggression never stops.

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    Ironwood - Storm Over Sea (2010)

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    With a very confusing approach to music, today we have Ironwood, a band that seems to suffer from multiple personality disorder and plays a very wide variety of music genres in a very disconnected way. However, at some moments the band reminds us of Borknagar and such bands that mix and match genres in very crafty ways.

    Hailing from Australia, “Storm Over Sea” is Ironwood’s second full-length release and shows the band trying to find their own sound, or just playing a bunch of random things together and hoping for the best. Starting off with “When it’s all Over” a very Folk/Progressive piece, the band will surely grab your attention, but will confuse you immediately after with “Hail Sign” a very ‘random’ song in our opinion.

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    Fejd – Eifur (2010)

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    The Rimmerfors brothers are back and so is their very elaborate and catchy brand of Swedish Folk music with some hints of Metal influences. Completing the band’s line-up we have three fifths of Pathos / Nostradameus bringing the Metal side of things with solid drumming, a nice bass guitar line, and keyboards.

    Being the band’s sophomore release (and second in a two year period), “Eifur” is a very diverse album that will grab the attention of any Folk music fan due to it’s brilliant instrumentation and catchy melodies. Again all the lyrics are in Swedish so most of us will be deprived of actually knowing what the songs are about, but the music alone is enough to hook us into this release.

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    Various Artists – Whom the Moon a Nightsong Sings (2010)

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    Prophecy Productions has always been a label associated with top acts in the Neo-Folk / Neo-Classical genres, and with “Whom the Moon a Nightsong Sings”, the label puts together a very comprehensive package of top bands of the genre in the shape of a two CD/LP compilation of exclusive and rare tracks. While some people might call it a money-grabbing attempt from the label, we have to recognize that every single track in this release is of the outmost quality and creates a very cohesive atmosphere around it.

    Featuring exclusive songs from bands like Empyrium, Nest, Nebelung, Tenhi, October Falls, Les Discrets, and Dornenreich among others will surely make fans of the bands and the genres immediately acquire this release as a essential addition to their collection. Other might be enticed by ‘rare’ tracks such as “Synen” from Ulver, and “Apres l'Ombre” by Les Discrets. But the most important thing here is the chance of getting a wide variety of bands together in a double release that will serve as a perfect starting point for people looking into the genres.

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    Orphaned Land - The Never Ending Way of ORwarriOR (2010)

    Orphaned Land has the very daunting task of creating an even better release than “Mabool”, and they have somewhat succeeded in this almost impossible task. The band has refined their music greatly, and while this release is very good, they are miles away from the complexity and intricacy that “Mabool” offered us.

    “The Never Ending Way of ORwarriOR” is a great release and it brings the Middle Eastern Folk influences that the band has showed in the past to be the main focus of this release. I love when bands use different elements in their music as a complement, not as a main gimmick in order to create shock value.

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    Kraftheim - Midgards Zorn (2009)

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    "Midgards Zorn" found it's way from Germany to our lair last week and as soon as we popped the CD in we got hooked into it. This band plays a very interesting mix of Viking Metal and Rock with some influences of Punk (like Glittertind).

    Kraftheim's album features 11 songs all sang in German which gives this album that German Rock dimension as well, making the band extremely versatile when it comes to combining genres allowing them to have a fresh sound, something that is hard to come by in the last few years.

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