As the perfect companion for those gloomy days ahead, today we have Nergal’s Me and that Man band delivering “New Man, New Songs, Same Shit, Vol.1” a masterful apocalyptic/dark folk/rock release. Featuring eleven tracks filled with guest appearances this release unleashes an emotionally charged atmosphere filled will bluesy and folky vibes. If you are into Hexvessel, Grave Pleasures and King Dude, this release will hit close to home.
The release opens with the imposing “Run With The Devil”, which Jørgen Munkeby on vocals and sax, giving the song a very lively mood thanks to its catchiness and simplicity. Darkness descends upon listeners with the bluesy “Coming Home” and the eerie folky “Burning Churches” with Mat McNerney handling vocals alongside creepy chorus arrangements and lush acoustic guitars.
Unleashing a truly unique release, today we have Austria’s Vinsta and their full-length release “Drei Deita”. Perfectly blending Folk elements into and engaging Progressive/Melodic Death Metal core, this band delivers a very interesting and harmonious sound. With nearly 50 minutes of music, we are treated to brilliant melodic passages, catchy riffs, and dreamy parts. Imagine a mixture of Insomnium with Opeth and the Folky edge of early Kauan.
After the traditional instrumental intro, “Weisse Deckn” creates a very lively and ethereal atmosphere with the contrast of dreamy vocals and powerful guitars. This track also introduces the band’s folkier side with lush violins in a very dramatic melodic passage. Weaving back and forth between their two main styles, tracks like “Oafocha Loda” nicely build up the atmosphere and reach its crescendo with crushing guitars and harsh vocals.
We find ourselves again reviewing a magical 7” EP that came our way through Nordvis Produktion. Prag 83 is a German entity that delivers enigmatic Folk music in the vein of Hexvessel, King Dude, Antimatter, etc. with some mid-career Katatonia influences.
The EP starts with “Circle”, a very somber song that reminds us of Antimatter with a lounge feeling. The guitars are quite enigmatic and the overall mood quite mellow and a bit creepy, in a good way. This is the type of dark Folk music we truly enjoy, particularly when it is nicely executed and simple, this is, there are not too many over the top elements added just for the sake of being more ‘authentic’.
Unleashing one of the most lively and engaging Folk Metal releases of 2019, today we have the legendary Eluveitie with “Ategnatos”. With the ‘new’ band members settled, this release delivers a more cohesive and in a certain way exploratory sound that further improves the band’s catchiness with more upbeat and exciting elements. Featuring over 60 minutes of music, this is a release that all fans of the band will love and enjoy.
Leading with the album title track, the band quickly starts telling their story and sets a very ‘medieval’ mood with their lush instrumentation, rich vocal arrangements and powerful distorted guitars. The band’s uncanny abilities to perfectly mix their Melodic Metal side with intricate arrangements of folk instruments is top not as we can hear in the multi-faceted “Deathwalker”. For those looking for the folkier side of things, this release does not disappoint with excellent tracks like “Black Water Dawn”, “The Silvern Glow” and “Trinoxtion”.
After their brilliant and lively debut “This is the Sound” back in 2017, Cellar Darling quickly established themselves as one of the most promising up-and-coming Folk Metal/Rock bands in the scene. With “The Spell”, the band builds up on their earlier sound and turns into more Progressive territories with 13 superbly crafted tracks. Featuring a wide variety of folk elements , the super talents of Anna Murphy on vocals, and proven song-writing capabilities, the band delivers one of the best releases of their genre in 2019.
Opening with “Pain”, we notice and instant shift into darker and more progressive territories. The band continues to deliver their signature lush vocal arrangements, but in a more conservative and yet engaging manner. As “Death” and “Love” roll in, the band’s sound feels like a combination of Kari Rueslåtten’s folkier works with Anneke van Giersbergen’s charisma and sense of melody. This is quite a killer combination we have to say, however, of course Cellar Darling imprints their own ideas and style in the mix.
Unleashing a very lively proggy release with “Aeon Chaser”, Norway’s Oberon self-labels their music a Gnostic Rock and they are not very far from the truth. Exploring a wide palette of sounds in their 11 songs, the band perfectly pairs acoustic passages with tons of atmospheric elements alongside a Progressive/Folk Rock core. In a similar vein than bands like Anathema, this release contains very well crafted songs that have a high replay value.
Opening with the dreamy “Omega”, we are instantly taken on a very trippy journey with songs that remind us of outfits like Yes and Marillion. The band’s progressive core allows them to craft intricate songs like “Walk in Twilight”, “The Secret Fire” and “Surrender” filled with memorable guitar melodies and soaring vocal arrangements. For those that like dreamier songs, “To Live to Die” crafts a very delicate atmosphere that nicely progresses as layers of additional elements like subtle piano arrangements are introduced.
Only making us wait for ten years, we finally get another brilliant release from Noekk, even if its a short 7 inch one. With “Carol Stones and Elder Rock”, Schwadorff and Thomas Helm tease listeners with four tracks of their upcoming full length release. Full of lush and yet simple arrangements, this release continues the band’s legacy with some unique and mysterious songs that will certainly captivate fans of Dark/Folk Rock.
The wait is over with the somber intro track “A Loss”, which creates a very dark and yet mysterious atmosphere that brings you back to the band’s earlier work and reminds you as well of outfits like Of the Wand and the Moon and Empyrium. The transition to “Pan” is seamless and leads into a lush keyboard atmospherics and haunting string elements. The pace is quite well crafted as it creates a bit of an anxious feel, but at the same times soothes the listeners with its atmospherics.
Formed by ex-Eluveitie members: Anna Murphy, Merlin Sutter and Ivo Henzi, Cellar Darling perfectly combines Folk elements with Metal and Rock to create a very lively and unique sound that will captivate audiences. Led by the charismatic vocals of Anna Murphy, this release delivers 14 tracks of superbly catchy and engaging music that will stick in your head long after you stop listening to it.
Opening with the killer “Avalanche”, this track features one of the catchiest chorus sections of 2017. The band keeps minor Eluveitie influences with their folk elements, but they focus on making killer vocal melodies and playful instrumentations that perfectly define their own identity, as we can hear on tracks like “Black Moon”, the brilliant “Challenge”, and the hard rocking “Hullabaloo”.
Hailing from Norway, today we have the return of Tusmörke and their whacky retro mixture of Psychedelic Rock with Progressive elements. With a hearty 60’s/70’s vibe, this release has a very warm and fuzzy sound that is brilliantly complemented by folky rhythms and very fitting vocal arrangements. Slowly refining their sound over the years, the band is still as original and crazy as when we first got introduced to them back in 2012 with their “Underjordisk Tusmørke” release.
Opening with the festive “Hjemsokte Hjem”, the band sets the mood with funky percussions, energetic flutes, very melodic vocal arrangements, and dreamy atmospherics. Moving into more proggy and psychedelic territories, “Rykende Ruin” is a song that slowly progresses with very catchy synths and flutes leading the way. We particularly love how the band layers multiple elements to deliver a very retro and yet unique sound that is unlike any other band these days.
Fittingly bearing what it looks like a psychoactive toad on its cover, today we have Tusmörke and their trippiest release to date “Fort Bak Lyset”. Combining psychedelic and folk elements ina a very proggy way, the band crafts seven unique pieces that are beyond original and totally weird. If you are looking for weird psychedelic music, this is probably as weird as you are going to get in 2016.
Opening with the Jethro Tull-esque “Ekebergkongen”, the band sets a very odd stage with tons of psychedelic atmospheric elements and very proggy music. Entirely sung in Norwegian, the music in this album explores all kinds of weird folk corners as we can hear on “Et Djevelsk Mareritt” and “De Reiser Fra Oss”. While one can quickly picture a bunch of geeky larpers frolicking around with their foam swords to this music, we have to say that even this is too weird and out of the ordinary (in a good way!) for said sinister purposes.